“Self-releasing an album is a monumental effort. Between production, distribution, artwork, press, yadda yadda yadda, the logistical weight quickly consumes vast amounts of time, money and energy. And that’s before you factor in the arduous task of creating music that’s actually fucking good. Indeed, for a young band, initial encounters are everything, which means it behooves one to ensure everything is as polished and professional as possible. Desoration understands this” Self against self.
2025 is fading in the rearview, but the Filters still need scrubbing. See what was left over after all the holiday debauchery.
Since 2003, Mors Principium Est has released eight full-length albums of top-notch melodic death metal. Most people agree, however, they really took flight in 2012, which coincidentally is a year after Andy Gillion joined the band. Gillion was fired, however, in 2021. So, with the re-entry of the original guitarists and a new creative engine, I’ve been dying to know how Mors would navigate album number nine. And now it’s here…
“Raw black metal is a tricky proposition. There’s an extremely thin line to walk between production choices designed to add mood and atmosphere to compositions via a wall of auditory fog and production choices that sound like someone threw their equipment down….wait, haven’t we done this already? We sure have, and boy oh boy have we landed on the opposite side of the coin. While Italy is most known for its symphonic (Fleshgod Apocolypse) and tech death (Hour of Penance) scenes, its black metal collective is also alive and well, doing their own thing in their dark corner of the world. Today’s offering is the debut release by duo Blutsauger (German for “Bloodsucker”), coming hot off the heels of sole demo Path of the Bleeding Dead.” MidsommerBlut.
“Chris Harms has been in the music business since 1999, but it wasn’t until founding Lord of the Lost in 2007 that he seems to have found his home. I say this not because I am familiar with him or the band, but because Harms has released ten full-length albums, three orchestral albums, four live albums, and one compilation since forming Lord of the Lost. Probably Lord of the Lost’s biggest claim to fame is their participation at Eurovision in 2023, representing Germany, where they unfortunately placed last in the final round. But wait, isn’t Eurovision for pop music? Why are these guys being covered on Angry Metal Guy? Apparently, they’re metal enough to sign to Napalm Records and also have toured with KMFDM and Iron Maiden. And now with Eurovision in the rearview mirror, Lord of the Lost look to return to their darker roots with Opvs Noir Vol. 1, the first in a planned trilogy.” Pop-rock recovery.
Jokingly called the “French Nile,” Impureza blends extreme, brutal death metal with rich cultural motifs and flamenco. Alcázares marks Impureza’s third full-length album in 15 years. Does it live up to Impureza’s elite past?
“First impressions are everything, folks. Despite Napierdalać’s fledgling status, I was immediately encouraged by its presentation and professionalism. The State of Love and War is the band’s debut album, yet everything looks as tidy and organized as most label-backed promos, even using their own website to host the files for the music. This is a downside regarding the promo sheet, though, where reading like it was written by a label is not necessarily a boon. The sheet describes the album with superlatives aplenty and waxes poetically about a Shakespearean plot underpinning the orchestra-backed black/death metal. Does the music live up to the highfalutin chest-thumpin’ advertisements?” We have black metal at home.
“Colorado’s Buried Realm, the technical melodic death metal project of multi-instrumentalist and vocalist Josh Dummer, has built a steady following since 2017’s The Ichor Carcinoma. This is largely because— alongside his role as the primary writer and producer of Buried Realm’s music— Dummer is one hell of a guitarist. Additionally, he enlists a prominent cast of guest musicians for each album, adding another layer of proficiency to his progressive soundscape.” Shred with the dead.
“Symphonic death is a tricky subgenre to nail. While there are skilled exponents, bands peddling the dramatic style tread a fine line in balancing the ornate orchestral elements and heavy-hitting metal, without diminishing one or the other of the fused components. Such as the symphonic elements feeling tacked on or the metal edge blunted. Overall, it’s a mixed formula for yours truly, though I am certainly not opposed to the style when executed well. Hailing from Switzerland and sporting a bombastic, prog-infected symphonic death sound, unheralded act Kerberos aim to make their mark on the scene with their second album, Apostle to the Malevolent.” Symphonies of slickness?
Starting 2025 with a bang was always important, and I elected the “being 26 days late with your Record o’ the Year post” as the best possible way to give everyone that patented Angry Metal Guy feeling of waiting and waiting only to be smacked in the face with 5000 words that you disagree with entirely. Welcome to the Wonderful World of Executive Dysfunction™! Let’s make a list!
