5.0

Thränenkind – King Apathy Review

Thränenkind – King Apathy Review

By Mark Z. on May 4, 2016 in 2016, Black Metal, Crust Punk, German Metal, Lifeforce Records, Post-metal, Post-Rock, Reviews, Black Metal, Post-Metal, 44 comments

“Sometimes the way you first experience an album is everything. Back in 2013, after finally returning from an extended work trip where I had limited internet access (and thus, no ability to hear new metal releases), Thränenkind’s The Elk took my deprived ears by storm with its Agallochian mix of weepy post-rock and crusty post-black metal. After months of only listening to whatever -core was stored on my iPod at the time, I was captivated, and the German quintet’s debut ended up being one of my favorite albums that year. Three years later sees me in an entirely different set of circumstances.” Stop the presses!

Killing Joke – Pylon Review

Killing Joke – Pylon Review

By Grymm on October 26, 2015 in 2015, English Metal, Hard Rock, Heavy Metal, Industrial Metal, Post-Rock, Reviews, Spinefarm, Hard Rock, Heavy Metal, Industrial Metal, post-punk, 137 comments

“Many older bands, once established, will eventually coast by just on their name alone. Sure, they’ll cut a new album every few years, but it never lives up to their influential works of yesteryear. It’s often an excuse to go out on the road, play nothing but the classics, and bring home the money while also hocking wares that have nothing to do with the band’s original intent. England’s Killing Joke, however, are a unique beast.” The Joke is on you!

The Gentle Storm – The Diary [Vinyl Review]

The Gentle Storm – The Diary [Vinyl Review]

By Angry Metal Guy on March 26, 2015 in 2015, InsideOut, Progressive Metal, Reviews, Vinyl Review, Folk, Progressive Metal, Progressive Rock, 50 comments

“It’s not news that I’m a big fan of Arjen Lucassen’s output from the last 5 or 6 years. Starting with 2009’s unparalleled Guilt Machine, Arjen has released a string of records that I love. In full defiance of Angry Metal Guy’s Law of Diminishing Recordings™, the “poofy-haired Dutchman” has seemingly upped his game on every release: a great solo release, a seriously enjoyable Star One disc, and a stellar Ayreon album which landed #2 on my Top 10(ish) of 2013. So it was with unabashed enthusiasm that I began my countdown when I heard he was working with Anneke van Giersbergen, formerly of The Gathering, on a project entitled The Gentle Storm.” And it’s not like anticipation has ever led to disappointment or anything…

Opeth – Pale Communion Review

Opeth – Pale Communion Review

By Angry Metal Guy on August 31, 2014 in 2014, Progressive Metal, Reviews, Swedish Metal, 112 comments

“Twenty-fourteen brings us the answer to this question in the form of Pale Communion. The record is Opeth’s follow-up to the (apparently) love-it-or-hate-it Heritage, and the second record in the style that is maybe best described as “post-Opeth.” While the band continues to be recognizable in tone and melody construction, they are not the band they were. They are not a death metal band with some prog elements—”death metal with feeling” as Peter Lindgren once said to me in a discussion about whether the band fit the genre “progressive death metal”—they’re just a progressive rock band.” So, where does Pale Communion fall on the scale from “got its groove back” to “meh”? Find out by reading this here review.

Sólstafir – Ótta Review

Sólstafir – Ótta Review

By Madam X on August 26, 2014 in 2014, Avante Garde, Icelandic Metal, Post-Rock, Releases, Reviews, Season of Mist, Post-Metal, 60 comments

“Ótta consists of 8 tracks, beginning with a representation of midnight, moving through each Eyktir in the day, coming to a steady close at what would be representative of between 9 pm and midnight. Hardly a riveting concept I grant you, but thought provoking nonetheless.” Usually it takes lots of SepticFlesh and blood to make Madam X swoon, but Sólstafir’s blend of heathenish melodic, melancholic post-metal and bizarre alternative rock seems to have done the trick in a big way!

Carcass – Surgical Steel Review

Carcass – Surgical Steel Review

By Dr. Fisting on September 3, 2013 in 2013, Death Metal, English Metal, Heavy Metal, Nuclear Blast, Rating, Reviews, Death Metal, Grind, 48 comments

“What time is it? It’s motherfucking Carcass time, people. If you’re anything like me, you felt cheated by their “final” album Swansong back in ’96, and the legions of Heartwork-inspired posers failed miserably to fill the void. You may have given up hope on any kind of closure, until the band’s return to live work in 2007. Since then, it’s been a waiting game, a simple “will they or won’t they” concerning new music. And now, after a 17-year wait, the answer comes in the form of the brilliantly-titled Surgical Steel…” What’s the verdict? Only time, and your scrolly button, can tell!

White Wizzard – The Devil’s Cut Review

White Wizzard – The Devil’s Cut Review

By Happy Metal Guy on June 10, 2013 in 2013, 5.0, American Metal, Century Media, Earache Records, Heavy Metal, Reviews, 41 comments

“Everything about this record is perfect. From the wacky, bright, colorful and sharp-looking album artwork to the catchy operatic singing, Los Angeles band White Wizzard makes sure that every detail not only pays homage to traditional heavy metal, but is also (more importantly) given a modern touch as well. The musical similarities to earlier heavy metal bands (especially Judas Priest and Iron Maiden) can definitely be heard [O RLY? – AMG]. But the music sounds a little too modern to be considered ‘traditional heavy metal.'” Whenever the word ‘perfect’ starts getting tossed around the AMG office, the staff gets mighty nervous. Happy Metal Guy always gives us trouble, but now the psychotic horse is fully out of the burning stable and White Wizzard is to blame. Oh, the huge manatee!!