“I wanted to love Five the Hierophant’s last album, 2021’s Through Aureate Void. I really did. Alas, it was not to be. However, after seeing them play a great set at ArcTanGent in 2022, I revisited that record. While I stand by everything in that review, including the 2.0, which some viewed as harsh, the potential was clear and Five the Hierophant was tantalizingly close to delivering a worthy follow-up to their very good debut, Over Phlegethon. The British quartet’s brand of psychedelic, jazz-inspired, instrumental post-metal had elements of greatness marred by meandering, over-indulgent songwriting that lacked standout ideas.” Five or lower?
Briqueville
Carcharodon’s and Cherd’s Top Ten(ish) of 2023
Carcharodon and Cherd join the Listurnalia cavalcade with exclusive lists and elitists opinions. Brace for impact.
Sentynel and Twelve’s Top Ten(ish) of 2023
Angry Metal Guy provides a bounty of lists for his loyal readers! Herein, Sentynel and Twelve regale readers with their take on the Top Ten(ish) Records o’ 2023!
BRIQUEVILLE – IIII Review
“When I reviewed B R I Q U E V I L L E’s third record, Quelle, I got tetchy about all the spaces between the letters, and various other pretensions. However, the Belgian project’s mesmerizing brand of instrumental post-metal won me over. Its bleak, misery-drenched tones conveyed everything that slightly uncomfortable-to-look-at album artwork suggested it might, ranging from a sludgy Bossk to Godspeed You! Black Emperor in tone. At almost an hour in length, and with a few strange choices in its composition, Quelle did struggle a little under its own weight but it still held my attention. Although the spaces now seem to come and go, it would appear BRIQUEVILLE have found a new way to irk me with their fourth record, IIII.” B r i c k by BRIQUE.
TheKenWord’s and Carcharodon’s Top Ten(ish) of 2020
TheKenWord and Carcharodon join the fray with tastes ranging from good, bad, and unfathomable.















