Whitechapel

Phasma – Purgatory Review

Phasma – Purgatory Review

By Kenstrosity on February 17, 2026 in Reviews, Black Metal, Death Metal, Deathcore, Hardcore, Technical Death Metal, 34 comments

“Sometimes an album comes around ye olde promo pit that looks and smells familiar, but plays like something else entirely. Today’s entry into the “what the heck am I actually listening to?” hall of infamy is Phasma’s Purgatory. The third record from the Greek/US duo, and the first carried by a label—our beloved Transcending Obscurity Records—Purgatory continually subverted every expectation I had. In doing so, it became one of my biggest pleasant surprises in recent memory.” Set Phasmas to brutal stun.

Wretched – Decay Review

Wretched – Decay Review

By Dear Hollow on October 21, 2025 in Reviews, Deathcore, Melodic Death Metal, 19 comments

“Wretched has always been a strange beast, incorporating the heft of deathcore with the technicality and atmosphere of more progressive acts. While breakout album (and my introduction to the band) Beyond the Gate was an elegantly elegiac deathcore album, swaying between the patient sprawls of “Birthing Sloth” and the bouncy chugs of “My Carrion,” follow-ups Sons of Perdition and Cannibal reflected the changing of the guard at vocals, as Glass Casket frontman Adam Cody injected an unhinged frenetic energy that had the band flirting with grind and thrash. Decay is an important album, released eleven years after its predecessor and existing as a return to form for a band that never had a slump.” Time, decay, and wretchedness.

Signs of the Swarm – To Rid Myself of Truth Review

Signs of the Swarm – To Rid Myself of Truth Review

By Dear Hollow on August 26, 2025 in Reviews, Deathcore, Djent, 71 comments

“I think deathcore’s lack of respect in metal circles is due to its subservience to trends. Riding waves of what’s considered too brutal or not, the recent MySpace-style revival and the inevitable shadow of Will Ramos-fronted Lorna Shore have collided to emphasize relentless brutality and utter sonic depravity. Signs of the Swarm has been a victim of this more than most, riding the coattails of the trends rather than setting them, and while offering some of the most intense deathcore offerings within the realm of the “low and slow” template, there’s been nothing to convince naysayers to give their albums a listen. Will To Rid Myself of Truth be the tipping point?” Core samples.

Psycho-Frame – Salvation Laughs in the Face of a Grieving Mother Review

Psycho-Frame – Salvation Laughs in the Face of a Grieving Mother Review

By Dear Hollow on August 11, 2025 in Reviews, Deathcore, 52 comments

“Deathcore doesn’t give a shit. There was a moment when bands like Lorna Shore and Slaughter to Prevail attempted to make deathcore more accessible to other metal fans, incorporating blackened/symphonic textures or nu-metal influences. However terrible, solid, milquetoast, or well-intentioned you found it, that’s not the spirit of deathcore. Psycho-Frame has steadily been building a fanbase around their particularly unhinged take on deathcore with the release of 2023 EPs Remote God Seeker and Automatic Death Protocol, and we’re finally faced with a full-length debut: Salvation Laughs in the Face of a Grieving Mother.” Core with no apologies.

The Modern Age Slavery – 1901 | The First Mother Review

The Modern Age Slavery – 1901 | The First Mother Review

By Dear Hollow on May 9, 2023 in Reviews, Death Metal, Deathcore, 24 comments

“Remember when deathcore was exciting and fun? Pepperidge Farm remembers. Even the dead horse I beat to make that joke remembers. Back when you gals could do the side part and we all wore Etnies without a second thought, folks like Whitechapel, Suicide Silence, and Carnifex dominated the iPod playlists of Warped Tour patrons who were too edgy for Chiodos or AFI. While the death metal bastards had been eviscerating and slicing and dicing for years at that point, putting them to breakdowns just hit the youths different, y’know? Well, Italian deathcore veteran act The Modern Age Slavery is here to make you aware of social issues and do so by channeling what it feels like to be trampled in the mosh pit.” Slave rages.

Whitechapel – Kin [Things You Might Have Missed 2021]

Whitechapel – Kin [Things You Might Have Missed 2021]

By Dear Hollow on December 23, 2021 in Things You Might Have Missed 2021, Deathcore, Progressive Metal, 27 comments

“Kin, as its name perhaps suggests, is a distillation of the themes expressed in The Valley: family. Bozeman laments his family’s disintegration and his own loss of innocence throughout, represented through a breed of deathcore even more mature than its predecessor. The heavy hits heavier, the bleeding heart hemorrhages thicker, and the songwriting accomplishes a storytelling flow to relate it all.” Deathcore in the family.

Osiah – Loss Review

Osiah – Loss Review

By Dear Hollow on May 4, 2021 in Reviews, Deathcore, Slam, Technical Death Metal, 16 comments

“Another day, another album called Loss. While some crews take up this tragic mantle with sobriety and melody, Osiah’s content pummeling you with big “djunz” time and I guess the “loss” is, like, a loss of goddamn peace and quiet. This is a band I inherited from the Spongey One who simply didn’t have the time to devote to deathcore. Shocker, I know.” Identity loss.