“Unlike some of our staff, I’ve never been in a band. However, I can imagine the feeling of satisfaction in putting together and releasing that first full-length record. For every band that achieves this milestone, countless more never do. Italy’s Borrower was nearly among that number. Formed in 1993, Borrower released three demos in the ’90s, a fourth in 2005, and then disappeared until 2018 with their debut EP. Whatever interrupted their musical career, the dream remained, and they finally released their first album (and signed to a label, to boot) 33 years later with their founding vocalist, Massano Ratano, and drummer, Frank Formoso, joined by new guitarists Matteo Marzo and Matteo Marini. Behold their vision, a story of killer, humanoid demons as told through music that harks back to some of the legends of ’80s and ’90s speed metal.” Kill for metal.
Italian Metal
Gorrch – Stillamentum Review
“Founded in 2010 and hailing from Cavaso del Tomba in northeastern Italy, Gorrch is the unsettling black metal project of fraternal duo, Chrimsicrin and Droich. Now, a decade after 2015 debut Nera estasi, Gorrch plumbs the depths of the abyss, seeking to give voice to the primal fear and disgust of being covered in roiling, writhing masses of maggots.” It’s NOT a gorrch!
Stuck in the Filter: November/December 2025’s Angry Misses
2025 is fading in the rearview, but the Filters still need scrubbing. See what was left over after all the holiday debauchery.
Diespnea – Radici Review
“A black metal album bent on re-orienting the genre away from a frostbitten North and towards an imaginary sun-bleached South, the saguaro being perhaps the most resilient (and, tellingly, clichéd) symbol thereof. Ambitions often crumble against this landscape; the schemes of miners fall through, the hopeful homesteads dry into rubble, at the bodies of desperate migrants collapse in the canyons. Beauty and hostility, available in such great measure here, produce the romance of the desert, the basis for Radici.” Like a cactus in the snow.
ZU – Ferrum Sidereum Review
“Literal metals are always cooler when they come from space. A blade forged from meteoric iron is effectively the same as one made from iron you can find on Earth, but don’t tell me you wouldn’t want the space knife way more. Likewise, metal music always sounds cooler when it feels like it’s from another world. Enter ZU, the Italian jazz metal trio comprised of guitarist/bassist Massimo Pupillo, saxophonist/keyboardist Luca Mai, and drummer Paolo Mangardi.” Zu Zu pedals!
Barbarian – Reek of God Review
“Sometime in the 2010s, I started disliking music with too many flourishes and began seeking out stuff that was more stripped-down, unpolished, and primitive. At this time, Barbarian were the perfect find. Depending on the album, this Italian trio has referred to themselves as “Regressive Metal,” “Absolute Metal,” or, in the case of their sixth album, Reek of God, “Retrogarde Metal” (typo and all). Led by vocalist and guitarist “Borys Crossburn,” their sound is essentially early Celtic Frost if they were fronted by a guitar-wielding grizzly bear who had a bizarre penchant for the occasional Running Wild-style melody.” Smells like God in here!
Moon Wisdom – Let Water Flow Review
“Metal Fatigue is not a moral failing: it is a physiological phenomenon, befalling even the most honorable of headbangers. Though traditional metal can tire in its own way, Metal Fatigue mostly lurks on the severe side of the genre. Too often, extreme metal exhausts by coupling sonic monotony with album lengths more appropriate for episodes of prestige television. Given my own struggles with Metal Fatigue, I was intrigued to see Let Water Flow—a 28-minute black metal record from Moon Wisdom—sitting in the sump.” Waterborn or waterlogged?
HyperioN (IT) – Cybergenesis Review
“Formed in Bologna, Italy, HyperioN has been kicking around since 2015. When they visited these halls in 2017, Eldritch Elitist called their debut, Dangerous Days, “the strongest 3.0 possible,” citing its ability to “effortlessly [inject] elements of trash and power metal into the proceedings” and its “significant room for future growth.” HyperioN returns now in 2026 with their third full-length, Cybergenesis, a concept album chronicling an interdimensional war, humanity’s enslavement, and their eventual rebellion and liberation.” Start the cyber.
Dvm Spiro – MMXXVI – Grave Review
“As is perhaps unsurprising for a doom act, Dvm Spiro appear to have a preoccupation with death. The subtitle of their debut, MMXIX – In Frigidum Lectum is Latin for In a Cold Bed—presumably an allusion to one’s grave—and now, sophomore MMXXVI – Grave states that concept explicitly. This legacy in misery actually extends further into the past, as three of Dvm Spiro’s four members also play in longstanding Italian doom outfit Nihili Locus.” Doomed to the grave.
Dawn of a Dark Age – Ver Sacrum Review
“As 2025 winds to a close, the depleted promo pit growls with hunger, eager for the new year and a fresh bucket o’ chum. As I sift through the meager mid-December hopefuls, I detect a flash of black and silver. Snatching the promo, I discover clarinet-wielding Vittorio Sabelli and his project Dawn of a Dark Age, along with ninth album Ver Sacrum.” At the end of the year is the Dark Age.























