Funeral Doom

Post Luctum – Timor Lucis Review

By Kenstrosity on February 27, 2026 in Reviews, Death Metal, Doom Metal, Funeral Doom, 8 comments

“Even with someone as infinitely absorbent as this sponge, things slip through the cracks sometimes. In 2019, I gave a shout to Post Luctum’s debut EP After Mourning, citing its very promising funereal pall as a welcome comrade to contemporary heavy hitters like Altars of Grief and Slow. Somehow, some way, I completely missed not one, not two, but three full-lengths from the Maryland-based solo artist in the span between then and 2026’s Timor Lucis. But it couldn’t have come at a better time, with the inclement weather demanding tunes of a dour, reposed, overcast character. The only variable left is how much Post Luctum changed in the years since my last visit.” Lighthouse, darkhaus.

Lone Wanderer – Exequiae Review

By ClarkKent on February 8, 2026 in Reviews, Funeral Doom, 27 comments

“It’s no secret that funeral doom is all about death, but in case you weren’t aware, Lone Wanderer hits you over the head with the fact (don’t worry, it’s not a fatal whack). The title of their latest record, Exequaie, is Latin for “funeral rites.” The album cover, from Ernst Ferdinand Oehme’s 1828 painting Procession in the Fog, depicts a ghostly funeral procession, and most song titles use death as a theme in some shape or form.” Rites and wrongs of death.

Dvm Spiro – MMXXVI – Grave Review

By Thus Spoke on January 9, 2026 in Reviews, Death Doom, Funeral Doom, 12 comments

“As is perhaps unsurprising for a doom act, Dvm Spiro appear to have a preoccupation with death. The subtitle of their debut, MMXIX – In Frigidum Lectum is Latin for In a Cold Bed—presumably an allusion to one’s grave—and now, sophomore MMXXVI – Grave states that concept explicitly. This legacy in misery actually extends further into the past, as three of Dvm Spiro’s four members also play in longstanding Italian doom outfit Nihili Locus.” Doomed to the grave.

Stuck in the Filter: October 2025’s Angry Misses

By Kenstrosity on December 15, 2025 in Reviews, Stuck in the Filter, Atmospheric Black Metal, Black Metal, Death Metal, Funeral Doom, Groove Metal, Hard Rock, Hardcore, Heavy Metal, Industrial Metal, Melodic Black Metal, Progressive Metal, Progressive Rock, Symphonic Metal, 59 comments

December is the best time to browse through the October Filter flotsam, as they’re now heavily discounted like Valentine’s Day candy in August. They’re probably still fresh though. Maybe.

Clouds – Desprins [Things You Might Have Missed 2025]

By Thus Spoke on December 8, 2025 in Things You Might Have Missed 2025, Death Doom, Funeral Doom, 9 comments

“Those of you who have been paying close attention may remember that Clouds’ 2021 album Despǎrțire was the subject of my very first review here at AMG; a review that in my n00bish naïveté, I appended with a 4.5. I don’t regret it, but will admit the name Clouds had faded a little in my mind before a sudden and apparently unannounced drop of Desprins back in January caused all the sweet sadness to come flooding back.” Like waves of melancholy, Clouds drift in.

Gloombound – Dreaming Delusion [Things You Might Have Missed 2025]

By Killjoy on December 6, 2025 in Things You Might Have Missed 2025, Death Doom, Funeral Doom, 34 comments

“Funeral doom metal is a subgenre that, when executed properly, is fertile ground for stimulating the listener’s imagination. Perhaps this is because the glacial pace offers ample room for the mind to wander. Perhaps it’s because the music focuses more on deliberate mood than mindblowing technicality. With the right album artwork to gaze at, the experience is particularly immersive. While the music that Gloombound plays may be sonically closer to death-doom, it is composed with the same painstaking attention to detail as the best funeral doom.” Doom with room to wander.

Doubtsower – The Past Melts Away with a Sneer Review

By ClarkKent on November 29, 2025 in Reviews, Avant-Garde, Doom Metal, Experimental Metal, Funeral Doom, Industrial Metal, Sludge Metal, 12 comments

“It’s amazing how quickly November, and my month of doom, has flown by. It seems the constant exposure to slow-paced music has made the days move faster, not slower. For my final November doom promo, what could be more appropriate than one described as “one long song funeral doom?” While the Welsh doom band containing this descriptor, Doubtsower, is new to me, the man behind the project, Matt Strangis, has three previous releases dating back to 2021.” Doubt is a doom killer.

Tempestuous Fall – The Descent of Mortals Past Review

By ClarkKent on November 14, 2025 in Reviews, Funeral Doom, Symphonic Metal, 16 comments

“In 2012, Australia’s Dis Pater released the debut record for his third active—at the time—one-man project: The Stars Would Not Awaken You by Tempestuous Fall, a work of epic funeral doom. The following year, Pater released what might be the strangest split I’ve heard of: a three-way between his own active projects. It ended up being a “[three] men enter, one man leaves” kind of deal, with Midnight Odyssey being the lone survivor. In that time, he has contributed to several other bands, from a Greek black metal group, Kawir, to a Slovakian black metal group, Aeon Winds, as well as a whopping nine LPs for Midnight Odyssey. Yet something about the funeral doom of Tempestuous Fall must have called Pater back. Backed by classical symphonic elements, it turns out he had rather ambitious goals for sophomore album, The Descent of Mortals Past.” Fall of mortal hearts.

Oromet – The Sinking Isle Review

By ClarkKent on November 6, 2025 in Reviews, Funeral Doom, 28 comments

“‘Tis the season. No, not the holidays. ‘Tis the season for doom and gloom, at least here in southeastern Michigan, where the days have grown shorter, clouds are overcast, the temps have dropped, and the trees have lost just about all of their colorful leaves. To celebrate this season, I have decided to review nothing but doom for the month of November. First up is the sophomore album from Sacramento, California’s Oromet, The Sinking Isle.” November’s doom.

Evoken – Mendacium Review

By Steel Druhm on October 16, 2025 in Reviews, Death Metal, Doom Metal, Funeral Doom, 18 comments

“New Jersey’s Evoken is one the big names in the very niche genre of funeral doom. Since 1994 they’ve been churning out lengthy, unhurried odes to despair and tragedy, taking heavy inspiration from the Peaceville Three era while forging a path of their own. Albums like Quietus and Antithesis of Light are regarded as funeral doom triumphs, and you can depend on Evoken to deliver carefully crafted epics full of emotionally harrowing moods. It’s been a long time since 2018s Hypnagogia dropped, and 2025 finally sees these Garden State downers resurface for 7th full-length, Mendacium.” Death in the garden (state).