“Hällas—Sweden’s self-styled administrators of ‘adventure rock’—has suffered a nearly decade-long absence from AMG. Back in 2017, El Cuervo (rightly) awarded Excerpts from a Future Past a 4.0, praising the debut for its transportive aesthetic and cohesive performances. Since this one-off review, Hällas has become a premier neo- proto-metal act, yet they haven’t reached the exceptionality of their entrance.” Adventure rock or butt stock?
“At their very best, the Sweden-by-way-of-globetrotting Soen has produced music ranging from forlorn and mystical to organ-blaring and heart-wrenching. While we often talk about progressive music in terms of its tendency for extravagance and meticulous detail, we skip that many of these artists iterate around ideas that lean insular and lacking broad appeal. By its many definitions, this recontextualizing of rock music has sought to express even more directly the hopes of its creators at whatever cost. But in that pool, bands like Soen have attempted both to attack with this personal expression, in the frenetic footwork of Martin Lopez (ex-Opeth) and the lilting mic mastery of Joel Ekelöf, and lay barbed chorus with these same tools.” Only rely on your best weapons.
![Moron Police – Pachinko [Things you Might have Missed 2025]](https://www.angrymetalguy.com/wp-content/uploads/2025/12/a2772970021_10.jpg.webp)
“Moron Police is an odd band, if the moniker didn’t give it away. The first few albums were very comedy-oriented, but A Boat on the Sea suddenly saw the band tackling anti-war themes, without giving up the bright melodic sound that draws from progressive rock and anime soundtrack J-rock alike. Production on Pachinko was already on the way when drummer Thore Pettersen died in a car accident. After taking the time to mourn their friend, Moron Police soldiered on, aided by Dillinger Escape Plan drummer Billy Rymer. The result is an astounding album in every regard, an experience unlike anything I’ve heard in years.” Required by law.
![Between the Buried and Me – The Blue Nowhere [Things You Might Have Missed 2025]](https://www.angrymetalguy.com/wp-content/uploads/2025/12/a0023762103_10.jpg.webp)
“With their move to Inside Out Music and the departure of longtime guitarist Dusty Waring, another shift seemed inevitable, with longtime fans like me wondering if the band could deliver another impressive offering. I’m happy to say The Blue Nowhere sticks the landing. It’s an impressive record that finds BTBAM confident, energized, and willing to explore new ideas while refining the familiar.” The grave digging was premature.
December is the best time to browse through the October Filter flotsam, as they’re now heavily discounted like Valentine’s Day candy in August. They’re probably still fresh though. Maybe.
“I get the sense that the members of Asira are particularly meticulous. The last time we heard from this post/prog group from Reading, UK was back in 2017. In his review of their debut album, Efference, El Cuervo asserted that Asira was on the cusp of being the next Big Deal. Just four months later, he decided that they already were, invoking Contrite Metal Guy powers to amend Efference’s score from 3.5 to 4.5 (a Big Deal, indeed!). Perhaps Asira felt some pressure, because they took their time to craft the best possible follow-up.” Painterly blackness.
Ah, the pungent stench of autumnal Filters. Forget pumpkin spice and get you some Filter droppings from September!
“Norway may always be most well known for its black metal history, but I’ve come to love the country’s progressive music more than anything else, with its penchant for the dramatic and theatrical yet heartfelt. Gazpacho is at the vanguard of this scene, their 2014 Demon a modern classic and one of the few albums nearly everyone at AMG seems to agree is a masterpiece. Demon was the start of a multi-album storyline about a being that lives in our collective subconscious and pushes us toward our worst impulses, culminating in the excellent Fireworker in 2020. Magic 8 Ball is the first album since, and the first in a few decades to not be a concept album, though there is a loose theme of fate or destiny.” Cold soup or hot sauce?
“What do you get when you combine old school doom with older school horror movie soundtracks? John Gallo of Orodruin asked this question roughly twenty years ago, and the answer became known as Blizaro. Despite the years of experience accumulated, the discography of this mostly solo project is quite brief; Light and Desolation is only Blizaro‘s third full-length. Time, ever the unfair mistress, treats everyone quite differently. Some artists have a lot to re-learn, others are able to pick up right where they left off. With nine years having passed since their previous album, how has the hourglass treated the intriguing and slightly bizarre concept of Blizaro?” How Blizaro, how Blizaro.
“Jim Matheos is not the kind of artist to sit still in one place for long. Best known for his splendid guitar work in amorphous US progressive metal band Fates Warning, he also wields a vast assortment of offshoots and side projects, some closer to his usual style than others. Instrumental solo effort Tuesday the Sky is one of Matheos’ more distant adventures with its ambient post-rock soundscapes and touches of electronica.” Tuesday is a proggy day.
