Sepultura

Crypta – Shades of Sorrow Review

Crypta – Shades of Sorrow Review

“In 2021, Brazil’s Crypta unexpectedly tripped my radar with rancid debut platter Echoes of the Soul, a ripping slab of thrashy death metal. It ripped so hard, in fact, that shortly after I covered the beast for June 2021’s Filter, AMG The Man, The Myth, The Legend saw fit to award it a Runner Up spot for the Record(s) o’ the Month and later his #9 spot on his Top 10(ish). Two years and two months later, Crypta return with their follow-up, Shades of Sorrow, a record which several of the staff, myself included, highly anticipated.” Rocket from the Crypta!

Kapnas – Kapnas Review

Kapnas – Kapnas Review

“We’ve all said, done, and worn things we aren’t necessarily proud of. Pants with legs that can hold a family of five comfortably? Yepper! Wallets with chains longer than an average CVS receipt? Been there, done that, got stuck on way too many things walking by. What I’m saying is that… well, in all of our lives, some cringe has happened. It’s unavoidable, yes, but we’ve moved on. Or at least some of us have. That leads us to the self-titled debut from masked Montreal “funeral doom” duo, Kapnas. All we are is dust on the weed.

High Command – Eclipse of the Dual Moons Review

High Command – Eclipse of the Dual Moons Review

“For me, 2022 has been chock-full of highly anticipated albums from returning favorites, so it’s only fitting that my last review of the year should be more of the same. Three years ago, I told you not to miss Beyond the Wall of Desolation, the debut full-length from Massachusetts band High Command and late addition to my year-end list. When I first heard that record, I immediately fell in love with the band’s epic, fantasy-themed crossover thrash and was impressed by the way they were able to take a bunch of old-school, typically aggro styles and mash them together into something oozing with grandeur.” Command to highly overrate.

Xentrix – Seven Words Review

Xentrix – Seven Words Review

Xentrix may not be a household name, but it should be. The band’s magnum opus For Whose Advantage? had the misfortune of coming out in 1990, a banner year for thrash. It wasn’t as impressive as Megadeth’s Rust in Peace, as seething as Forbidden’s Twisted into Form, as aggressive as Morbid Saint’s Spectrum of Death, as memorable as Artillery’s By Inheritance, or as blasphemous as Exhorder’s Slaughter in the Vatican. Still, For Whose Advantage? packed a punch, with berserk riffcraft that went straight for the jugular.” Age and experience advantage.

Vacuous Depths – Corporal Humiliation Review

Vacuous Depths – Corporal Humiliation Review

“You there! That’s right, you. Stop dwelling on Cthulhu or Satan or the uncaring expanse of deep space for a minute; it’s time for a thought exercise. Think of the worst thing you’ve ever done. No, really–the thing you don’t tell anyone about, the one that makes you stop whatever you’re doing and wince whenever it jumps unbidden into your mind. Got it? Well, guess what: Vacuous Depths know your secret, and they are here to beat you down for what you did. Here are ten tracks of primal, punishing death metal that are very much aware we all have it coming.” Punishment due.

Algebra – Chiroptera Review

Algebra – Chiroptera Review

“Ask most folks around the world to describe Swiss culture in a word, and I’d bet that “precise” ends up in the top ten most common responses. Switzerland is known for producing precision-made watches, cutlery, and chocolates, and thanks to Coroner’s technical version of the genre, we can probably add precision-made thrash metal to the list. And if we want to emphasize that last point, we need look no further than Swiss thrashers Algebra.” Fast maths.

Intent – Exile Review

Intent – Exile Review

“I love to hear a band adjust their sound slightly and deliver a better product than the previous record. Vox Populi is utterly unmemorable. So, when I grabbed the thrashy Exile, I was concerned. But seconds into the opener, ‘Victims of Conquest,’ all doubt faded.” Vicious Intent.

Soulfly – Totem Review

Soulfly – Totem Review

“For the most part, I enjoy Soulfly. Even if they rarely bring anything new to the table. I guess Soulfly and Primitive contradict that statement because Max Cavalera explored a new territory of Korny, Limp Bizkit metal. Contradicting because, while Cavalera stepped out of his comfort zone, I fucking hate those albums—even more than I hate Ferrous. Yet, when Marc Rizzo joined the ranks on 2004’s Prophecy, Cavalera and crew brought thrash, death, and inklings of Chaos A.D. and Roots back into the mix. From that point, I’ve grown accustomed to the existence of Soulfly and enjoy albums like Dark Ages, Conquer, and Enslaved. Now it’s 2022, and Rizzo is gone. What does this mean for ole Maxie?” Mad Maxie.

Battlegrave – Cavernous Depths Review

Battlegrave – Cavernous Depths Review

“Perhaps the most awesome thing about Battlegrave is the way that they combine their genre influences together. Many bands blend genres in such a way as to make it difficult to pinpoint where one ends and another begins. Not so with Battlegrave. Cavernous Depths sounds like Morbid Saint, Demolition Hammer, and Oxygen Destroyer were each run across a table saw and had their constituent parts randomly and brutally sewn together.” Snitches and death thrash fans get stitches.