“Unlike some of our staff, I’ve never been in a band. However, I can imagine the feeling of satisfaction in putting together and releasing that first full-length record. For every band that achieves this milestone, countless more never do. Italy’s Borrower was nearly among that number. Formed in 1993, Borrower released three demos in the ’90s, a fourth in 2005, and then disappeared until 2018 with their debut EP. Whatever interrupted their musical career, the dream remained, and they finally released their first album (and signed to a label, to boot) 33 years later with their founding vocalist, Massano Ratano, and drummer, Frank Formoso, joined by new guitarists Matteo Marzo and Matteo Marini. Behold their vision, a story of killer, humanoid demons as told through music that harks back to some of the legends of ’80s and ’90s speed metal.” Kill for metal.
Argonauta Records
Sleeping Giant – The Beauty of Obliteration Review
“”Sleeping Giant” was always a standout song for me on Mastodon’s Blood Mountain. After two thrashy, pummeling tracks, “Sleeping Giant” slows the pace and ups the atmosphere, doling out chunky riffs and creepy leads. Its name aptly captures its role on Blood Mountain, feeling like the stirrings of an album (and a band) with gigantic aspirations. Speaking of slow risers, Iceland’s Sleeping Giant has finally roused for their first LP after forming in 2006.” Giant-sized shoes to fill.
Tarlung – Axis Mundi Review
“Vienna, Austria’s Tarlung has been coughing up thick clouds of resinous doom and smoky sludge since 2013, when, after just six months in existence and having never performed live, they released their eponymous debut album. Now, with two additional full-lengths—2017’s Beyond the Black Pyramid and 2021’s Architect—and some healthy touring under their belts, Tarlung braces to bring their fourth album in nearly five years, Axis Mundi, to the masses.” Coughing up the goods.
When the Deadbolt Breaks – In the Glow of the Vatican Fire Review
“When the Deadbolt Breaks is a name designed to elicit feelings of horror. It could be the mundane horror of needing to shell out cash to replace a busted deadbolt, or the life-and-death horror of the deadbolt snapping while you’re trying to lock out a deadly assailant. This fits with the band’s exploration into unsettling music that evokes psychological horror. In the Glow of the Vatican Fire marks album number seven in the 20-year career of these Connecticut doom-slingers.” Double bolt or die.
THRÆDS – Impermanence Review
“Adding to my list of bands with irregular monikers, German progressive post-metal/rock group THRÆDS (pronounced “Threads”) is the latest to fall under the scrutiny of my wide-eyed gaze. Formed in 2019 as a solo project by guitarist Angelos Tzamtzis, THRÆDS has since grown into a multi-national five-piece. Their 2021 Akasha EP garnered the attention of Octopus Rising—an imprint of Argonauta Records—which is now releasing their debut full-length, Impermanence. The promotional material for this Berlin-based quintet bills itself as a seamless blend of progressive post-metal alongside atmospheric rock.” Thread and dread.
An Evening With Knives – End of Time Review
“At the start of the year, I pledged to pick as many promos as I could from those sent to us directly through the contact form, as a way to lift up the smallest of underground acts. But as this week is rather barren, I got to have my choice from the remainder, the label-backed colossi who have all their tedious marketing hubbub taken care of. One band name jumped out at me: An Evening With Knives. A name I’ve seen on plenty a concert bill around here, usually in a supporting capacity. Lo and behold, the lads are local, or rather, they were formed in the next city over. It’s always nice to see geographical peers making waves.” Stab-ility.
Liljevars Brann – Helja Kor Review
They say 75% of a Finnish park ranger’s job is finding black metal bands lost in the woods shooting album covers. If Germany’s park rangers had a similar issue, they’d likely struggle most with newcomers Liljevars Brann, given how musically deep into the woods they venture in their debut, Helja Kor. Written in a fictional blend of German and Norwegian, and dubbed “mystical black metal with a folkloric edge,” does Helja Kor conjure roots that drag you into the forest’s heart, or are these woods still too close to the parking lot?
Eye of the Golem – Nigredo Review
“For the most part, Eye of the Golem operates at the post-hardcore end of the post-metal spectrum. Nigredo majors in chunky, chugging guitars, underwritten by big, distorted bass lines and a lot of reverb. And within that, we are closer in tone to The Atlas Moth than we are to Cult of Luna or Isis.” Eye of golem, feet of clay.
Endonomos – Endonomos II – Enlightenment Review
“There’s something extra satisfying about gambling on a completely unknown act in the promo sump and being handsomely rewarded for the biscuit risk. Austria’s Endonomos describe themselves as “epic doom” and on their sophomore outing, Endonomos II – Enlightenment, they unveil a shockingly mature and intoxicating blend of classic doom, post-metal, and death that’s powerful, emotional, and captivating. Part Solitude Aeturnus, part Fvneral Fvkk, part Ghost Brigade and Darkest Era, Endonomos II marries doom’s past with the present in ways that feel organic and unforced, natural and logical.” Welcome to the end(onomos).
Sarajah – Sarajah Review
“One of the most effective hooks to guarantee my initial interest in an album will always be some form of seafaring or spacefaring vessel on the cover art. I’ve maintained for years that there’s a strange, cosmic connection between a ship on an album cover and quality music. I don’t make the rules. I just follow them. So, it was easy for me to snatch up Finnish doom metal outfit Sarajah as they prepare their self-titled debut for release. A fine ship graces its cover, giving me a potentially unjustified boost of confidence that Sarajah would be great. Bias in tow, I dove right in.” Vessel of fickle fates.





















