Grave

Slaughterday – Dread Emperor Review

Slaughterday – Dread Emperor Review

“Longtime readers of AMG may remember the last time German OSDM stalwarts Slaughterday graced these digital pages. It was long enough ago that EPs were still getting the full-on review treatment, which enabled Slaughterday’s second release, Ravenous, to land a respectable 3.0/5.0 rating. What I was surprised to discover was the lack of any additional coverage, despite Slaughterday dropping three subsequent long players since then. Whether this fact boils down to a lack of promo or a lack of interest is irrelevant, considering I was able to wrestle Slaughterday’s newest offering of odorous offal, Dread Emperor, from the murkiest depths of the sump.” T.G.I.S.

Insidius – Vulgus Illustrata Review

Insidius – Vulgus Illustrata Review

“A Polish, blackened death metal record a day keeps the doctor away, or so I have heard. If so, Insidius (so tired of mispelled band names that make things impossible to search for) is your latest shot of hyper technical, searingly fast loud noises from the Poles. Quietly chugging along in the background, this Olsztyn-based fivesome has been producing solid blackened death since their debut, Shadows of Humanity, in 2016. While the album cover for Vulgus Illustrata may look like it contains some atmospheric depressive black metal, the eight tracks inside are nonstop meat grinders of chainsaw riffing with thick bass, otherworldly drumming, and pure rage.” Poles armed.

Entrails – Grip of Ancient Evil Review

Entrails – Grip of Ancient Evil Review

“Rooted in the fertile graveyard turf of the Swedeath golden years, veterans Entrails occupy an interesting place in the revivalist old school Swedish death metal scene. Originally conceived in 1990 by sole original member Jimmy Lundqvist, the band lay dormant until Lundqvist resurrected the outfit with new bandmates in tow, unleashing a couple of long-gestating demos before eventually releasing their impressive debut Tales from the Morgue in 2010.” Guts is enough!

Wombbath – Beyond the Abyss Review

Wombbath – Beyond the Abyss Review

“Swedish death is metal for crackheads; a tired, well trodden sound, with fanatics and devout followers always finding room for “just one more” illustration of the genre. It’s almost impossible to find a review of any modern album that doesn’t inevitably cite Dismember and Entombed as touchstones and reference points, crafting the illusion that there’s nothing left to offer from such established and boundary-setting aural paintings. Fortunately, a few bands carry the Swedeath torch with pride, and chief amongst them is Wombbath. ” HM-2 and YOU.

Dying Grotesque – Celestial

Dying Grotesque – Celestial

“Sure, Swedish death metal is the chicken wings of the metal soundscape, with a narrow definition and specific ingredients, but that’s part of the appeal. How would anyone dare reduce one of the basic deathly food groups in such a way? Well, as if an answer to a prayer nobody made, Ukraine’s Dying Grotesque have arrived with their sophomore album Celestial, and don’t let the Ukrainian tag fool you. This album is as Swedish as they come.” Pretty sure chicken wings aren’t a food group…

Kaivs – After the Flesh Review

Kaivs – After the Flesh Review

“Enter Rome, Italy’s Kaivs, dropping their full-length debut, After the Flesh, upon the masses. This unheralded act skews towards the traditional; eschewing advanced technicality, dissonant chaos, or songwriting trickery to instead bludgeon and heave through eight tracks, taking cues from the classic Swedeath scene, including legends such as Grave and Dismember.” Flesh and buzz.

Kruelty – Untopia [Things You Might Have Missed 2023]

Kruelty – Untopia [Things You Might Have Missed 2023]

“Trawling through a stack of overlooked gems from 2023, I stumbled across the impressive sophomore album from Japan’s Kruelty. In another bumper year for death metal enthusiasts, Kruelty channel classic Swedeath vibes from yesteryear, done Japanese style, armed with a healthy hardcore and doom kick. The Tokyo quartet formed in 2017, recording a lengthy string of short-form releases before arriving at their 2019 debut LP, A Dying Truth. Now with a solid number of years under their belt as a unit, Kruelty unleashed a power-packed second LP way back in March 2023. And if you happened to miss it initially, as I did, I am here to rectify the oversight and introduce you to the formidable slab of solid school death, entitled Untopia.” Plunder in the East.

Carnal Tomb – Embalmed in Decay Review

Carnal Tomb – Embalmed in Decay Review

“Prior to the Great Plague, Holdeneye discovered the vile charms of Germany’s Carnal Tomb and was quite taken with their sophomore outing Abhorrent Veneration. He appreciated the mixture of old school and Swedeath and the band’s ability to weave in restrained proggy elements without upsetting the corpse cart. Several years and many weird societal shifts later, we get their third helping of gruesome bits, Embalmed in Decay. The band’s basic template remains in place though it shifts the focus more completely to old school death with fewer Swedeath d-beatings taking place.” Sex after death.

Entrails – An Eternal Time of Decay Review

Entrails – An Eternal Time of Decay Review

“An OG band from the golden era of Swedish death metal, Entrails mastermind Jimmy Lundqvist didn’t manage to release an album until 2010’s impressive Tales from the Morgue debut. Along with powerhouse follow-ups Tomb Awaits (2011) and Raging Death (2013), Entrails elevated themselves to the upper echelon of the throwback Swedeath scene. The last several albums have got the job done solidly, however, the band has been coasting in a comfort zone and struggled to reach the heights of their earlier trio of prime platters. A line-up shake-up occurred in 2019 and now the band returns with their anticipated seventh LP, entitled An Eternal Time of Decay.” Guts check.