“Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat.” Captaining the soul.
Me Saco Un Ojo Records
Ossuary – Abhorrent Worship Review
“These days, it seems like people get their idea of what “cavernous” should sound like from people who read about caves in books. Incantation are supposed to be the torch bearers for the subgenre, but they have sounded more like a facsimile of the sound for decades, and even more filthy modern equivalents like Funebrarum or Vastum still manage to sound like a studio imitation of what should be a raw and organic aural depiction. Drilling through the limestone and sporting some concerningly bloody tools, Ossuary have arrived with their debut full-length Abhorrent Worship, with the promo itself promising the album will open up a cave for you, dear listener, to die in.” Turn your head and cave.
Diabolizer – Murderous Revelations Review
“We now banter over the finer nuances of tech death vs. old school vs. melodic, brutal, ultra brutal, and more. I’m not deriding the importance of sub-categories and their use in the metalverse as much as I’m highlighting the fact that sometimes, it’s refreshing to run across an album that strikes at the heart of a genre. Enter Turkey’s Diabolizer. After receiving a coveted 4.0 from Holdeneye in 2021 for Khalkedonian Death, Diabolizer returns to rape your ears with its second unholy metal of death platter, Murderous Revelations.” Diabolic hydraulic.
Stenched – Purulence Gushing From the Coffin Review
“In the week when Rotpit makes their revolting return to the death metal sweepstakes, I also signed up to cover the debut by the unheralded one-man Mexican death metal project Stenched. All my enthusiasm was focused on a particular hole in the ground full of decay so thusly, I approached Purulence Gushing From the Coffin not expecting much. That’s until the bucket of week-old pig organs got dumped over my head by the abhorrent sounds Stenched brought to the corpse buffet.” In reek condition.
Stuck in the Filter: April 2024’s Angry Misses
April Filters are rain-soaked and muddy but we got em’ real clean. Validate our hard work!
Mortal Wound – The Anus of the World Review
“The Vietnam War era was a grim chapter in United States history. The wildly unpopular conflict was fought with questionable ideological justifications in a half-hearted manner, dictated by murky political considerations instead of a desire to achieve real victory. In the end, nothing good came from it and the horrors of the war’s excesses left a stain on the nation. This bleak, bloody conflagration has become potent fodder for nihilistic films and literature, and it makes sense that it serves as the backdrop for the full-length debut by Los Angeles death metal mob Mortal Wound.” Terminate with extreme prejudice.
Cryptworm – Oozing Radioactive Vomition Review
“Cryptworm’s 2022 Spewing Mephitic Putridity debut completely satisfied my shameful desires for a death metal album sounding like someone vomiting gut slime and mega-maggots for 33 minutes. It was repulsive, obnoxious, stupid, and fun. It was also really heavy, borrowing key chapters from Autopsy and early Carcass. I go back to it regularly, so the UK-based blokes did something right. Now hot on the heels of this grisly triumph, we get a brand new splatter platter called Ooozing Radioactive Vomition.” The Worm has (re)turned.
Astriferous – Pulsations from the Black Orb Review
“NASA telescopes detected something misshapen and malevolent hurtling in this direction; don’t panic, but our best calculations indicate that it’s on a collision course with your ear holes. The entity hails from Astriferous, a hitherto obscure corner of the galaxy. Rumors abound that the object, which engineers are calling Pulsations from the Black Orb, is a death metal album. Remain calm!” Sphere tasting.
Vacuous – Dreams of Dysphoria Review
“Dreams of Dysphoria certainly has its atmospheric moments—and those are the best bits by the way—but it feels closest to a more sprawling disso-death, if we had to pigeonhole. Melody is almost entirely absent, along with comprehensible vocals, traditional song structures, and reason.” Death dreams, waking nightmares.
Faceless Burial – At the Foothills of Deliration Review
“If you were expecting the same album over again, you’ll be sorely disappointed. Progression is the name of the game here, and Faceless Burial knows no other path but forward. I’ll let you in on a little secret, though, that may not entirely surprise some of you: I didn’t love Speciation. Heck, there might have been some days back in 2020 when I might have said that I didn’t even like it, but my enjoyment aside, it’s hard to argue that the act didn’t distill lethal doses of Neanderthal pit-chuggery into a slobbering mass of gnarled riffs and dripping gurgles.” Face re-burial.



















