“You haven’t lived until you’ve heard an Australian recite Dante. Once a niche ritual available only to the geographically privileged, everyone’s somethingth-favorite Australian prog-death band Xenobiotic are using their aptly titled third LP to democratize access to this sonorous phenomenon, and some other sonorous phenomena to boot, familiar to those acquainted with much-lauded sophomore effort Mordrake. The band’s adventurous efforts are well-suited to epic literature, and, as for the subject matter, recall that this is a death metal record.” Hell is here.
Gorod
Retromorphosis – Psalmus Mortis Review
When new tech-death act Retromorphosis is birthed from the sacred DNA of genre legend Spawn of Possession, we have to give their Psalmus Mortis debut not one, but TWO excited reviews. MOAR is moar.
The Black Dahlia Murder – Servitude Review
It was difficult to press play when I first loaded up 2024’s tenth The Black Dahlia Murder LP, Servitude. It felt strange to know that our affable, bearded, and dad-bodded metal nerd was no longer going to be screaming at me about lycanthropy. I wondered whether I could enjoy a Strnadless TBDM record or if it would change their sound irrevocably.
Wormed – Omegon Review
“It awakens. Hope dies. Well-rested after an eight-year slumber since Krighsu, Wormed boots up. Programmed for violence, its processor whirs as it hones in on your location. It finds you in minutes; hiding in the alley behind St. Vitus wasn’t your best move. As soon as you spot its piercing red eyes, you realize the jig is up. In that split second, you see Wormed’s sculpted metal features gleaming in the midnight neon, like a steel diagram of the muscular system. You don’t know its Origin. All you know is that you have to run. So you run.” Run, hide, you’ll still get Wormed.
Exocrine – Legend Review
“Despite the middling average score French tech death quartet Exocrine earned on this here blog, I’m a staunch defender of the band’s style. I loved Molten Giant and The Hybrid Suns musically, and thought Maelstrom was an interesting, albeit flawed, exploration of their established sound. The biggest issue holding them back has always been production, cursed to gasp for breath and struggle for room inside a dense concrete block. It’s a shame because if someone else with a gentler touch helped them out in the mastering suite, I’m convinced Exocrine’s track record on this blog would be a more positive one. I picked up their latest, entitled Legend, in the hopes that it shifts that legacy in the right direction.” Of myth or of legend?
Angry Metal Guy’s Top Ten(ish) of 2023
What, you thought I wasn’t going to make a list?
Dolphin Whisperer’s and Ferox’s Top Ten(ish) of 2023
Listurnalia continues the plowing towards the year’s inevitable end with two more excellent lists from people who have surprisingly not been fired!
Thus Spoke and Maddog’s Top Ten(ish) of 2023
Listurnalia23 rolls on with Thus Spoke and Maddog’s Top 10(ish) Records o’ the Year.
Orphalis – As the Ashes Settle Review
“Orphalis has everything a band could want–except for a bigger audience. Over the course of three prior albums, this German quintet honed their take on “brutal technical death metal” into a potent force. Their sound consists of chops and hooks served in roughly equal measure, riffs on riffs on more riffs stuffed into the sausage casing of three- to -five-minute song structures. The band flashes songwriting prowess alongside technique that never devolves into wheedly-deedly indulgence, and they coat everything with a shellac of genuine aggression.” Malice at the Phalis.
Record(s) o’ the Month – March 2023 [For Real This Time]
I mean, you knew that we had to set the record straight eventually, right? March was a fucking rad month.









![Record(s) o’ the Month – March 2023 [For Real This Time]](https://www.angrymetalguy.com/wp-content/uploads/2023/06/2303-Square_Splash_4x_text-768x768.jpg)












