{"id":231038,"date":"2026-03-08T14:10:50","date_gmt":"2026-03-08T13:10:50","guid":{"rendered":"https:\/\/www.angrymetalguy.com\/?p=231038"},"modified":"2026-03-08T14:10:50","modified_gmt":"2026-03-08T13:10:50","slug":"borrower-killerdemons-review","status":"publish","type":"post","link":"https:\/\/www.angrymetalguy.com\/borrower-killerdemons-review\/","title":{"rendered":"Borrower – Killerdemons Review"},"content":{"rendered":"

\"\"Unlike some of our staff<\/a>, I’ve never been in a band. However, I can imagine the feeling of satisfaction in putting together and releasing that first full-length record. For every band that achieves this milestone, countless more never do. Italy’s Borrower<\/strong> was nearly among that number. Formed in 1993, Borrower<\/strong> released three demos in the ’90s, a fourth in 2005, and then disappeared until 2018 with their debut EP. Whatever interrupted their musical career, the dream remained, and they finally released their first album (and signed to a label, to boot) 33 years later with their founding vocalist, Massano Ratano, and drummer, Frank Formoso, joined by new guitarists Matteo Marzo and Matteo Marini. Behold their vision, a story of killer, humanoid demons as told through music that harks back to some of the legends of ’80s and ’90s speed metal.<\/p>\n

Granted, the concept of an album where each song tells a story about a distinctive demonic entity with its own unique “physical traits” and “specific weapon” is extremely silly, yet Killerdemons<\/em> proves to be a catchy and cool affair. Borrower<\/strong> claim Mot\u00f6rhead<\/strong>, Judas Priest<\/strong>, and Dio<\/strong> as their main influences, and they write spare, riff-tastic tunes in their honor. The guitars carry much more heft than their influences, however, with enough reverb to take tunes dangerously close to stoner territory a l\u00e1 High on Fire<\/strong> and Black Sabbath<\/strong>. This marriage between speed and stoner proves effective. “El Degollador” oscillates between lightning-fast, “Ace of Spades”-inspired riffs and slower, “War Pigs”-style stoner riffs in a performance that’s sure to give you whiplash. Taking a cue from AC\/DC<\/strong>, Borrower<\/strong> keeps their song structures simple yet catchy. The rollicking “Stay Alive” best demonstrates this virtue with crisp songwriting and energetic pacing. Each track has distinctive riffs that are far more powerful than the demons it conjures.<\/p>\n

In the eight years since their 2018 EP, A Plague Chapter…<\/em>, Borrower<\/strong> has vastly improved their sound and instrumental prowess. The two Matteos have played a major role in this transformation. Marini’s fuzzy guitar tone adds heft where the EP’s guitars sounded tinny. His blending of Mot\u00f6rhead<\/strong>-style riffcrafting with the density of High on Fire<\/strong> and Mastodon<\/strong> adds an extra oomph to tracks like “Der Todessoldat” and “Tough Fight.” Marzo’s bass takes a commanding presence as well. He adds depth and backbone to the music, making his presence especially felt on the slower moments of “Knocking on the Coffins.” Formoso takes a restrained approach behind the kit, occasionally blasting the cymbals (“Dream on Fire”), but mostly setting the pace with an effective simplicity. The wild card of the group is vocalist Ratano. He seemingly channels Lemmy, Arnold Schwarzenegger, and Fozzie Bear in a truly strange, yet somehow endearing performance. His Italian accent, which drags out the words “kee-ler dee-mons” during the chorus of “Killerdemons,” adds a level of camp that contributes to the goofy fun.<\/p>\n

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While Borrower<\/strong> keeps Killerdemons<\/em> to a concise 36 minutes, the record does falter on the two songs that stray from the 3-4 minute range. The first, “Knocking on the Coffins,” has some memorable riffs, including a cool, old school solo, but at over five minutes, it drags on a bit too long. Positioned between the album’s two best tracks, it also proves to be a major momentum killer. The biggest sore thumb, however, is the six-plus minute finale, “A Chaos Vortex.” Not only does it lack memorable riffs, but it falters in its final two minutes as the band sorely misjudges when to best wrap it up. Trimming 2-3 minutes from each of these songs would have immensely improved the album’s otherwise incredible pacing.<\/p>\n

As I established last month<\/a>, metal tends to invite some weird characters, and the killer demon universe created here is certainly an odd one. But that’s also what makes metal so much fun. Bands feel free to try out their off-the-wall ideas, from literary<\/a>– or video game<\/a>-inspired themes to the creation of fantasy<\/a> or sci-fi<\/a> realms. And sometimes these ideas actually work. Borrower<\/strong> finally sees through their vision, or at least the start of it, and presents it in such a catchy, cool way. I love to see original ideas performed with such care and passion, and I hope these guys continue to cultivate their ideas and musical talents.<\/p>\n