“DC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational.” Más effect.
Full of Hell
Primitive Man – Observance [Things You Might Have Missed 2025]
“It’s been a decade since Primitive Man last graced these halls with 2015’s tepidly received Home is Where the Hatred Is, but they haven’t been idle. In the meantime, the Denver trio has released 2 LPs, a full-length EP, a split with Unearthly Trance, and a collab with Full of Hell. Those ten years were spent experimenting, learning, and honing their sound into something so incredibly bleak that not even the promo pit could contain such hopeless darkness.” Man against earlier man.
Sanguisugabogg – Hideous Aftermath Review
“This review almost didn’t happen. As the recently demoted were scraping the last bit of slime off the bottom of the skull pit to prepare for the new haul of Fall promo, we inadvertently found Sanguisugabogg’s third full-length, Hideous Aftermath, submerged in the sludgy remains of two ex-n00bs. Mistakes were made for which we do do not apologize. These Ohio-based purveyors of grimy, gore-inspired brutal death may have a name worthy of the national Spelling Bee and a logo that looks like blood-soaked, tangled string, but these chaps know how to dish out the goods.” Out of the Sanberry bogg.
Defigurement – Endbryo Review
“Defigurement’s debut album Endbryo is classified as experimental deathgrind, and though that’s accurate, it doesn’t fully capture what’s on tap. Endbryo is an album in constant flux, never content to lock into one vibe for too long. While experimental, Defigurement still adheres to grindcore’s brutal core tenets: short songs and unfettered aggression. Their sound isn’t limited to just these things, though, as Defigurement adopts crackerjack technicality that contrasts with the blunt drubbing associated with much of the subgenre. Varied paces and some unconventional instrumentation further heighten Endbryo’s unorthodox approach.” Bad baby!
Saunders and Felagund’s Top Ten(ish) of 2024
Saunders and Felagund continue Listurnalia with another set of lists. MOAR lists for the Blood Godz!
Carcharodon and Cherd’s Top Ten(ish) of 2024
Carcharodon and Cherd roll out their Top Ten(ish) of 2024 for all the metaverse to gawk at. Pay first!
Contrite Metal Guy: It’s Beginning to Look a Lot Like Wrongness, Volume the Second
Admitting you’re wrong is tough to do. It’s also a step toward personal growth. Here’s Volume II of our self-improvement efforts. It probably won’t help.
Full of Hell – Coagulated Bliss Review
“If you’ve been following the modern grindcore scene in any fashion over the past fifteen years, then you’ve at least heard of Maryland’s high-output, low-trend grindmongers Full of Hell. Collaborating or splitting space with everyone from tough punks Code Orange to Japanese static spinner Merzbow to pneumatic pulse demons The Body, Full of Hell scrapes ideas from every corner in the extreme music space to fuel the iterative process of the twenty to thirty-minute burners that are their “full-length” releases.” Hell is home.
Mastiff – Deprecipice Review
“No one plays sludgy hardcore grind quite like the UK’s Mastiff. Not that many people play sludgy hardcore grind to begin with, but if they’re out there, they don’t play it like these Kingstun upon Hull lads. True to their canid namesake, which, if you saw them casually out for walkies in your neighborhood, would illicit a “Jesus Christ, that’s a big dog” exclamation, Mastiff shock with the weight and size of their sound.” Toothsome and clawsame.
Arthouse Fatso – Sycophantic Seizures: A Double Feature Review
“First, 2024 gave us NASCAR-themed heavy metal, then shortly thereafter Mortal Kombat-themed heavy metal. In this world of extreme tunes and extreme niches, artists look even more granularly into their fascinations for artistic inspiration. In turn, Arthouse Fatso, chooses Orson Welles—acclaimed and controversial American filmmaker—as its hammering theme for an industrial deathgrind adventure. It’s not often that such a grimy genre finds a muse in a figure that’s not a serial killer or something fictional and equally macabre. But Fatso seems ready to revive Welles as an industry outsider fit for patch-vested punk fixation .” Citizen Pain.


![Primitive Man – Observance [Things You Might Have Missed 2025]](jpg/primitive-man-observance-01-768x768.jpg)
















