While the premise of a 48-minute funeral doom song brings to mind other ambitious projects from Bell Witch and Oak, Doubtsower’s The Past Melts Away with a Sneer turns out to be one weird beast. Doubtsower isn’t exactly a funeral doom band, but an experimental doom band. Strangis keeps his one song’s tempo slow—funeral doom slow—yet it has much more in common with the avant-garde music of John Cage than My Dying Bride or Esoteric. It makes use of syncopated riffs that cut short and disorient listeners, as well as some unusual noises, such as static scratches and the clicking and rattling of ratchets. “The Past Melts Away with a Sneer” also makes use of silences, though they’re not as lengthy as “4’33,” largely as a transitional tool. This use of odd sounds, silent moments, and suspenseful repetitions of short riffs creates an unsettling mood early on, and with the mix of sludge, I couldn’t help but think of experimental sludge/horror/doom outfit When the Deadbolt Breaks.
Over the course of its 48 minutes, The Past Melts Away with a Sneer is an ever-shifting amalgamation of styles, an amorphic blob that somehow holds everything together as a cohesive whole. Sounds often shift minute-by-minute despite the glacial pacing. While the early goings have the John Cage thing going, at the 8-minute mark, the track breaks out into the one segment that sounds like traditional funeral doom, with plodding drum beats, crushing guitars, and a low, harsh growl. Yet just as you think this is the direction it’s going, the song goes silent and then shifts into a new form. The extensive use of silence and light droning makes the sudden bursts of energy peppered throughout all the more striking. About 20 minutes in, “The Past Melts Away with a Sneer” morphs into industrial dance, snapping you awake and commanding your body to move. The song morphs yet again, this time into something hopeful and poppy, with light, Weezer-like strums. However, even this segment doesn’t last long, and somehow Strangis is able to convince us that these disparate sounds all form one coherent tune.
It’s pretty impressive how “The Past Melts Away with a Sneer” is able to remain engaging for its entire run, but some moments of repetition do derail portions of the track. This is most egregious at 29 minutes as Doubtsower transitions into a lengthy portion of sludge/doom. Throughout this approximately eight-minute segment, there’s a consistent, repetitive riff that grows tiresome over time. Still, the song rights itself for the finale with the return of a catchy piano/synth melody from the beginning. As this melody begins to fade into silence and lulls you into a sense of closure, the track gains a second wind and hurls forth an energetic set of industrial riffs and blast beats. There’s an unpredictability that catches you off guard and keeps the record fresh.
If the album I described above sounds like a nightmare, that’s the whole point. It’s meant to be a “disorienting descent into a nihilistic free-for-all,” and Strangis succeeds in making that vision come to fruition. It may not always be easy listening, but it’s rarely boring. Having spent some time with the prior Doubtsower records, this one stands out as Strangis’s most engaging and best-written. The Past Melts Away with a Sneer has caused me to question my usually negative relationship with experimental metal. It has left me feeling disoriented, but in a good way, and it’s an experience that I recommend for the curious and lovers of the weird.
Rating: 3.0/5.0
DR: 7 | Format Reviewed: WAV
Label: Self-Release
Website: Bandcamp
Releases Worldwide: November 28th, 2025
