Mar26

No/Más – No Peace Review

By Grin Reaper on March 10, 2026 in Reviews, Death Metal, 11 comments

“DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational.” Más effect.

Vreid – The Skies Turn Black Review

By Dr. A.N. Grier on March 9, 2026 in Reviews, Black Metal, 49 comments

“It’s been a long five years since we’ve had an album from this Norwegian foursome. Which is probably a good thing, considering their last few releases haven’t been their best by a long shot. Basically, since 2011’s V, the band has struggled to retain their days-of-yore sound while trying to expand on it and deliver something fresh. Having left Season of Mist and returned to Indie Recordings, now is the time to drop something new and exciting.” Vreid and weep.

The Mountain King – Pike Dreams Review

By Thus Spoke on March 9, 2026 in Reviews, Ambient, Electronic, Not Metal, 26 comments

“My general lack of awareness and the fact that The Mountain King themselves submitted the album via contact form and didn’t give much away in their promo pack left me unprepared for Pike Dreams. In the hazy air of the promo sump, I caught the word ‘doom’, but when I hit play on Pike Dreams that’s not quite what I got. As much as the name and cover art seem to scream Sabbathian (neo-)classical heavy metal, stoner, and of course doom, Pike Dreams is ambient, synth-led post-rock, and it’s instrumental.” The hills have sighs.

Xenobiotic – Dante Review

By Kronos on March 7, 2026 in Reviews, Death Metal, Deathcore, 25 comments

“You haven’t lived until you’ve heard an Australian recite Dante. Once a niche ritual available only to the geographically privileged, everyone’s somethingth-favorite Australian prog-death band Xenobiotic are using their aptly titled third LP to democratize access to this sonorous phenomenon, and some other sonorous phenomena to boot, familiar to those acquainted with much-lauded sophomore effort Mordrake. The band’s adventurous efforts are well-suited to epic literature, and, as for the subject matter, recall that this is a death metal record.” Hell is here.

Tardigrade Inferno – Hush Review

By Kenstrosity on March 6, 2026 in Reviews, Cabaret Metal, Melodic Metal, 35 comments

“In 2019, I accidentally stumbled upon St. Petersburg’s wacko dark cabaret metal freaks Tardigrade Inferno’s debut Mastermind, depicting an adorable evil water bear as mascot. You can imagine that I was immediately hooked. Their legitimately heavy riffs and whimsical songwriting kept me coming back for more when Burn the Circus dropped four years later. That release doubled down on original material backed by a more focused metallic spirit, and all the better for it. Initially, it sounded like third installment, Hush picked up right where Burn left off. However, gone is my beloved little tardigrade.” Sound of a circus leaving.

Sermon to the Lambs – Sermon to the Lambs Review

By Alekhines Gun on March 6, 2026 in Reviews, 79 comments

“What’s your favorite slam album and why? Do you value catchiness in your big bruutz? Clear production? Melodic presence? My favorite slam alternates with my mood between Devourment’s Obscene Majesty and Analepsy’s Quiescence; the former for the excellent execution of such a narrow sound, and the latter for the colors and beauty imbued into the otherwise bone-shattering grooves. Though given a bad rap for its easy-to-emulate smoothbrain caveman stereotypes, slam has shown much evolution in recent years as bands continue to push and redefine the limits of extremity. Hailing from Chile, new outfit Sermon to the Lambs have arrived with their self-titled debut, coming with the usual aggrandizing promises of maximum aural violence and assurances of a downright traumatizing listen for anyone who has ears to hear.” Lambs to the killing floor.

Mega Colossus – Watch Out! Review

By Killjoy on March 5, 2026 in Reviews, Hard Rock, Heavy Metal, 65 comments

“Let me start by disclosing something. I probably have the least metaphorical chest hair out of the entire AMG staff, meaning I often struggle to appreciate the more virile metal subgenres, including the “trad and true” heavy metal. But there are exceptions to every rule, and a big one is Mega Colossus. These North Carolinians have thus far been received warmly in these halls by the venerable Eldritch Elitist, and for good reason. Their euphoric cocktail of ultra-catchy tunes and clever lyrics—frequently paying homage to fantasy stories on the fringes of popular culture—is served with an infectious, fun-loving attitude. When Showdown appeared in 2024, it felt like things couldn’t get much better than that. Now, Mega Colossus is back to answer their self-imposed gauntlet with Watch Out! and continue to spread boundless cheer throughout the metalverse.” Size matters.

Desert Storm – Buried Under the Weight of Reason Review

By Owlswald on March 5, 2026 in Reviews, Doom Metal, Sludge Metal, Stoner Rock, 27 comments

“For nearly two decades, Desert Storm has stood at the cornerstone of England’s fuzz-drenched underground. One can imagine my surprise, then, to find that I claim the first review of their catalog here. The group’s maturation has been a process of trial and error, evolving from smoky, blues-soaked stoner and southern rock roots into a heftier, sludgy, doom-infused form. Despite the unevenness of the Oxford outfit’s earlier efforts—Forked Tongues and Horizontal Life—Desert Storm’s more recent output (specifically Sentinels and Omens) found that sweet spot where sludge, doom, and stoner rock collide.” Sand, storms, sludge.

Temple of Void – The Crawl Review

By Steel Druhm on March 4, 2026 in Reviews, Death Metal, Doom Metal, 44 comments

“Detroit’s death-doom institution Temple of Void had an interesting journey over their 12-year career. Their 2014 debut split the baby between 90s Peaceville doom and nasty death metal like Asphyx and Bolt Thrower, and the end product was heavy as fook. 2017’s Lords of Death shifted toward death metal without losing any of the crushing, venomous intensity. It wasn’t until 2020s The World That Was that Temple of Void really started experimenting with the scope of their sound as influences like post-metal crept in. When 2022s Summoning the Slayer arrived, it seemed like the band was losing the plot, as their sound became overly pared down and simplistic, causing tedium to set in. That brings us to their fifth album, The Crawl.” Null and void?

Erbeet Azhak – Only the Vile Will Remain Review

By Tyme on March 4, 2026 in Reviews, Black Metal, 11 comments

“I’ll take “Global Notables” for $600, please, Ken—The clue: Country famous for its waffles, chocolate, beer, and castles. The answer—What is Belgium?! Correct! Belgium is also home to some pretty decent black metal bands—Lugubrum, Enthroned, and Wiegedood, to name a few. Here to add another branch to that blackened Belgian family tree is Erbeet Azhak, the side project of one pretty busy Corvus von Burtle—C.V.B.(Cult of Erinyes, Wolvennest, LVTHN, Aerdryk).” Belgium bulging with blackness.