Kenstrosity’s 2025 was a crazy year! He’s here to reflect, write Oscar-length thank you lists, and regale you with a list that’s devious in its intricacies!
Dawn of Ouroboros
Record(s) o’ the Month – March 2025
The March Record(s) o’ the Month are stale but nutritious. Take all you want, but experience all you take.
Tómarúm – Beyond Obsidian Euphoria
“Over the past three years, I’ve come to appreciate Tómarúm’s surprising, mature debut Ash in Realms of Stone Icons at a deeper level than I had hoped to reach in the mere two weeks provided at the time. While I stand by my overall score—and by my critiques—my relationship with that record grew more meaningful and rewarding with time. Tómarúm’s spiritually charged, introspective point of view speaks volumes of suffering and strife, while the complexity of their musical compositions reflects in uncompromising clarity the fluid order that governs a turbulent chaos of the soul and of the heart. With this fresh in mind, I approach follow-up Beyond Obsidian Euphoria with great curiosity and equal anticipation.” Euphoriacs.
Aversed – Erasure of Color Review
“Melodeath is an old, reliable friend for many a metalhead. Ever since the In Flames and Arch Enemies of the World took an anthemic and accessible version of the Gothenburg sound to the masses throughout the ’90s and ’00s, countless acts and other regional sounds have emerged from rollicking riff and less-than-deathly vocal inclusions. But combined with the right personal flair—a modern melding of blackened, jazzned, and altned influences much like contemporary wildcards Dawn of Ouroboros or Vintersea—melodic extreme metal forms have a growing presence in the hands of those who came of age with this musical history as their guide. Imitation breeds iteration, and, combined with adoration, the heart hopes to find a path alongside its infatuations, not just in shadow. Aversed walks the walk and Erasure of Color talks the talk.” Color theory.
Dawn of Ouroboros – Bioluminescence Review
“Bioluminescence describes a chemical reaction occurring within living organisms to produce light. This is an apt metaphor for Oakland, California’s Dawn of Ouroboros and their iridescent combination of two disparate songwriting techniques. According to the promo material, guitarist Tony Thomas takes a methodical approach while vocalist Chelsea Murphy frequently lets improvisation take the reins. The results so far have elicited mixed reactions from our writers.” Weird science.
Vintersea – Woven into Ashes Review
“In the past 20 years that bands like Wolves in the Throne Room and Agalloch have been pioneering a shade of the American black metal sound, a few interesting things have happened: black metal got cool and, as such, has continued to add new notches into its total allowable expressions. Youthful bands, who likely grew up finding out about these bigger names alongside other 00s music trends, have erupted with melodic and even fairly accessible atmospheres defining their modern vision of what black metal can be. These visions can feel a little kitchen sink at times, but that doesn’t stop acts like Vintersea from continuing to try and find that special melodic thread that binds their wide-ranging influences together.” New blood, old blackness.
Dawn of Ouroboros – Velvet Incandescence Review
“Dawn of Ouroboros is a project started by Botanist and Cailleach Calling guitarist Tony Thomas and Cailleach Calling vocalist Chelsea Murphy. They play a wild, proggy mix of blackgaze, death and atmo-metal with sprinkles of new age and post-hardcore along the way.” Soup for you.
Red Rot – Mal de Vivre Review
“The dissolution of Davide Tiso’s flagship project, Ephal Duath has left a scar, a gloom, that has festered in memory and stained the landscape that Red Rot oozes forth. Though not usually steeped in this depth of emotion, Tiso (also of Howling Sycamore) has a knack for writing music that challenges, even aiming to frustrate the listener, and, quite frankly, doesn’t always land—but that’s precisely why I’m excited to at least try what this Italian expat has to offer.” The rot inside a sad heart,
Cailleach Calling – Dreams of Fragmentation
“When an experienced musician, or musicians, begins a new project, expectation is a tricky part of the equation. After all, a new project is a new project, with all the bumps, twists, and booby traps associated with starting something new, regardless of the experience of its creator. I muse on this because Dreams of Fragmentation, our super-atmospheric black metal album for the day, is the debut full-length for Cailleach Calling, which itself is formed of Tony Thomas and Chelsea Murphy of Dawn of Ouroboros, whose debut full-length floored the Master of Muppets and left a lasting impression on a good number of you, alongside Yurii Kononov, formerly of White Ward.” Great expectations and fragments of dreams.
Interview with Tony Thomas of Dawn of Ouroboros
Join Master of Muppets as he discusses many things with Tony Thomas of Dawn of Ouroboros.
