“For progressive death metal acts, the shadow of the masters, Opeth looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint.” Grey and fancy.
Harbinger
Electrocutioner – Harbinger Review
“Two years ago, I grabbed Electrocutioner’s False Idols solely because their one-pager told me not to. And I enjoyed every minute of its straightforward approach to old-school thrash. Even scoring it higher than one would ever dare for something that’s been done countless times over. But there was just something about its riff-machine qualities that hooked me so deeply. Fast forward, and I’ve got my grubby sausage fingers on their sophomore outing, Harbinger. And, once again, you’ll find no gimmicks here. Just beer-swilling thrash in the realm of Slayer, Testament, and Whiplash.” Strong Island strong.
Bleeth – Harbinger Review
“It gets a bad rap around here, I know, but I’ve admitted before to being a post-metal fan. I’m not alone in this among the writers but I won’t out Doom_et_Al or Sentynel or the other post fans in case they’d rather keep it to themselves. What do I like about post-metal, I hear you ask. Well, since you were so nice as to inquire, let me tell you. What hooks me about the best bands of the genre – the likes of Isis, Cult of Luna, The Ocean, Neurosis, to name but a few – is their ability build atmosphere and tension, layering delicate melodies and mellifluous harmonics in repetitive, swirling streams, before you slam into a wall of crushing guitars that rewards you for your patience. In some senses, it’s all about the pay off but, at the same time, that pay off feels so much greater because of the journey the band takes you on. With their sophomore effort, Harbinger, Miami trio Bleeth ask whether the same can be achieved in dramatically shortened form.” Harbinger of sorrow?
Temple of Void – Lords of Death Review
“Death/doom is a deceptively mercurial beast, possessed of a tangential tendency to meander in directions that range from the darkly romantic to the downright bludgeoning. Detroit’s Temple of Void are plainly with the latter and dole out the kind of stomach churning Asphyxiation that had me at hello.” Skull and void.
















