“Worms are rich fodder for metal band names, and it’s not hard to see why. They’re gross, alienlike, and carry connotations of death and decay; and that’s before you start spelling it with a ‘v’ and thereby reference dragons, sea monsters, and the Devil himself. While sharing the collective imagination, this Worm definitely distinguishes themselves. After a shaky start, it was Foreverglade that first saw Worm realize their potential with a lean towards doom-death that retained just enough synth-forward black metal and balanced a murky soundscape with syrupy sweet guitar solos.” Worm turning?
Doom Death
Clouds – Desprins [Things You Might Have Missed 2025]
“Those of you who have been paying close attention may remember that Clouds’ 2021 album Despǎrțire was the subject of my very first review here at AMG; a review that in my n00bish naïveté, I appended with a 4.5. I don’t regret it, but will admit the name Clouds had faded a little in my mind before a sudden and apparently unannounced drop of Desprins back in January caused all the sweet sadness to come flooding back.” Like waves of melancholy, Clouds drift in.
The Bleak Picture – Shades of Life Review
“It’s been a draining year. Lacking the mental energy for new music, I’ve subsisted on a diet of ISIS and Fvneral Fvkk. Clouded by the doomy stylings of the latter, I decided to make my return to reviewing with dismal death-doom. Despite releasing their debut just last year, Finland’s The Bleak Picture is a project of members of Autumnfall. That said, these two bands sound worlds apart, as their names betray. Abandoning the blackened scenery of Autumnfall, The Bleak Picture paints a bleak picture with melodic death-doom that reeks of Finland.” Smell the bleakness.
Félonie – De Sève et de Sang Review
“De Sève et de Sang (Of Sap and Blood) is the first release by one-man black metal outfit Félonie. However, its progenitor, Marc Bourban, has been on the scene in his native Switzerland for a number of years, notably with Tyrmfar (melodic black metal) and Wizards of Wiznan (sludgy stoner death), handling bass and guitar for the former, and on vocal and guitar duties for the latter. After years playing in other bands, Bourban decided it was time to release something entirely of his own creation and thus was Félonie spawned.” Swiss missive.
Stuck in the Filter – May’s Angry Misses
May Day is upon us, in July! Join us as we demonstrate what focused spring/early summer Filter cleaning can accomplish when you have motivated technicians.
Ocean of Grief – Pale Existence Review
A rare double review arrives with Steel Druhm and Doom_et_Al offering disparate takes on Pale Existence by Greek melodic doom-death outfit Ocean of Grief. Will it be clear sailing or storming seas (ov deep sadness)?
Oak – Disintegrate Review
“After submerging myself in copious death metal throughout January and early February, Steel’s well-seasoned body needed a soak in the soothing tides of funerary doom-death. And so I happened upon the sophomore release by Portugal’s Oak. The side project of Gaerea lead guitarist/vocalist, Guilherme Henriques and featuring various current and former Gaerea members, it attempts a style far afield from what that black metal outfit is known for. This is classic funeral doom death across the boards, though it has a fair amount of blackened elements bubbling up as well. The gimmick here is that Disintegrate is but one 45-minute track.” Counting the rings of tragedy.
Stuck in the Filter – June’s Angry Misses
“So here’s a segment you all likely are too young to remember/never thought you’d see again. And it comes from the most unlikely source to boot—me! I discovered this feature through one of our monthly staff review calls/execution ceremonies, and I thought it was a shame we don’t use it more often. This comes on the back of a month where many of us were swamped with life events, massive overtime at work, and other such stressors. Naturally, we missed a bunch of releases, both ones we received promo for and ones we didn’t.” No filter!
Worm – Gloomlord Review
“It never bodes well when a writer with squatter’s rights to a promo doesn’t raise a fuss when you snatch it from them. I selected Floridian death-doom band Worm’s second album Gloomlord from our putrid promo pit without doing my due diligence to see if they had been covered on the site before. Turns out they have, and the good Dr. Wvrm wasn’t even a little sorry to see this one go to a different writer.” Worm turns.
Hex – God Has No Name Review
“When I look at the cover art for the sophomore full-length, God Has No Name, by Spain’s Hex, I see a hyperbolic metal label distribution PR blurb made pictorial. ‘Riffs so heavy, so scorching, they splinter the Earth’s crust into black obsidian shard,’ it declares. Straight-faced, it adds ‘A sound so singularly malignant, it tears a hole in the very heavens above. As it rends the firmament, fire erupts from blah blah blah,’ you get the point.” Sounds of an apocalypse fading.


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