Midnight Odyssey

Swords of Dis, Serpent Ascending, Ôros Kaù, Midnight Odyssey – From the Waters of Death – A retelling of the Epic of Gilgamesh Review

Swords of Dis, Serpent Ascending, Ôros Kaù, Midnight Odyssey – From the Waters of Death – A retelling of the Epic of Gilgamesh Review

By Thus Spoke on February 12, 2026 in Reviews, Ambient, Atmospheric Black Metal, Black Metal, Blackened Death Metal, Death Metal, Experimental Metal, 40 comments

“In case you’re unfamiliar, The Epic of Gilgamesh is an ancient Mesopotamian poetic narrative, whose first complete form is dated to approximately 1800 BCE. It follows a story of King Gilgamesh and his dealings with gods and other mythic monsters, culminating in a journey for the secret of immortality. What better way could there be to consume this rich, literary epic than have it interpreted by the collection of artists behind From the Waters of Death? Obscure black/doom duo Swords of Dis; death metal veteran and experimenter Serpent Ascending; Neptunian Maximalism’s darker, heavier incarnation Ôros Kaù; and ambient-black dreamer Midnight Odyssey.” Gil Ga Mesh, the perverted son, the holy man!

Tempestuous Fall – The Descent of Mortals Past Review

Tempestuous Fall – The Descent of Mortals Past Review

By ClarkKent on November 14, 2025 in Reviews, Funeral Doom, Symphonic Metal, 16 comments

“In 2012, Australia’s Dis Pater released the debut record for his third active—at the time—one-man project: The Stars Would Not Awaken You by Tempestuous Fall, a work of epic funeral doom. The following year, Pater released what might be the strangest split I’ve heard of: a three-way between his own active projects. It ended up being a “[three] men enter, one man leaves” kind of deal, with Midnight Odyssey being the lone survivor. In that time, he has contributed to several other bands, from a Greek black metal group, Kawir, to a Slovakian black metal group, Aeon Winds, as well as a whopping nine LPs for Midnight Odyssey. Yet something about the funeral doom of Tempestuous Fall must have called Pater back. Backed by classical symphonic elements, it turns out he had rather ambitious goals for sophomore album, The Descent of Mortals Past.” Fall of mortal hearts.

Ingurgitating Oblivion – Ontology of Nought Review

Ingurgitating Oblivion – Ontology of Nought Review

By Dear Hollow on September 24, 2024 in Reviews, Blackened Death Metal, Death Metal, Technical Death Metal, 70 comments

“I’ve spent over twenty hours with Ontology of Nought, trying to learn the German Ingurgitating Oblivion’s method in the madness. I’m still lost. I’m still stumbling blindly through the dead ends, the hairpin turns, the ominous spires, and the high walls that enclose its labyrinth, attempting to discover its light but knowing that it will only be by chance if I do. I cannot find a pattern, a clue, or an architectural basis anywhere. It’s blind memorization and utter void of context, and I have never been so baffled and intrigued by something calling itself death metal.” Band of confusion.

Lascar – Equinox Flower Review

Lascar – Equinox Flower Review

By Dear Hollow on June 19, 2024 in Reviews, Atmospheric Black Metal, Black Metal, 9 comments

“Ah, my old friend. We look upon our very first reviews fondly, as opportunities for meditation and embarrassment alike as we grow older and just plain old. Six years ago, for my first assignment as a meek n00b (10), I was assigned to Chilean post-black act Lascar and its third full-length Wildlife. It was, uh, not a good experience. The biggest gripe was its obvious paper-thin Deafheaven worship, pretty ambient post-rock passages copied and pasted atop milquetoast blastbeats and shrieks, which gave it an ultimately disingenuous feel that undermined the post-black necessity for emotional connection.” The lashes of nostalgia.

Svneatr – Never Return Review

Svneatr – Never Return Review

By Dear Hollow on May 28, 2024 in Reviews, Black Metal, Industrial Metal, Melodic Black Metal, 20 comments

“2021’s Chinook was an impressive feat. While Vancouver’s Svneatr is undeniably second-wave, the album showcased and established a formidable blend of melody and riffage in a package wrapped in the tightly wound razor-wire frigidity you expect from black metal – reminiscent of Master’s Hammer or Vredehammer. Tracks like “Lavender,” “The Wind Stirs,” and “The Veins of the Earth” were some of the best tracks in the style that year with this dueling style, benefited by a rougher DIY aesthetic, even if some movements were lost in the fold. After three years, we are graced with Chinook,’s follow-up, Never Return.” Sunbathing, Svneating, just leave the Sun alone!

Skuggor – Whispers of Ancient Spells Review

Skuggor – Whispers of Ancient Spells Review

By Dear Hollow on March 9, 2024 in Reviews, Atmospheric Black Metal, Black Metal, 12 comments

“Skuggor is exactly what you expect it will sound like. Gothic font and grainy nature photo with themes of darkness, mist, and myth? You betcher ass it’s atmospheric black metal. “But I’m sure there’s something unique here, Hollow,” I can hear you say. Have you heard atmospheric black metal? You don’t listen to this shit for the neatest thing since Deftones. You listen cuz you want to be sucked into arcane and forlorn woods of ancient magic and nature untouched by human hands. I mean, duh.” Idiots.

Olhava – Sacrifice Review

Olhava – Sacrifice Review

By Carcharodon on January 29, 2024 in Reviews, Atmospheric Black Metal, Black Metal, Shoegaze, 33 comments

“Less black metal than Trna, and more evocative synths a la Unreqvited, there is no rushing Olhava. Shimmering soundscapes are what they do, albeit that, where Unreqvited has (at least since 2018’s Mosaic I: L’Amour et L’Ardeur) hints of light and promise in the sound, Olhava is all shades of loss and a sense of hopeless grey.” 50 shades of sadboi.

Midnight Odyssey – Biolume Part 3: A Fullmoon Madness Review

Midnight Odyssey – Biolume Part 3: A Fullmoon Madness Review

By Carcharodon on November 21, 2023 in Reviews, Ambient, Ambient Metal, Black Metal, Doom Metal, Symphonic Metal, Synthwave, 83 comments

“The Biolume trilogy is massive, not only in runtime but also in the scope of its storytelling. The records move from darkened subterranean halls on In Tartarean Chains, through a blinding desert of celestial light on The Golden Orb to stare at the haunting night sky, dimly lit by that same light reflecting off a dead satellite on A Fullmoon Madness. Perhaps it was always inevitable that, as we moved up through these levels, each would be vaster in scope and scale than the last.” Size matters.