“Stoner metal is not known as a particularly inventive genre. Though improvements to equipment and recording techniques have allowed bands to push the boundaries of heaviness, the basic musical template has remained pretty static since its conception. That said, there is little sweeter in the metal world than a stoner doom band totally crushing a hammering riff, however many times you’ve heard it done before.” Looks like we’ll be hearing it again…and again.
“So you haven’t yet crossed paths with Igorrr’s prior works (Halleluja or Nostril)? Well then, where to begin!” Seems Madam X isn’t quite ready to let go of 2014 and the weirdness that came along with it.
“The Year of Our Angry Overlord 2014 has been a crazy ride. One year ago this week I was finishing up one of the most stressful terms of my entire life, and this year has been a rush of teaching prep, reading, researching, and “OMFG.” You have certainly noticed that AngryMetalGuy.com has been pretty short one Angry Metal Guy in 2014, and that’s been tough for everyone involved I’m sure.” In this massive post Angry Metal Guy reflects on 2014, ranks a bunch of records, and is waiting prepared with his flamethrower for when the whine hits the fan.
“As I walk through the valley where I harvest my grain, I take a look at my list and realize it’s very plain. Barring an oddity or two, this feels like the most predictable list I’ve assembled since joining the AMG crusade. I can’t even blame 2014, since it was a decent if not amazing year for metal during which we all learned to enjoy of deep sadness and worship at the altar of the all seeing Sphere of I-ruhn.” Brace yourselves, sheeples, a two ton Top Ten(ish) heavy thing is about to drop from the steely skies onto your eager eyes.
“Man, so much has happened in 2014, aka my second year writing for Angry Metal Guy. Having my very own office away from the boiler room (which reeked of desperation, sadness, and decaying flesh… kinda like your local Abercrombie & Fitch with less Axe body spray), seeing familiar faces leave, welcoming in a new batch of talent… it’s been a pretty hectic year.” Grymm’s all grown up and has a man’s list! *Sniffle*…Where did the time go?
“Three years ago at a Krallice show in New York, a band named Black Anvil took stage, struck an immense wall-shaking chord, and immediately captivated my unsuspecting ears with their hefty, head-crushing riffs. Unlike the post-progressive-neo-sludge-blueberry muffin-whatever I expected to accompany Krallice, Black Anvil was firmly grounded in the primal forms of extreme metal, somehow combining black, death, thrash, and doom without sounding like they’d spent the last decade huffing rubber cement and playing Celtic Frost records backwards.” Holidays go better with rubber cement huffing.
“A quick note to begin: Vircolac’s Codex Perfida has been released on cassette tape. No joke. Straight-faced. And for the moment, it’s the only available physical format.” That’s what you get when you sign to Kim Jong-Doom Records.
“How often do you think of an instrumental band that substitutes that wishful vocalist with the swooning leads of a viola? My guess is never. You never think of that. Well, the masterminds behind Sans Soleil thought about it for you.” My mom always says “if you have a viola, you have everything.”
“Yep, this is one of those albums. There’s not a sphere to be had on that cover, much less a corpse, but it remains one of the more striking and subtly unnerving pieces of album art around. It’s not like other covers, and Dimesland is not like other bands. Psychogenic Atrophy is the Oakland, California quartet’s first LP, hoping to ride on the coattails of bizarre death metal bands like Gorguts and Pyrrhon that we all love so dearly. Yet Psychogenic Atrophy provides us with a plastic disc filled with a music that is almost, but not quite, entirely unlike technical death metal.” No sphere to be had, but this is far from bad.
“I admire bands with the guts to take creative risks and incorporate different styles and influences into their sound. However, meshing different genres is often fraught with danger. Bold experimentation and genre splicing often results in bands going off the deep end, with the finished output dissolving into a stewy mess of incoherence and forced songwriting.” Ready for some slug themed extremity? Look at that escargot!
