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Mega Colossus – Watch Out! Review

Mega Colossus – Watch Out! Review

By Killjoy on March 5, 2026 in Reviews, Hard Rock, Heavy Metal, 65 comments

“Let me start by disclosing something. I probably have the least metaphorical chest hair out of the entire AMG staff, meaning I often struggle to appreciate the more virile metal subgenres, including the “trad and true” heavy metal. But there are exceptions to every rule, and a big one is Mega Colossus. These North Carolinians have thus far been received warmly in these halls by the venerable Eldritch Elitist, and for good reason. Their euphoric cocktail of ultra-catchy tunes and clever lyrics—frequently paying homage to fantasy stories on the fringes of popular culture—is served with an infectious, fun-loving attitude. When Showdown appeared in 2024, it felt like things couldn’t get much better than that. Now, Mega Colossus is back to answer their self-imposed gauntlet with Watch Out! and continue to spread boundless cheer throughout the metalverse.” Size matters.

The Magus – Daemonosophia Review

The Magus – Daemonosophia Review

By Holdeneye on February 25, 2026 in Reviews, Black Metal, Heavy Metal, Melodic Black Metal, 39 comments

“The Magus is the eponymous band of The Magus himself. At times known also as ‘Morbid,’ ‘Magus Wampyr Daoloth,’ or even ‘George,’ the entity known as ‘The Magus’ is somewhat of a fixture in the history of Greek black metal. He contributed mightily to the scene by performing on the first two Rotting Christ full-lengths, founding both Necromantia and Thou Art Lord, and owning and producing at Storm Studio in Athens, the recording location for many of Hellenic black/death metal’s seminal records. In 2021, it was announced that Necromantia had “now descended into the Abyss” following the death of its co-founder, Baron Blood. Shortly after releasing that band’s swan song, The Magus announced the birth of The Magus as a vessel to express his Luciferian worldview.” Grand Magus?

Ennui – Qroba Review

Ennui – Qroba Review

By Grymm on February 24, 2026 in Reviews, 49 comments

“Got a question for you all: when’s the last time an album just absolutely, from out of nowhere, blindsided you and kept you enthralled for the entirety of its length on the first play? I don’t mean from your favorite bands (though that’s pretty damn cool, too), but from a completely out-of-left-field pick in the promo sump? Georgian funeral directors Ennui have been toughing it out with their craft since 2012’s Mze Ukunisa, with the then-duo working with what they had available. Now, the duo is a full-fledged band, and on their fifth album, Qroba, they hit graveyard paydirt.” Ennui for you and me.

Bizarrekult – Alt Som Finnes Review

Bizarrekult – Alt Som Finnes Review

By Dr. A.N. Grier on February 20, 2026 in Reviews, Black Metal, 71 comments

“If you know anything about grumpy ole Grier, you know he’s been dry-humping Bizarrekult ever since 2021’s Vi Overlevde. “Dry-humping” might not be the correct term. Maybe passionate lovemaking? Yeah, that’s the stuff. But, in all seriousness, this little band came out of nowhere and has been making waves in such a short time. While the debut had me glued to my seat, the follow-up, Den Tapte Krigen, damn-near bolted me down—to the point that I had to cut myself out of my pants to break free. If that had been the band’s swansong, I would have been just fine for the rest of my life. But Bizarrekult is back to ruin another pair of my pants. Behold! Alt Som Finnes!” Weird kvlt fandom.

Domhain – In Perfect Stillness Review

Domhain – In Perfect Stillness Review

By Steel Druhm on February 19, 2026 in Reviews, Black Metal, 56 comments

“For the second review in a row, I heard about a band via skimming YouTube, heard something I liked, and tracked down their promo. I’m used to working this from the other direction, but when the almighty algorithm gives, one must take and be thankful. Domhain is an atmospheric post-black metal band from Northern Ireland, and In Perfect Stillness is their debut full-length. With an emotionally charged sound and style, Domhain touches on the past works of Darkest Era, Primordial, and Agalloch while utilizing cellos and haunting female vocals to punctuate the melancholic, often grim moods they wallow in.” Dashed upon the Reefs of Grief.

Phasma – Purgatory Review

Phasma – Purgatory Review

By Kenstrosity on February 17, 2026 in Reviews, Black Metal, Death Metal, Deathcore, Hardcore, Technical Death Metal, 34 comments

“Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.” Set Phasmas to brutal stun.

Scythe – Boiled Alive Review

Scythe – Boiled Alive Review

By Grin Reaper on February 13, 2026 in Reviews, Death Metal, 55 comments

“In the midst of a recent metal deep-dive, Romania’s Scythe skulked out from a Bandcamp back alley and bludgeoned me with the flat side of their blade, knocking me senseless with scuzzy shenanigans. We weren’t graced with a promo for Scythe’s self-released debut, but Boiled Alive packs in so much grimy panache that after my first listen, I had it shortlisted as someThing You Might Have Missed. Rather than wait several months before bringing attention to Boiled Alive, though, I volunteered to burn some midnight oil and write about this quartet from Constanța.” Get in the pot!

Lone Wanderer – Exequiae Review

Lone Wanderer – Exequiae Review

By ClarkKent on February 8, 2026 in Reviews, Funeral Doom, 27 comments

“It’s no secret that funeral doom is all about death, but in case you weren’t aware, Lone Wanderer hits you over the head with the fact (don’t worry, it’s not a fatal whack). The title of their latest record, Exequaie, is Latin for “funeral rites.” The album cover, from Ernst Ferdinand Oehme’s 1828 painting Procession in the Fog, depicts a ghostly funeral procession, and most song titles use death as a theme in some shape or form.” Rites and wrongs of death.