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Tardigrade Inferno – Hush Review

By Kenstrosity on March 6, 2026 in Reviews, Cabaret Metal, Melodic Metal, 35 comments

“In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade.” Sound of a circus leaving.

Sermon to the Lambs – Sermon to the Lambs Review

By Alekhines Gun on March 6, 2026 in Reviews, 79 comments

“What’s your favorite slam album and why? Do you value catchiness in your big bruutz? Clear production? Melodic presence? My favorite slam alternates with my mood between Devourment’s Obscene Majesty and Analepsy’s Quiescence; the former for the excellent execution of such a narrow sound, and the latter for the colors and beauty imbued into the otherwise bone-shattering grooves. Though given a bad rap for its easy-to-emulate smoothbrain caveman stereotypes, slam has shown much evolution in recent years as bands continue to push and redefine the limits of extremity. Hailing from Chile, new outfit Sermon to the Lambs have arrived with their self-titled debut, coming with the usual aggrandizing promises of maximum aural violence and assurances of a downright traumatizing listen for anyone who has ears to hear.” Lambs to the killing floor.

Frozen Ocean – Askdrömmar Review

By Grymm on March 1, 2026 in Reviews, 19 comments

“One of the biggest challenges I’ve encountered as a music reviewer is trying to describe a band’s musical aesthetic when their discography is all over the place. Now, I know what you’re thinking: Blut Aus Nord, and you would be correct, but at least there’s an intangible thread connecting the various gnarled branches to their undulating, pulsing roots. Vaarwel, the mastermind and sole proprietor of Russia’s Frozen Ocean, takes his project to where it needs to be, and how he feels it should be delivered, musically.” Oceans of despair and dread.

Coronatus – Dreadful Waters Review

By Andy-War-Hall on February 1, 2026 in Reviews, Folk Metal, Symphonic Metal, 22 comments

“Like a sailor’s call to the sea, I am routinely compelled to the sub-genre of symphonic metal in all of its be-corset-ed miscellany. Why? Maybe I need a break from dudes singing ugly for ladies singing pretty. Maybe falling for Seven Spires justified my continued curiosity in the style. Maybe I’ve never been as happy as I was discovering Imaginaerum in high school. Regardless, the call brought me now to the German symphonic group Coronatus and their new record, Dreadful Waters.” Symphonies of Same Ness.

Crystal Lake – The Weight of Sound Review

By Dear Hollow on January 28, 2026 in Reviews, Deathcore, Djent, Hardcore, Metalcore, Nu Metal, 28 comments

“Crystal Lake is one of those bands that I lost track of. I adored 2015’s The Sign, its blend of hardcore attitude with a surgical metalcore attack and just enough djent and deathcore to make things interesting resulted in some of my all-time favorites in the style (“Prometheus,” “Matrix,” “Hades”). Yes, it’s knuckleheaded and boner-dragging brutality posturing, but for a jolt of breakdown-heavy sonic adrenaline, the Japanese quintet fit the bill.” Lake effects.

ZU – Ferrum Sidereum Review

By Andy-War-Hall on January 26, 2026 in Reviews, Djent, Industrial Metal, Instrumental Metal, Progressive Metal, 36 comments

“Literal metals are always cooler when they come from space. A blade forged from meteoric iron is effectively the same as one made from iron you can find on Earth, but don’t tell me you wouldn’t want the space knife way more. Likewise, metal music always sounds cooler when it feels like it’s from another world. Enter ZU, the Italian jazz metal trio comprised of guitarist/bassist Massimo Pupillo, saxophonist/keyboardist Luca Mai, and drummer Paolo Mangardi.” Zu Zu pedals!

House by the Cemetary – Disturbing the Cenotaph Review

By Tyme on December 16, 2025 in Reviews, Death Metal, 6 comments

“From Imperial Doom to The Passage of Existence, Monstrosity has one of the most solid death metal discographies on record. And while I’ve always gravitated toward those early Corpsegrinder albums, the performance Mike Hrubovcak turned in on The Passage of Existence was brutally good. Now, when he’s not creating sick cover art or contributing to his other projects—Azure Emote, Hypoxia, or Imperial Crystalline Entombment—Hrubovcak partners with the inimitable, no-band-too-big-or-small-for-me-to-play-in, personal injury lawyer guitarist Rogga Johannson to front House by the Cemetary.” Taste the grave.

Equilibrium – Equinox Review

By Samguineous Maximus on December 3, 2025 in Reviews, Electronic Metal, Folk Metal, Melodic Death Metal, Metalcore, 29 comments

“More than almost any other metal niche, folk metal has to walk a treacherously thin line between “actually good music” and “full-body cringe.” For every band that can fuse arena-sized melodies with genuine folk charm, there are three more tumbling headfirst into the Neckbeard Abyss™, condemned to soundtrack the Nordic-themed house parties of Reddit mods everywhere. Equilibrium has stood proudly on both sides of that divide. Their early triumphs of Turis Frayter and Sagas were mead-soaked romps packed with syrupy pagan hooks and enough triumphant Bjoriffs to level a longhouse, but ever since, the spark has dimmed, and each new release has brought diminishing returns.” Balance restored?

Änterbila – Avart Review

By Grin Reaper on November 30, 2025 in Reviews, Black Metal, Folk Metal, 27 comments

“Billed as blackened folk metal and boasting a sound that will remind listeners of the aughts-era Darkthrone, Änterbila returns with sophomore album Avart. Three years removed from their self-titled debut, the foursome from Gävleborg County, Sweden, retains the core sonic principles of Änterbila and dunks them into the muck, invoking a darker, grimier aura.” Darker thrones?

Old Night – Mediterranean Melancholy Review

By ClarkKent on November 20, 2025 in Reviews, Doom Metal, 14 comments

“Loneliness is a theme ripe for the sadboi genre, and given the epidemic of loneliness in our modern era, it’s a relatable one. Yet Croatian doom outfit, Old Night, tackles a more obscure topic on Mediterranean Melancholy—lighthouse keepers. This record marks the quintet’s fourth since forming ten years ago, and it’s the first with Ivan Hanžek stepping up as lead vocalist, following the departure of his brother, Matej, who left for personal reasons. Sadboi doom is typically ape fodder, as evidenced by the glowing review for Dawn of Solace earlier this year, yet somehow this ended up in my lap.” Night and the melancholies.