Speed Metal

Borrower – Killerdemons Review

Borrower – Killerdemons Review

“Unlike some of our staff, I’ve never been in a band. However, I can imagine the feeling of satisfaction in putting together and releasing that first full-length record. For every band that achieves this milestone, countless more never do. Italy’s Borrower was nearly among that number. Formed in 1993, Borrower released three demos in the ’90s, a fourth in 2005, and then disappeared until 2018 with their debut EP. Whatever interrupted their musical career, the dream remained, and they finally released their first album (and signed to a label, to boot) 33 years later with their founding vocalist, Massano Ratano, and drummer, Frank Formoso, joined by new guitarists Matteo Marzo and Matteo Marini. Behold their vision, a story of killer, humanoid demons as told through music that harks back to some of the legends of ’80s and ’90s speed metal.” Kill for metal.

Barbarian – Reek of God Review

Barbarian – Reek of God Review

“Sometime in the 2010s, I started disliking music with too many flourishes and began seeking out stuff that was more stripped-down, unpolished, and primitive. At this time, Barbarian were the perfect find. Depending on the album, this Italian trio has referred to themselves as “Regressive Metal,” “Absolute Metal,” or, in the case of their sixth album, Reek of God, “Retrogarde Metal” (typo and all). Led by vocalist and guitarist “Borys Crossburn,” their sound is essentially early Celtic Frost if they were fronted by a guitar-wielding grizzly bear who had a bizarre penchant for the occasional Running Wild-style melody.” Smells like God in here!

Sacred Leather – Keep the Fire Burning Review

Sacred Leather – Keep the Fire Burning Review

“I’ve never been to Indiana, so I’m not acquainted with how they do things. After listening to Sacred Leather’s sophomore outing, Keep the Fire Burning, I’m definitely left wondering if time moves differently there, though. That’s because this is one of the most retro, throwback-y pure metal things I’ve heard in some time, with a sound so hopelessly locked between 1983-1986, that I feel my back hair receding as my olde denim jacket grows new new Venom and Motörhead patches. When I call this style “dated,” what I really mean is carbon-dated. Now, don’t take this as a criticism, as those years were some of the very best for classic heavy metal.” Firing the night.

Bastard Cröss – Crossripper Review

Bastard Cröss – Crossripper Review

“As a massive fan of anything that creeps, crawls, horrifies, or shocks, I enjoy no season more than Halloween. And since October 31st falls on a release day to steel-toed-boot this year, and with me closing in on my first 365-day stint as a staffer at AMG no less, I was especially eager to recover something particularly apropos from the promo pit. Enter Philly’s fresh and ferocious foursome, Bastard Cröss, and their Morbid and Miserable Records debut album, Crossripper.” Why did The Ripper cross the road?

Aquilla – Sentinels of New Dawn Review

Aquilla – Sentinels of New Dawn Review

“The Polish metal scene is much better known around these parts for its bludgeoning death metal than for classic metal worship, and Aquilla is looking to change that. Formed in Warsaw in 2015, their debut Mankind’s Odyssey was unleashed on the masses in 2022, delivering NWoBHM with a dose of ”80s–’90s speed/power metal influence. Sophomore album Sentinels of New Dawn promises a similar but more epic brand of sci-fi thunder. With a couple EPs and a full-length already under their belt, how does Aquilla navigate this set of space war stories?” May cause Aquilla Lung.

Revenge – Night Danger Review

Revenge – Night Danger Review

“Like all subgenres, speed metal exists at the nexus of other genres: namely, classic heavy metal and thrash. Whether a band leans towards a classic or thrashy version of the sound becomes the primary distinguisher. Night Danger, the latest LP from longstanding Colombian band Revenge, is a speed metal record in the vein of Running Wild and Razor. But Revenge leans in a classic direction, claiming Judas Priest and Helloween as inspirations.” Night danger is the best danger.

Ültra Raptör – Fossilized Review

Ültra Raptör – Fossilized Review

“Cybernetic dinosaurs skirmish with a squad of Starship Troopers-inspired foot soldiers on a battle-scarred field. Eerie green mist cloaks a gutted refinery where small fires continue to blaze. Above, pocked moons loom menacingly low, while farther up, chrome font adorned with gratuitous umlauts irradiates the sky. Conventional wisdom says not to judge a book by its cover, but this is album art you can hear. If you’re not conjuring vivacious guitar acrobatics, lock-step rhythmic thunder, and macho bellows, then you aren’t paying attention. Ültra Raptör is here to crack open a cold one and unleash sophomore effort Fossilized. So buckle up, buckaroo. Grab your mandatory Molson and let this quintet of Canucks hit you “Hard ‘N Fast” with their take on heavy speed metal.” Divine raptor.

Crucible – Hail to the Force Review

Crucible – Hail to the Force Review

“Whether you’re a fledgling artist or an industry veteran, the process of making music is hard, strewn with obstacles internal and external. For the speed/US-inspired power metallers Crucible, that obstacle was Mother Nature, who gifted them a massive snowstorm that drastically impeded their studio time to record their debut album Hail to the Force. The Danes, thus, banged out the entire ten-track, thirty-seven-minute record in a week. For a young band recording a debut together, that’s nuts. But we’re not here for the story—we’re here for the album, a throwback affair of promo-purported “ferocious aggression with strong melodies and epic heavy metal atmospheres.”” Force is always the answer.

Sölicitör – Enemy in Mirrors Review

Sölicitör – Enemy in Mirrors Review

Sölicitör’s 2020 debut made quite the splash ’round these parts when 4.Öldeneye heaped glorious praise all over it. The five-piece out of Seattle has been quiet since then, releasing an EP in 2022 totaling two songs. Now they return for their sophomore release with a philosophy of more – more songs, more length, and even a couple more instruments (piano, synths). The members wanted to take a more hands-on approach with Enemy in Mirrors, which is why vocalist Amy Lee Carlson lent not only her pipes but her artistic ability in designing the cover art.” Undeath of a salësman.