Pestilence

Scythe – Boiled Alive Review

Scythe – Boiled Alive Review

By Grin Reaper on February 13, 2026 in Reviews, Death Metal, 55 comments

“In the midst of a recent metal deep-dive, Romania’s Scythe skulked out from a Bandcamp back alley and bludgeoned me with the flat side of their blade, knocking me senseless with scuzzy shenanigans. We weren’t graced with a promo for Scythe’s self-released debut, but Boiled Alive packs in so much grimy panache that after my first listen, I had it shortlisted as someThing You Might Have Missed. Rather than wait several months before bringing attention to Boiled Alive, though, I volunteered to burn some midnight oil and write about this quartet from Constanța.” Get in the pot!

Invictus – Nocturnal Visions Review

Invictus – Nocturnal Visions Review

By Kenstrosity on January 26, 2026 in Reviews, Death Metal, 79 comments

“Five years ago, I highlighted Invictus’ 2020 debut LP Catacombs of Fear as part of our year-end death metal roundup feature. Since then, the Japanese death metal trio toiled under the ground with a brutal live schedule and steadily wrote what might very well be my most highly anticipated follow-up in the death metal realm. Hot on the heels of killer releases from personal favorites like Depravity, and jumping just ahead of another highly anticipated salvo from Eximperitus, Invictus’ upcoming Nocturnal Visions has big shoes to fill and stiff competition to combat.” Captaining the soul.

Thaumaturgy – Pestilential Hymns Review

Thaumaturgy – Pestilential Hymns Review

By Spicie Forrest on October 23, 2025 in Reviews, Death Metal, 15 comments

“Changing your sound must be equal parts thrilling and intimidating. On the one hand, it’s an opportunity to explore and flex your creative muscles, to see what else you can do. On the other hand, it may alienate your listeners, but more simply, it may just be unsuccessful. This is the crossroads at which we find Kansas-based Thaumaturgy. While their debut, Tenebrous Oblations, was a cavernous voyage through Mortiferum’s lightless catacombs, sophomore effort Pestilential Hymns, is a notable departure from that sound.” Come for pestilence, stay for the hymnals.

Plague Curse – Verminous Contempt Review

Plague Curse – Verminous Contempt Review

By Spicie Forrest on October 8, 2025 in Reviews, Black Metal, Blackened Death Metal, Death Metal, 52 comments

“We’ve all been told, once or thrice, not to judge a book by its cover. As a species, we’re pretty good at doing it anyway. In metal circles, band logos and album art often follow certain tropes that let us quickly identify what we’re about to hear and set expectations accordingly. Except when they don’t. When I first saw the cover art for Verminous Contempt, I thought I had it pegged. I mean, rats? Green mystery fluid? Skulls? This was sewage-drenched death metal for sure. I was, of course, wrong. For their debut, Plague Curse instead offers a highly polished platter of blackened death metal.” Cess is MOAR.

Viogression – Thaumaturgic Veil Review

Viogression – Thaumaturgic Veil Review

By Spicie Forrest on August 10, 2025 in Reviews, Death Metal, 17 comments

“One of the original but unsung stalwarts of death metal’s earliest days, Viogression formed in 1988 and released a well-received debut, Expound & Exhort, in 1991. The 1992 follow-up, Passage, failed to meet expectations, leading the band to take a three-decade hiatus. Their third full-length, 2022’s 3rd Stage of Decay, was praised for its old-school core and modern flair. Three years and a major lineup shuffle later, they return with their fourth full-length and first self-release, Thaumaturgic Veil.” Are you massive aggressive?

Quadvium – Tetradōm Review

Quadvium – Tetradōm Review

By Dolphin Whisperer on June 4, 2025 in Reviews, Instrumental Metal, Progressive Metal, 96 comments

“Who needs two guitar players when you could have two master bass players at the helm? Quadvium seeks to answer this question with the fiery fingerwork of metal legends Steve DiGiorgio and Jeroen Paul Thesseling. DiGiorgio revolutionized bass playing in the metalsphere through radical death works with Autopsy, Death, and his own band, Sadus. Even if you don’t know his name, you may recognize these hallmarks of percussive and frenetic bass engineering, or any number of the thrashy, deathly, or progressive albums to which he has lent a wild, throbbing pulse. Likewise, Thesseling has weaved his way around celebrated releases, designing a style equally tricky but heavier in jazz-indebted fusion. Both Pestilence’s Spheres and Obscura’s breakout albums would not have seen the same light without his buttery and bleeping presence.” Bass on bass wiolence.

Sadist – Something to Pierce Review

Sadist – Something to Pierce Review

By Dolphin Whisperer on March 7, 2025 in Reviews, Death Metal, 56 comments

“Through Sadist’s classic run, from 1993’s Above the Light to 1997’s Crust, the imitable Italians carved a path around emergent death-thrash, progressive death, and groove sounds with a synth-laden and horror-guided flair as pillars of their heritage. And though their hiatus to reunion with 2007’s self-titled comeback burst forth with an aggressive energy that encapsulated their extreme and unique breed of work, the path afterward has remained fairly rocky. The freedom to be Sadist in all their never-replicated Goblin keys meets Pestilence riffs with a B-movie attitude has resulted in some excursions that felt more style than substance.” Gotta be cruel to be kind.

Discordant Meditation – Tragic Creature Review

Discordant Meditation – Tragic Creature Review

By Alekhines Gun on January 28, 2025 in Reviews, Death Metal, 12 comments

“Regardless of quality, a debut release always ensures an interesting listen. Whether paying tribute to the better bands of yesteryear or trying to carve their own way in the world, such offerings from young outfits reek of promise. Hope. Even optimism! American studio project Discordant Meditation have been crafting what they describe as “experimental death metal” for a couple years and and a handful of EP’s.” Meditations on death.