Atmospheric Black Metal

Velothian – Mythic Dawn Review

Velothian – Mythic Dawn Review

“If, like me, you played a lot of the original Elder Scrolls IV: Oblivion (2006), then you might agree that the game has a nigh unbeatable vibe. The densely forested hills rolling into the distance, the subtle call of a nearby Nirnroot, the grossly overconfident mudcrabs, the endearing jank of two townspeople conversing like they’ve only just discovered human language; it’s a distinctly cozy high fantasy setting that feels like home in a way few modern games could hope to replicate. Thus, I was excited to learn that Velothian, the epic post-black metal act that was previously featured on the 2024 EP Roundup for their Elder Scrolls III: Morrowind-themed EP Path of the Incarnate, now draws from Oblivion as inspiration for their debut full-length, Mythic Dawn.” Scroll goals.

Swords of Dis, Serpent Ascending, Ôros Kaù, Midnight Odyssey – From the Waters of Death – A retelling of the Epic of Gilgamesh Review

Swords of Dis, Serpent Ascending, Ôros Kaù, Midnight Odyssey – From the Waters of Death – A retelling of the Epic of Gilgamesh Review

“In case you’re unfamiliar, The Epic of Gilgamesh is an ancient Mesopotamian poetic narrative, whose first complete form is dated to approximately 1800 BCE. It follows a story of King Gilgamesh and his dealings with gods and other mythic monsters, culminating in a journey for the secret of immortality. What better way could there be to consume this rich, literary epic than have it interpreted by the collection of artists behind From the Waters of Death? Obscure black/doom duo Swords of Dis; death metal veteran and experimenter Serpent Ascending; Neptunian Maximalism’s darker, heavier incarnation Ôros Kaù; and ambient-black dreamer Midnight Odyssey.” Gil Ga Mesh, the perverted son, the holy man!

Ashbringer – Subglacial Review

Ashbringer – Subglacial Review

“We here at AMG are impossible to please. Minnesota’s atmo-black four-piece Ashbringer have learned this the hard way. While we lavished praise across their discography, those who giveth can also taketh away. Ashbringer’s previous outing, We Came Here to Grieve, originally received glowing remarks. Unfortunately for them, resident shark and Ashbringer connoisseur, Carcharodon, decided, upon further reflection, that the clean singing on their previous outing brought the album to a screeching halt after time and distance brought clarity. So, as if in response, Ashbringer has returned with Subglacial, and there isn’t an ounce of clean singing to be found on the album, as it provides an incredibly stripped-back sound in comparison to their previous outings.” Ashes up!

Panopticon – Songs of Hiraeth [Things You Might Have Missed 2025]

Panopticon – Songs of Hiraeth [Things You Might Have Missed 2025]

“I spent so long this summer submerged in Panopticon’s discography, once I came back up, I was overwhelmed by the amount of things I’d missed or needed to get a headstart on. Consequently, I didn’t spend a huge amount of time with Songs of Hiraeth when it first dropped; I listened, loved it, made a note to TYMHM it, and moved on. It was only as Autumn started to turn into Winter and the seasonal chill reminded me of not just my end-of-year writing obligations, but the snowy wildernesses of Northern America (and Northern Europe, where much of Songs of Hiraeth was conceived).” Calls of the wild.

Stuck in the Filter: October 2025’s Angry Misses

Stuck in the Filter: October 2025’s Angry Misses

December is the best time to browse through the October Filter flotsam, as they’re now heavily discounted like Valentine’s Day candy in August. They’re probably still fresh though. Maybe.

Yellow Eyes – Confusion Gate [Things You Might Have Missed 2025]

Yellow Eyes – Confusion Gate [Things You Might Have Missed 2025]

“Romantic sublimity. It’s the idea that something in nature or art can be both wondrous and terrifying. Few bands capture this feeling as vividly as Yellow Eyes. Led by the Skarstad brothers, the New York band has explored this duality across their catalog—from the more straightforward black metal of Silence Threads the Evening’s Cloth (2012) and Sick With Bloom (2015), to the atmospheric and dissonant soundscapes of Immersion Trench Reverie (2017) and Rare Field Ceiling (2019), and even the dungeon synth/dark ambient territory of Master’s Murmur (2023). Throughout these records, their alien guitar work, uncanny melodic sense, ability to craft music that is both beautiful and oppressive, and obsessive attention to aesthetic detail have made Yellow Eyes one of the most exciting contemporary black metal acts.” Jaundiced but beautiful.