“It was a day like any other at the AMG water cooler when someone mentioned Necrosexual had a new album coming out. Ha, I ought to myself. I vaguely remembered reviewing the Philadelphia band’s Grim1 debut back in 2018, which I had slapped with a 1.5 due to its sloppy execution and lackluster production. Perhaps I expected too much from a band led by vocalist, guitarist, and bassist “The Necrosexual,” whose main claim to fame was doing interviews for Metal Injection and MetalSucks while clad in corpse paint. Let someone else take their new album, I thought to myself. I’m sure someone will get enticed by that band name. But week after week went by, and Road to Rubble sat in the promo bin.” Cold and hard.
Mark Z.
Bloodred – Colours of Pain Review
“Seeing an album described as “blackened death metal” almost always gets my juices flowing. The problem with that tag, however, is that it can mean anything from weird avant-garde blackened dissodeath (yuck) to Christcrushing necronuclear Blasphemy-worshipping goat metal (fukk yeah!!). But Bloodred are neither of those things. This German band is technically a duo but is really more like the solo project of vocalist, guitarist, and bassist Ron Merz, who’s been enlisting the talents of drummer Joris Nijenhuis (ex-Atrocity, ex-Leaves’ Eyes) since the band’s first releases back in the mid-2010s. I admittedly hadn’t heard of these guys when I saw their name crop up in our promo bin, but I decided to give their back catalog a whirl when I saw Amon Amarth was tagged as a similar artist on Encyclopedia Metallum. MOAR blood for the Blood Gods?
Barbarian – Reek of God Review
“Sometime in the 2010s, I started disliking music with too many flourishes and began seeking out stuff that was more stripped-down, unpolished, and primitive. At this time, Barbarian were the perfect find. Depending on the album, this Italian trio has referred to themselves as “Regressive Metal,” “Absolute Metal,” or, in the case of their sixth album, Reek of God, “Retrogarde Metal” (typo and all). Led by vocalist and guitarist “Borys Crossburn,” their sound is essentially early Celtic Frost if they were fronted by a guitar-wielding grizzly bear who had a bizarre penchant for the occasional Running Wild-style melody.” Smells like God in here!
Perdition Temple – Malign Apotheosis Review
“Since coming to prominence as the guitarist and primary songwriter of Angelcorpse in the 1990s, Gene Palubicki has been tearing a burning warpath through the extreme metal underground, scorching eardrums with projects like his (sadly defunct) death-thrash band Blasphemic Cruelty and his current collaboration with Morbid Angel’s Steve Tucker and Origin’s John Longstreth in the death metal supergroup Malefic Throne. My favorite of Gene’s post-Angelcorpse projects, however, is Perdition Temple, probably because it sounds the most like Angelcorpse.” The corpses of angels in the temple of sin.
Shed the Skin – The Carnage Cast Shadows Review
“I don’t know how some people can keep creating art for so long. Somehow fucking Clint Eastwood is still making movies, and that guy looked ancient when Gran Torino came out in 2008. Shed the Skin aren’t as old as Clint, but they’ve got a wealth of experience nonetheless. Formed in 2011 as a tribute to the long-defunct Ohio death metal group Blood of Christ, this sort-of-supergroup are comprised of several extreme metal veterans, On their previous four albums, the group offered up fun, no-nonsense death metal characterized by a sense of frenetic melody.” The sharpest tool in the skin shed?
Pyromancer – Absolute Dominion by Fire Review
“When you get down to it, hell doesn’t seem like such a bad place. It’s warm. The decor is probably pretty metal. And presumably, you get to witness some of the worst people you’ve met in your life getting tortured. As for music that makes you feel like you’re in hell, let me introduce you to Absolute Dominion by Fire. This is the debut album of Pyromancer, a new-ish band out of Kentucky whose two members bring experience from numerous other groups, including Tombstalker and Apocryphal Revelation.” Tastes like burning.
Vomitizer – Release the Rats Review
“I’m this site’s resident “vomit” guy. I didn’t choose this life, it chose me. Nonetheless, I take my duties seriously, and when I see a band in the promo bin with “vomit” in the name, I know I have to review it (even if I’m a fucking week late in doing so). So it was with Vomitrot, so it was with the bands before them, and so it is with Vomitizer.” Womit season.
Sijjin – Helljjin Combat Review
“I’ve heard people say that today’s music has nothing new to offer, but I actually think it has the opposite problem. To me, there are too many fucking bands out there playing technical blackened dissodeath with a tuba or some shit and not enough who simply take a tried-and-true style and execute it well. Such was what initially drew me to Sijjin. Right around the time their infamous doom-death band Necros Christos dissolved in 2021, bassist/vocalist Malte Gericke and drummer Iván Hernández joined forces with guitarist Ekaitz Garmendia (Legen Beltza) to pay homage to the earliest years of death metal with Sijjin’s full-length debut, Sumerian Promises.” Weird for weirdness.
Unbounded Terror – Something Is Rotten in Humanity Review
“Unlike other major European countries, Spain has never been much of a hotbed for death metal, presumably because they’ve been too busy perfecting their paella (holy shit is that stuff good). That hasn’t stopped Spanish death metal bands from trying to make their mark, however, and possibly the first to make such an attempt was Unbounded Terror. Led by guitarist Vicente Payá, the group initially only managed to release one album, 1992’s Nest of Affliction, before going kaput. Vincente went on to be more prolific with his doom/death band Golgotha before eventually resurrecting Unbounded Terror for 2020’s Faith in Chaos.” Terror tales.
Urn – Demon Steel Review
“As a U.S. government employee, I’ve spent way too much time lately thinking about RIFs and not enough time thinking about riffs. Fortunately, Finland’s Urn is here to change that. Helmed by vocalist, bassist, and former guitarist Jarno Hämäläinen (a.k.a. “Sulphur”), this black/thrash troupe raised hell throughout the 2000s via albums like 666 Megatons and Dawn of the Devastation, both of which blasted with reckless abandon and hit with all the subtlety of a hand grenade.” You Urned it!
























