Harbinger

Dyed in Grey – Harbinger Review

Dyed in Grey – Harbinger Review

“For progressive death metal acts, the shadow of the masters, Opeth looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint.” Grey and fancy.

Electrocutioner – Harbinger Review

Electrocutioner – Harbinger Review

“Two years ago, I grabbed Electrocutioner’s False Idols solely because their one-pager told me not to. And I enjoyed every minute of its straightforward approach to old-school thrash. Even scoring it higher than one would ever dare for something that’s been done countless times over. But there was just something about its riff-machine qualities that hooked me so deeply. Fast forward, and I’ve got my grubby sausage fingers on their sophomore outing, Harbinger. And, once again, you’ll find no gimmicks here. Just beer-swilling thrash in the realm of Slayer, Testament, and Whiplash.” Strong Island strong.

Temple of Void – Lords of Death Review

Temple of Void – Lords of Death Review

“Death/doom is a deceptively mercurial beast, possessed of a tangential tendency to meander in directions that range from the darkly romantic to the downright bludgeoning. Detroit’s Temple of Void are plainly with the latter and dole out the kind of stomach churning Asphyxiation that had me at hello.” Skull and void.