“Jim Matheos is not the kind of artist to sit still in one place for long. Best known for his splendid guitar work in amorphous US progressive metal band Fates Warning, he also wields a vast assortment of offshoots and side projects, some closer to his usual style than others. Instrumental solo effort Tuesday the Sky is one of Matheos’ more distant adventures with its ambient post-rock soundscapes and touches of electronica.” Tuesday is a proggy day.
“Swedish band Heathen’s Eye is boldly trying to make their mark in these well-traveled lands with their debut Port Inspiro, the Esperanto title meaning ‘inspired by the past.’ Can this freshly formed team of experienced musicians sail through time without getting lost along the way?” I mean, shouldn’t we be worried about the paradoxes more?
“In the eyes of a legacy creator, novelty and personal excitement drive the continued pursuit of the release. Mark Zonder, esteemed drummer of Warlord and formerly of Fates Warning, lives by this mantra, using A-Z as an outlet for his frenetic rhythmic focus surrounded by the performances of trusted partners.” Prog letters by the numbers.
“Katagory V, not to be confused with any band called Category 5 or Five or any variation thereof, has been rollicking with power chord and falsetto vocal abandon for the better part of a quarter-century. Not continuously, though, as founding bass-slinger Dustin Mitchell put the riff-train on pause from 2014 to 2023 after struggling to fund the release of 2015’s Resurrect the Insurgence. With roots in a progressive and riff-heavy attitude that mirrored the doom-weighted Swedish power metal sound but with a stronger foot in early USPM progenitors like Fates Warning and Queensrÿche, Katagory V carved a niche within a niche in the American underground.” Kategory: Niche.
“Some metal aficionados may remember German prog-power act Lanfear. They released some killer material in the mid-aughts, with The Art Effect and Another Golden Rage being especially tasty, and I stamped a mighty 4.0 on their 2012 effort, This Harmonic Consonance. It’s been almost 11 years since they’ve released anything, and it appears they are finished, but here comes Under Ruins, a new project made up of members of Lanfear and Them. On their Age of the Void debut, they offer prog-infused epic metal with an interesting blend of influences that run the gamut from Manowar to Fates Warning.” Don’t fear the void.
“Thirty-five years ago, Fates Warning solidified their shift from torchbearers of US power metal with 1989’s Perfect Symmetry, forever moving their progressive path away from power metal and into an emotional, twisting fusion of playful and grooving tunes that no one has assembled quite the same way since. Primary songwriter and guitarist Jim Matheos has anchored the Fates Warning playbook throughout all these changes—from wizards and wailing (Night on Bröcken to The Spectre Within), to Rushin’ and rollin’, and to the edges of Fates Warning’s technical limits. So then, already twenty-plus years into their career at the launch of FWX, what left had Matheos and co. to explore with the Fates sound?” Tempting the Fates.
“Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman), Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal.” Dad to the bone.
“Though not a household name, Mark Sugar and his projects Trials and Black Sites hold a special seat at casa AMG and Dolph alike—underground gems that would not have had the same presence without the right ears and voice. Over the past seven years, Black Sites has been the main vehicle for Sugar’s vision, an amalgamation of loved sounds that maintains a niche curb appeal despite its familiar face. Whether by the maligned chug of 90s groove thrash, the 80s snap of stadium torchers, or the melodic wail of distant radio memory that you can’t quite place, Black Sites has successively reinvigorated well-traveled musical routes.” Sugar and spice and everything metal.
“The face of progressive metal has warped and splintered and mutated since its origins in divergence from heavy metal. From the theatrical and rifftastical charm of Savatage to the pomp and groove of Psychotic Waltz to the emotional and shifting tug of Fates Warning, progressive music holds roots in complex narrative structures that range in tone from whimsical fantasy to deeply and painfully human. In the American arena, technicality flourished through Watchtower—and eventually Dream Theater—virtuosic elements, and intrinsic thrash pedigrees to give rise to a 90s and 00s movement that birthed bands like Zero Hour, Control Denied, and Nevermore, each ranging between these extremities of noodle-noting and tear-jerking. But before them all, Inner Strength stood at the cusp of these advents with their lone 1993 full-length Shallow Reflections making an underground splash, which contained all the aforementioned elements laced together with an of-the-time funk metal groove.” Long shadows on a longer island.
“Following the uniquely progressive death(ish) trend of increasing Hippietude, Exist has slowly morphed over the years from a spacey, Meshuggah-ish prog act in the vein of Intrinsic-era The Contortionist to a Pink Floyd-ian tricky-rhythm rock, primarily, outfit.” Evolve, mutate, Exist.
