“Longtime readers of AMG may remember the last time German OSDM stalwarts Slaughterday graced these digital pages. It was long enough ago that EPs were still getting the full-on review treatment, which enabled Slaughterday’s second release, Ravenous, to land a respectable 3.0/5.0 rating. What I was surprised to discover was the lack of any additional coverage, despite Slaughterday dropping three subsequent long players since then. Whether this fact boils down to a lack of promo or a lack of interest is irrelevant, considering I was able to wrestle Slaughterday’s newest offering of odorous offal, Dread Emperor, from the murkiest depths of the sump.” T.G.I.S.
Massacre
Inhuman Condition – Mind Trap Review
“Inhuman Condition has been repping 90s-era Floridian death metal since 2020. Comprised of former Massacre members Jeramie Kling, Taylor Nordberg, and Terry Butler, Inhuman Condition’s debut, Rat°Go, was the best thing Massacre never recorded post From Beyond, garnering a 3.5 from our overlord and hater of over raters, Steel. Presumably rushed was 2022’s sophomore effort, Fearsick, which saw Inhuman Condition take a step backward despite sporting additional guitar appearances from Rick Rozz himself. With a freshly gory, revamped logo by Mark Riddick adorning yet another beautiful cover by Dan Goldsworthy, Inhuman Condition returns with its third offering, Mind Trap.” What’s the condition of their condition?
Bear Mace – Slaves of the Wolf Review
“Finally, with my head pulled from my work’s dismal sphincter, I set off to pen a review of Bear Mace’s newest offering, Slaves of the Wolf. As the Sugar bear licks the shit from my hair, and tickles my ballsack ever so gently with his grizzly claws, I dive straight into the wolf’s den to see what all the fuss is about. To my wondering eyes appears… a motherfucking blood bath.” The Bear maximum.
Maceration – Serpent Devourment Review
“Little known fact: All the best Swedish death metal comes from Denmark. Okay, maybe that’s not entirely accurate, but it makes for a helluva lede. Maceration hail from Hamletville and they’ve made it their business to mine Sweden’s Stockholm sound for all its worth, focusing on HM-2 pedal abuse and Entombed and Dismember worship. On their first few albums, they had the good fortune to recruit Dan “the Fucking MAN” Swanö to handle vocals (using an alias on their debut). Here on third outing Serpent Devourment, Mr. Swanö decamps and leaves vocal duties to Jan Bergmann Jepsen, but otherwise, the approach is the same: bulldoze the listener with buzzing riffs and pummel them with d-beaty death.” Snake, rattler, and roll.
Massacre – Necrolution Review
“2021 saw two competing versions of Massacre release albums. Inhuman Condition featured several former Massacre members and aimed for their classic sound, and Massacre themselves launched Resurgence with original vocalist Kam Lee getting help from death metal workaholic Rogga Johansson. Resurgence was fun, primitive death for the old school oldies, but looking back, I definitely overrated it. Now we get the second album from the Kam/Rogga alliance and with Necrolution they’ve delivered a classic death platter carbon dated to 1990 but containing a few unexpected and unusual twists and turns.” Olde dawgs, dead tricks.
The Glorious Dead – Cemetery Paths Review
“The mysteries of old school death metal are as arcane and unknowable as the most opaque of graduate school philosophy textbooks. The genre ingredients are so rudimentary, yet they can be bent, twisted, and deformed into a seemingly endless tide of horrific abominations. Back in 2020 Michigan’s The Glorious Dead tested their formulas fatal to the flesh on debut Into Lifeless Shrines, taking the basic OSDM blueprint and sprinkling in light prog and blackened elements.” Glory or bury?
Rotpit – Let There Be Rot Review
“The name “Rotpit” stood out in the promo sump like an elephant turd in a kid’s wading pool. Impossible to miss and difficult to ignore, it begged critical questions. Is rotpit just another name for a grave, or is it something way more…rotten? Could it be a compost heap? Is this some kind of Earth-first green death metal? Steel doesn’t have all the answers, but he did learn that Rotpit is a side-project by current and former members of Heads of the Dead, Wombbath, Just Before Dawn, and Revel in Flesh.” 40 Rot Sun O))).
Seven Doors – Feast of the Repulsive Dead Review
“U.K. death metal strikes early in 2023 with a debut full-length from Seven Doors, the one-man OSDM project by Ryan Wills. With a horror-inspired theme and a firm grounding in the classics like early Death, Massacre, and Cannibal Corpse, Feast of the Repulsive Dead’s formula is riffy, relentless meat n’ tatters death designed to keep one foot on your neck and the other up your strata-chocolata.” Knock knock.
Leper Colony – Leper Colony Review
“Ah, the first week of a new year. A week of renewal. Of bitter resentment at work. Of new Rogga projects. Yes, the grimy foreman of the Swedish death metal factory is back with of course another new project. After releasing–by my rough Metallum count–seven full-length albums with various projects in 2022, Rogga returns this month with Leper Colony’s self-titled debut. Coincidentally, I’ll be the seventh writer to review Rogga for this here site. Might ye despair, lest Rogga sneer at your pleas that he just for once in his life slow down and make the death metal masterpiece that more than one reviewer suggested he’s capable of?” Pieces of genius.
Inhuman Condition – Fearsick Review
“Formed by members of Death, Massacre and Wombbath, Inhuman Condition hit the streets with a wet, disgusting thud via their 2021 Rat°God debut. It was a painfully retro throwback to late 80s death metal and no new stones were turned, but it was a ton of dumb, beefbrained fun packed with enough nostalgia to bring all the Steels to the boneyard. Now scarcely a year later Inhuman Condition is back with a whole new album. Talk about inhuman working conditions!” Condition critical.
















