“For nearly two decades, Desert Storm has stood at the cornerstone of England’s fuzz-drenched underground. One can imagine my surprise, then, to find that I claim the first review of their catalog here. The group’s maturation has been a process of trial and error, evolving from smoky, blues-soaked stoner and southern rock roots into a heftier, sludgy, doom-infused form. Despite the unevenness of the Oxford outfit’s earlier efforts—Forked Tongues and Horizontal Life—Desert Storm’s more recent output (specifically Sentinels and Omens) found that sweet spot where sludge, doom, and stoner rock collide.” Sand, storms, sludge.
British Metal
Sylosis – The New Flesh Review
“Sylosis has been quietly plugging along in the background for years, a band that, in my anecdotal experience, many have heard of, but few listen to. When I go to shout about the greatness of albums like Monolith or Dormant Heart from the highest peaks, it seems to fall on deaf ears. No more, I say! Lead vocalist and guitarist Josh Middleton has led the band since Edge of the Earth. As the last remaining original member, he became the de facto songwriter and soul of a group that has seen many members over the years and near dissolution during Middleton’s time with Architects. After returning to Sylosis full-time, the band is on their third release in this latest era, The New Flesh.” All hail the new flesh!
Cattle Hammer – Dark Thoughts with Lights Out
“Based in Birmingham, UK, Cattle Hammer was formed by vocalist/guitarist Duncan Wilkins in 2023. He’s joined by I Cartwright on drums, J Wyles on guitar, and D Von Donovan on bass. Together, they mix a caustic brew of drone, doom, and sludge, but each track on Dark Thoughts with Lights Out has its own identity.” Hammers for beef.
Yer Metal Is Olde: DragonForce – Inhuman Rampage
“Wait, the funny Guitar Hero III song is turning 20? What the fuck? Yes, indeed—what better way to kick off 2026 than to make the masses feel Olde? <DragonForce needs little introduction to anyone who existed during the ’00s. Born from the remnants of black metal band Demoniac in 1999, British guitarists Herman Li and Sam Totman have always been the tandem at the center of the band with their Yngwie-esque “more is more” philosophy. Valley of the Damned and Sonic Firestorm already got significant attention, but 2006’s Inhuman Rampageis the one that made the band infamous.” DraGONES!
Asira – As Ink in Water Review
“I get the sense that the members of Asira are particularly meticulous. The last time we heard from this post/prog group from Reading, UK was back in 2017. In his review of their debut album, Efference, El Cuervo asserted that Asira was on the cusp of being the next Big Deal. Just four months later, he decided that they already were, invoking Contrite Metal Guy powers to amend Efference’s score from 3.5 to 4.5 (a Big Deal, indeed!). Perhaps Asira felt some pressure, because they took their time to craft the best possible follow-up.” Painterly blackness.
Conjurer – Unself Review
“I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight. So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos.” Tricks and treats.
Dawnwalker – The Between Review
“Some bands are simply brimming with ideas. It feels like it was just last year I last reviewed the UK’s Dawnwalker—because it was just last year, and Mark Norgate apparently has a lot on his mind. It’s been fewer than five years since I first reviewed Dawnwalker, and this is my fourth time penning their reviews. The albums, however, could not be more different. From Ages to The Unknowing, Dawnwalker have tread genres, influences, styles, and ideas. Musicians have come and gone and come back again. But Norgate’s vision is the constant, alongside a healthy respect for progressive metal—and boundary-pushing.” New dawn, same walk?
Æl-Fierlen – All Is Far Away Review
“Like a specter emerging from the mist, Æl-Fierlen is a brand new post-black metal act that materialized in Southern England in 2024. Their name comes from an Anglo-Saxon phrase meaning “all is far away,” making their debut something of an eponymous record. This phrase resonates with me because, despite living so close to many wonderful outdoor locations, I don’t make nearly as much time as I ought to experience them. As if beckoning to me, Æl-Fierlen sums up their sound with the simple declaration, “We are what the woods sounds like.”” What does the oak say?
Wolves – Self-Titled Review
“Remember when hardcore was, like, hardcore? Wolves does. The generically named yet tongue-in-cheek UK hardcore gang makes antiestablishment music cool again, but not in the tired way. It’s not the noise-and-noise-only approach of early punk’s darlings Sex Pistols or Black Flag, but it ain’t pop-punk’s catchy anthem either. It’s jerky, jagged, unhinged, and doesn’t give a fuck about your feelings – it’s angular! But it’s also melodic, heartfelt, and overwhelmingly sincere.” There are two wolves inside you. This is one of them.
IHLO – Legacy Review
“The creation of an album is a long, arduous process—a truth UK prog trio IHLO knows well. After five years of painstaking work, the group has returned with their sophomore album, Legacy. Over the years, IHLO has shared glimpses of their meticulous creative process via Patreon, revealing the humorous temporary names they gave to demos—like “Szechuan Sauce” and “Banana Pants”—while showing just how demanding the journey has been. Unlike their debut, Union, where they admit they “stumbled into” its dark, brooding atmosphere, IHLO approached Legacy with clear intent, determined to bring the same melancholic, emotional core with them and challenging themselves to craft complex compositions that seamlessly blend their progressive metal, electronic, and pop influences.” Long time in the shop.
























