“I tend to be wary of bands that release a new record year after year. Usually, this means the output is rushed and under-edited. But Walg is intent on bucking that trend, and their third record managed to worm its way onto my list last year. A duo from the northern Netherlands, Walg (meaning ‘disgust’) started off during the pandemic when multi-instrumentalist Robert Koning and vocalist Yorick Keijzer reconnected after playing together in metalcore band None Shall Pass. Instead of figuring out a sound first and recording music after, their philosophy seems more akin to ‘fuck it, we ball.’ But instead of the expected messy overblown demo, they started pumping out high-quality melodic black metal, and as IV demonstrates, this is not even their final form.” Prolific Walgtastic.
Dimmu Borgir
Wraithfyre – Of Fell Peaks and Haunted Chasms Review
“A project from Tom O’Dell, mastermind behind the Tolkien-inspired black metal of Dwarrowdelf and instrumental deathgrind Gimli, Son of Glóin, as well as the power metalling Battle Born, Wraithfyre offers a different, decidedly second-wave attack. While too often symphonic black metal sees its cold and icy buried beneath the bombast of keys and choirs, debut Of Fell Peaks and Haunted Chasms is no stranger to the riff.” Feel the Wraith.
Assemble the Chariots – Unyielding Night Review
“Although Unyielding Night is the first full-length of Finland’s Assemble the Chariots, they have long felt more veteran than their peers. Releasing a string of EPs that transition from djenty deathcore to an early progenitor of blackened deathcore, Unyielding Night is as epic a debut as they come. Simultaneously conjuring a future of an interdimensional war among the stars with the age-old philosophy of heroism and plight, it is an album devoted to all things bombastic and cinematic.” Chariotsof the Godz.
Borknagar – Fall Review
“No matter who fills in on vocals, guitars, and drums, the Borknagar continues releasing one fantastic album after another. After 2019’s fun and accessible True North, this year’s Fall reaches farther into the past to reset the needle, delivering some blackish attacks and headbangable energy. Worry not, they forever will retain that classic epicness, melody, and beauty.” Trust Fall.
Hulder – Verses in Oath Review
“Originally from Belgium but now firmly ensconced in the Pacific Northwest of the US, one-woman black metal project Hulder caused some ripples with debut LP, Godslastering: Hymns of a Forlorn Peasantry, in 2021. Steeped in dark medieval themes and even darker folklore, it channeled both an almost second wave black metal harshness and a folk edge to create a unique sound. Although a little rough around the edges, it promised much for the future.” The future is NOW!
Almost Dead – Destruction Is All We Know Review
“I’d be a fool for not giving Almost Dead some credit for not giving two fucks what anyone thinks of their straightforward and sometimes strange style. That said, Destruction Is All We Know is the oddest album of them all—no doubt with some help from dial and toggle man Zac “Friend o’ the Blog” Orhen.” Odd Fellows warchest.
Drown in Sulphur – Dark Secrets of the Soul Review
“I’m gonna be an insufferable hipster about this one: I’ve been listening to blackened deathcore before Lorna Shore made it cool. Hell, I was listening to the style before Will Ramos made Lorna Shore cool. Bands like The Breathing Process, early Make Them Suffer, and Dark Sermon were all rattling off their own takes on spooky corpse-painted Hot Topic-core in the early 2010s before some Hot Topic frequenter said “ooooh” and nabbed that Watain t-shirt they have on display while manically making pig noises to emulate “To the Hellfire.” Here we meet Drown in Sulphur, an Italian blackened deathcore act, who attempts their own spin on kvlt-y brutality.” Blackcore for the people.
Stuck in the Filter – October’s Angry Misses
The October Filter Report is here and we have some interesting things to break down for you. Get stuck!
Dr. A.N. Grier’s Top Ten(ish) of 2023
Listurnalia is almost over. But we can’t conclude it without a list from your favorite AMG writer, can we?
Valdrin – Throne of the Lunar Soul Review
“Back in 2020, I heaped an enormous amount of praise upon Effigy of Nightmares, the third full-length album from Ohio’s Valdrin, and while that record constitutes the exceedingly rare occurrence where time tempers my initial enthusiasm (I’d probably bring it down to a 4.0 at this point), I still hold it in high regard. I was caught up not only by Valdrin’s melodic black metal songwriting ability but also by the band’s incredible brand of storytelling.” Lords of stories.
















