“In defiance of the shit burger we’re all eating every day while we wait for the AI drone war to start, 2025 was my best year in a while.” An oddly optimist AMG Himself has written a list.
Edge of the Abyss
Record(s) o’ the Month – July 2025
“In this mad dash towards relevance and timeliness, it can be tough to come up with things to say that don’t feel a little cliché. But the reality is that this whole path has been leading here. I had hoped to have a really special surprise ready for this day, but alas, I have pulled a classic Attention Deficit Disorder Guy move, filling my schedule up with stuff that hits me right in the dopamine. I’ve got reviews to write, n00bs to torture, and I have a fancy new vacuum cleaner that both vacuums and mops, so my apartment is as clean as it has ever been.”
Calva Louise – Edge of the Abyss Review
Genre is a funny thing. Calva Louise is almost certainly called “Crossover.” Their sound is a combination of elements that, if I read each one individually, would make me shrug my shoulders. Maybe I would ask, “How would that even work?” What I wouldn’t expect is an album that excites me.
Johansson & Speckmann – Edge of the Abyss Review
“I like to imagine the absurdly prolific Rogga Johansson’s inner monologue to be similar to Pinky and the Brain’s introductory bit, with him eating whatever the Swedes eat for breakfast, wondering ‘what should I do today?’ and answering, ‘the same thing you do every day, Rogga: write and record a death metal record.’ Our hero would then draw a band name from a hat or make one up depending on his mood, and by lunchtime would have written about seven songs and called up whoever was needed to complete the lineup. Johansson & Speckmann had clearly been drawn from what must be a very large hat by now, and before the traditional Swedish dinner bell rang that day, Edge of the Abyss was born.” Pinky and the Brawn.
