Enslaved

Bizarrekult – Alt Som Finnes Review

Bizarrekult – Alt Som Finnes Review

“If you know anything about grumpy ole Grier, you know he’s been dry-humping Bizarrekult ever since 2021’s Vi Overlevde. “Dry-humping” might not be the correct term. Maybe passionate lovemaking? Yeah, that’s the stuff. But, in all seriousness, this little band came out of nowhere and has been making waves in such a short time. While the debut had me glued to my seat, the follow-up, Den Tapte Krigen, damn-near bolted me down—to the point that I had to cut myself out of my pants to break free. If that had been the band’s swansong, I would have been just fine for the rest of my life. But Bizarrekult is back to ruin another pair of my pants. Behold! Alt Som Finnes!” Weird kvlt fandom.

Novembre – Words of Indigo Review

Novembre – Words of Indigo Review

“Melancholic is the word that best describes the atmospheric sound of Italy’s Novembre. Existing in the dark corners of doom and death metal since their origins as Catacomb in 1990, the group—spearheaded by brothers Carmelo and Giuseppe Orlando—adopted the name Novembre in 1993, spending over three decades fusing their emotive sound of metal aggression and classical composure. Despite being largely underrated, their output includes the acclaimed cornerstone, Novembrine Waltz (2001), and the progressively leaning Materia (2006) and The Blue (2007).” Novembre-coming fire.

Green Carnation – A Dark Poem Part I: The Shores of Melancholia Review

Green Carnation – A Dark Poem Part I: The Shores of Melancholia Review

“Many fans considered Green Carnation’s 2020 release a return to form for the band, and A Dark Poem Part I: The Shores of Melancholia continues where its predecessor left off. But it also incorporates everything we’ve ever known of the band’s catalog. Returning to the days of Light of Day, Day of Darkness, the band sets out to tell us a new story. Instead of accomplishing it in a single, one-hour song, The Shores of Melancholia marks Part I of a three-part series. This is one hell of an undertaking, but I’m here for it.” Your guide to morbid gardening.

Whispering Void – At the Sound of the Heart Review

Whispering Void – At the Sound of the Heart Review

Whispering Void is, by all accounts, a supergroup. Created by former Trelldom guitarist Ronny Stavestrand, his Trelldom connections allowed him to bring Kristian Eivind Espedal (otherwise known as the problematic fave, Gaahl) onto the project. From there it snowballed, with Gaahl’s Wardruna tenure opening the door for vocalist Lindy-Fay Hella to join the project as well. Rounding out the formation is Iver Sandøy on drums, the drummer for Enslaved’s last two albums. So not only is Whispering Void a supergroup, but they’re probably one of the most Norwegian supergroups ever.” Whisper campaign.

AMG’s Unsigned Band Rodeö: Wist – Strange Balance

AMG’s Unsigned Band Rodeö: Wist – Strange Balance

“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” If Wist were horses, beggars would ride.

Abhoria – Depths Review

Abhoria – Depths Review

“In case you haven’t figured it out by now, music critics are generally complete morons. We listen to music, feel some feelings, think some thoughts, and then write some words, all the while thinking that our opinions might actually matter to anyone besides ourselves. In fact, we often times don’t even agree with our own opinions when given enough time and distance from when and where we originally formed them. Case in point: my review of Abhoria’s self-titled debut record, in which I nitpicked that the almost uniformly aggressive nature of the songs made the tracks blend together a bit” Reviews are for suckers.

Ars Moriendi – Lorsque Les Coeurs S’assèchent Review

Ars Moriendi – Lorsque Les Coeurs S’assèchent Review

“This time, Ars Moriendi has ditched many of the horn and wind atmospheres for traditional atmoblack ones. Instead of bombastic symphonies coating his vicious black metal slayings and soothing acoustic guitars, this focused approach allows Arsonist to explore and tinker with guitar-led atmospheres, female choirs, and bizarre yet unique effects. The result isn’t so much a change in direction as a new experiment. Though I know Ars Moriendi well, nothing prepared me for Lorsque Les Coeurs S’assèchent.” Atmo-blast.