Gothic Metal

Within Temptation – The Unforgiving Review

Within Temptation – The Unforgiving Review

As one of the elevated culprits who took guilty pleasure in bringing the so-called “female fronted” symphonic metal genre to fame, Within Temptation has often been right next to the milestone names of Tristania, Theatre of Tragedy, Nightwish, After Forever and the like from this infamous subgenre [Also known as “Chick Metal” by this member of The Patriarchy – AMG]. This is often accompanied by blunt comparisons, senseless “expert” statements and, of course, rabid hate from people who just can’t appreciate chicks in metal [Example: my earlier comment. – AMG]. But hey, life goes on and so does the music industry. Whatever the case, unlike their colleagues who have gone through hard time line-up changes that have proven catastrophic at times, Within Temptation has continued to add new chapters to their own story. Through times of war between legions of Tarja and Anette die-hards, crazy Vibeke rumors in the air, Floor & Sander drama break-ups, the flame of Within Temptation continued to burn ever brighter, offering fascinating music with each release.

Before the Dawn – Deathstar Rising Review

Before the Dawn – Deathstar Rising Review

Ah, the life of a reviewer. It has it’s share of perks for sure. The promos, the forum for spouting self-righteous opinions, the money and of course, the women. However, all of that glory fades when compared to the thrill of reporting that a beloved band’s new album is fantastic. This right here was a release I’ve been waiting eagerly for and I had to beg, harass and harangue Angry Metal Guy into letting me review it. Because he’s a harsh but fair employer, he finally relented and let me address the sixth album by these gents from Finland (although that probably means I have to review a crapload of cheesy metalcore albums in the near future [How’d you know!? – AMG]). For those unfamiliar, Before the Dawn is a little difficult to pigeonhole neatly into one genre. They’re essentially a melodic death metal unit with a fair amount of gothic, and at times, doom metal added in. It’s been a successful and highly enjoyable combination and these guys always impressed me with how they blended heaviness with melody and huge hooks. I’m very happy to report that Deathstar Rising is another big success for these guys, contains some of their best material so far and is one of the best releases of the still early year.

Ava Inferi – Onyx Review

Ava Inferi – Onyx Review

Gothic metal, or as I’ve come to think of it, hot-babes-with-epic-pipes metal. I used to love it but admit to getting burned out on it over the last few years due to the over proliferation of these types of female fronted acts. Of course, some bands do it way better than others but it just seemed like there were a million generic, plastic imitations running around and I eventually washed my hands of the whole style. So when I was assigned the new Ava Inferi album, I didn’t have high expectations to say the least. Onyx is the third album by this Portugal based crew which features the guitar work and song writing of Rune Eriksen (Aura Noir) and the vocal stylings of Carmen Susana Simoes. Although these folks are usually classified as gothic/doom, there’s really no doom in their sound in the conventional sense. No crushing riffs, no mournful dirges. Instead, they strive to create a somber, melancholy feeling by playing sedately, with minimal aggression. While I wasn’t blown away by their previous material, this one managed to get under my skin and really grew on me. I must caution however, although I liked it more than expected, I get the feeling many metal minded individuals will not feel the same way.

Shadows’ Grey – Bonjour Tristesse Review

Shadows’ Grey – Bonjour Tristesse Review

You know, if you read this blog all the time you’d probably be getting the impression that I hate female fronted bands who are doing sort of the gothy thing. But that’s not true. It’s actually something I really enjoy when it’s done right! I have no issues with gothic metal, I don’t find the sort of dramatic, over-the-top stuff to be a turn off really. It just needs to be done well, something that it is serially not. And there are varying levels of ‘not done well,’ but let’s say that Shadows’ Grey, the German band formerly known as Scargod who had one EP in 2007, is one degree of the idea.

Sirenia – The Enigma of Life Review

Sirenia – The Enigma of Life Review

So, I must admit, I was excited to hear this new Sirenia record. For whatever reason I’d not spent much time getting to know the band of former Tristania founding member Morten Veland and I guess I figured that Sirenia had to be pretty good ’cause, well, I’m willing to give people who have done cool shit the benefit of the doubt. Of course, it’s been a decade since the band formed and I’ve never had the kind of intrinsic motivation to actually go out there and try to learn the about the band, and after listening to The Enigma of Life I’m pretty damn glad I never wasted my damn time [see the final note, however – AMG].

Tristania – Rubicon Review

Tristania – Rubicon Review

Norway’s Tristania have been quite the durable and enduring entity, weathering the ebb and flow of musical trends and surviving numerous line-up changes and defections, including that of founder Morten Veland. From their humble doom/death beginnings, the ever changing line-up has increasingly evolved into a standard gothic metal act with less and less emphasis on the metal part of the equation and that process continues for better or worse here on album six, Rubicon. Long gone is the Tristania that delivered the genre classic Beyond the Veil and well regarded follow-up World of Glass. Instead, Rubicon finds them dealing in fairly average, somewhat nondescript, if professionally done gothic music that’s very light in the metal department.

Nightfall – Astron Black and the Thirty Tyrants Review

Nightfall – Astron Black and the Thirty Tyrants Review

Now here’s a bird of a different color and what an odd duck it is! Astron Black and the Thirty Tyrants (a grand title) is the eighth platter from long running Greek black/death/doom/gothic/kitchensink act Nightfall. Along with their better known contemporaries Rotting Christ and Septic Flesh, these Spartans have evolved, devolved and transmogrified into different animals over their long existence and their current incarnation is very interesting indeed. Although they defy easy categorization, the focus lies somewhere between black and gothic metal but with traces of everything else tossed in with reckless abandon. The end product is at times confusing, pretty damn cool and not really like anything else out there right now.

Shadowgarden – Ashen Review

Shadowgarden – Ashen Review

Shadowgarden is a side project of Draconian mainman Johan Ericson which is aimed at creating gothic rock of a different variety than his well-loved goth metal project. Breaking away from the beauty and the beast style and heading towards a much more commercially viable rock sound, the band has produced 10 new tracks of music for the consideration of all metal types out there to be released via Napalm records at the end of August (yeah, so this review is a tad late, but read on).

Diabulus in Musica – Secrets Review

Diabulus in Musica – Secrets Review

Diabulus in Musica is a band that you’ve heard before dozens of times in different forms. There was a while when like every single band on Napalm Records sounded like them, but it is not a sound that is terribly popular in the year 2010. So while the band could be commended for releasing an album that sounds like Theatre of Tragedy or Epica in 2010 because they’re bucking the trend and doing their own thing, they could also be heavily criticized for sounding exactly like Theatre of Tragedy or Epica (more the latter than the former). I’m sure that the members of Diabulus in Musica are sick of being compared to Theatre of Tragedy and Epica, if they’re sick of that they should probably not read this review, because I am about to launch into a 500 word diatribe about how there has to be something new that can be done with the chick in a metal band thing, but that no one seems to be doing it.