Experimental Metal

Blessings – Blodsträngen Review

Blessings – Blodsträngen Review

“Originating from the same vibrant scene that has spawned acts ranging from At the Gates to Ace of Base, Gothenburg experimental noise quartet Blessings have been forging their own path within the borders of Sweden’s olde harbor city for thirteen years. Comprised of long-standing veterans of the Swedish scene, Blessings have been worshipping at the altar of turmoil since its 2012 debut, Bittervaten came out waving a Black Flag of loud, Unsanely harsh, in-your-face noise rock.” Blessed are the slick.

Felgrave – Otherlike Darknesses Review

Felgrave – Otherlike Darknesses Review

“When a promo doesn’t adequately prepare you for what an album will sound like, one of two things is usually the case. Either the promo is poorly written, or the music is particularly description-defying. The promo for Felgrave’s sophomore, Otherlike Darknesses, while well-written, was insufficient to convey the music’s especially idiosyncratic nature. Despite the forewarnings that it “[melds] doom, black, and death metal in a way rarely done before,” and contains “intense and complex parts that wouldn’t be out of place on a technical death metal album,” Otherlike Darknesses is far stranger and deeper than expected.” Aural ambush.

Flummox – Southern Progress Review

Flummox – Southern Progress Review

“Originally slated to be my main Thing You Might Have Missed feature, Tennessee avant-garde metal quintet Flummox’s fifth LP Southern Progress caught me completely off guard. Attracted to the prompt “their most obnoxious album yet,” I wasn’t sure what to expect from my first exposure to Flummox’s work. I figured it might be weird, but it’s also distinctive, fun, and infectious. Fearlessly creative, deeply detailed, lyrically cutting, and stupidly intelligent, Southern Progress rapidly became my favorite record released so far this year.” Southern fried befuddlements.

Bong-Ra – Black Noise Review

Bong-Ra – Black Noise Review

“When I reviewed Bong-Ra’s last album, Meditations, I commented on the about-turn the project made moving into doom. I should have known that the individual behind Bong-Ra, Jason Köhnen, likes to keep the listener guessing. So it is that Black Noise, their ninth official full-length, sees yet another mutation. In a whiplash change, Meditations’ successor is not dreamy, sax-infused, instrumental doom, but uncanny blackened, industrial, electronic metal; synthetic elements are used now to splice in unsettling samples and twist the guitar sound rather than dominate the melodies.” Bong show.

Melted Bodies – The Inevitable Fork Review

Melted Bodies – The Inevitable Fork Review

“I am more of an album guy than an EP guy. This makes the trend of releasing several EPs and combining them into a full album a bit frustrating. Thankfully, I glommed onto Melted Bodies’ plan to do the same with The Inevitable Fork. After reviewing the first EP in the 2022 roundup, I decided to leave the remainder be for the inevitable album review, which is now upon us in tandem with the third EP.” Toothsome sporking.

Moiii – Moiii Review

Moiii – Moiii Review

“True genius, especially in art, is often not recognized when it first emerges. Van Gogh barely made a penny and garnered little acclaim for paintings that people now travel the world to see. Art may be subjective, but an entirely new world of debate arises when something comes along for which there are very few, if any, analogues. With this in mind, let us turn to Moiii, and their self-titled debut. It’s the fusion of musical minds hardcore and rock-centric—Scott Shellhamer (American Heritage, Ghosts and Vodka)—and electronica, pop, and folk-inclined—Jason Butler (Thee Conductor)—plus an additional healthy helping of aggressive noise rock—Thor Harris (Swans) performs percussion.” Less weird is MOAR.