Kronos

Malthusian – MMXIII Review

Malthusian – MMXIII Review

“The foremost sin of Angry Metal Guy as a website is that Noctus gave Altar of PlaguesTeethed Glory and Injury a slightly less than perfect score. Since getting my hands on that album, I’ve been haunted by some part of it every day, whether it be the absolute devastation of “Burnt Year”, the dissonant wall of “Mills” or the wash of drum fills backed by gut-wrenching swathes of sound on “A Body Shrouded”. The album is one of few I have ever considered to be flawless, and one of the most memorable aspects of Teethed Glory and Injury is the drumming. So when I heard that after the group’s disbanding, Johnny King was drumming in Malthusian, I knew I had to check in on the budding black metallers before anyone had the chance to slightly disagree with me.” What’s this? Are Kronos and Noctus beefin?? And with the holidays just around the corner too. For shame!

Slave Zero – Disambiguated Visionary Review

Slave Zero – Disambiguated Visionary Review

Slave Zero is a band I’d never heard of before this review, and I’d wager you haven’t either, despite their thirteen years of brutality. These devious Dubliners are poised to release their second EP Disambiguated Visionary, and it’s about time we all took note, because they’re bringing a new force into deathgrind: Aliens. The dastardly extraterrestrials have spread into slam via Wormed, colonized technical death metal through Rings of Saturn and are now, thanks to Disambiguated Visionary, invading deathgrind. I, for one, welcome our new grayish overlords.” Join Kronos as he leads the pro-alien overlord cheer squad and examines some extraterrestrial themed death grind. Turn on your heart lights!!

Tribune – Tales Review

Tribune – Tales Review

““Progressive death metal” is a phrase full of lush semantic promise for me. Those three words hold the suggestion of an interesting and diverse palette of sound, with enough nuance to be respectable and enough hard-hitting and energetic release to satiate my almost masochistic desire to headbang. Sadly, the suggestion is all too often a bit misleading – as bands fail to deliver compelling songs amidst the interwoven forest of off-kilter rhythms and odd, but uninspiring tonalities. The very promise of difference all too often homogenizes the genre through an arms race for musical novelty and this prevents artists from forming a distinct identity. Identity is something Vancouver’s Tribune certainly isn’t lacking in; they’re decidedly not a copycat and their second album Tales is one of the most distinctive records I’ve heard this year.” Promises, promises, promises, that’s what tech-death means to our man Kronos. But can Tribune live up to their promises (and promise)?

Revocation – Revocation Review

Revocation – Revocation Review

At this point in their career, Revocation should certainly know what they’re good at, and fans should know what to expect out of the group’s consistently inventive and engaging brand of thrashy tech-death. A self-titled album then seems an appropriate fourth release for Davidson and Co., but topping the perfection of previous albums, especially the most recent thriller Chaos of Forms, is a tall order. Revocation, for the most part, delivers exactly what fans look for in a Revocation album; exciting, technical and catchy songs with all the heft and energy of a freight train.” Ladies and gentlemen, today is Tech-Death Albums We Missed Reviewing Day!! First up on the tardy list is the thrashy goodness of Revocation and doing the honors is our brand new probationary scribe, Kronos! New writer, long awaited review, what more can you ask for, you divas!!