“One of the common complaints I see about blackgaze is that it tends to be toothless when compared to its black metal forebear. This is part of the personal appeal to me, but, in any case, Denmark’s MØL has built a reputation for bucking that trend. They managed to impress even hardened metalheads like Mark Z., who found their 2018 debut, Jord, biting enough to shake him from his blackgaze apathy.” Buck deez nutz.
“Beyond the Black play the sort of female-led symphonic metal that seems to get a bit of traction in Europe. Since Jennifer Haben formed the band in 2014, they have recorded five LPs that climbed the charts in her home country of Germany as well as those of neighboring countries. Break the Silence, their sixth record, finds them at their peak. It’s a concept album revolving around themes of communication and connection.” Can’t you hear me screaming?
“We’re in the honeymoon phase of our shiny new year, and over the next few weeks, some big names will be dropping albums to set the tone for this trip around the Sun. First up is Kreator, Germany’s long-running and legendary thrash institution, with their 16th album, Krushers of the World. So which version of Kreator are we getting here? The straight-up, no-bullshit thrashers, or the ones that stir traditional metal sounds into the expected speed for a more polished brew?” Painting with a broad krush.
“I’m beginning to think Mire was a fluke. I’m not saying that as a bad thing, but I remember listening to Conjurer’s debut and thinking that it was a top post-metal album steeped in atmosphere and enigma, tied together with vicious vocals and vindictive weight. So then, I was immensely let down by follow-up Páthos because it seemed to shed substance for novelty: if I’m being honest, its stark dichotomy of heartwrenching melodies and kickass riffs felt inauthentic and shoehorned. Thus, I approached Unself carefully, hoping for something like Mire but tentatively expecting Páthos.” Tricks and treats.
“Max Cavalera casts one hell of a shadow in metal, with a wide swath of bands he’s either founded or played alongside. Though Cavalera’s mightiest legacy will be his time with Sepultura, he’s been with Soulfly over twice as long. In that time, Max and company have written and recorded thirteen albums. On latest offering Chama, the elder Cavalera relinquished producing credits and creative focus to his son and Soulfly’s drummer, Zyon, providing an opportunity for a fresh direction.” Fly in the flames of time.
“The greats of the original American thrash scene have fallen on hard times of late. Metallica dropped a predictably disappointing platter that critics still hailed as genius, Megadeth is Megadeth, Anthrax is MIA, and Slayer is in assisted living. These days, it seems like only Overkill still stands strong and defiant, defending the old guard. But let us not forget about Testament.” New and olde Testaments.
A new Paradise Lost album merits double focus. Will Ascension ascend beyond expectations?
“As I settle further into my staff position here at AMG headquarters I still feel a slight trepidation when grabbing a promo tagged “waived seniority.” With Nailed to Obscurity’s fifth long-player, Generation of the Void, however, such is the case, and for reasons we don’t discuss with fans, it has fallen to me to pick up where our hairy overlord, Steel, left off. His rave review of Nailed’s 2017 album King Delusion took the act from obscurity to notoriety and, in so doing, landed a spot on his top ten that year. While slightly less enamored with 2019’s Black Frost, it’s clear from that reading Steelstill harbored quite a bit of love for this German quintet, which not only raises the stakes for Generation of the Void, but for me as well.” Void if nailed.
“In their heyday, we were blessed with remarkable albums like Evangelion and The Satanist. The latter is one of the best black/death albums of all time. Yup, I said it. Since then, the band hasn’t quite lived up to the mastery of The Satanist. But, I would argue that it’s impossible. Now they’re back with a toned new album that, per usual, celebrates our Heavenly Lord much like Pontius Pilate did in ancient times. But, who’s really The Shit ov God? Spoiler alert: it’s you.” Biblical pile.
“Unlike a certain Angry Metal Overlord, I really liked Origins. Up to 2014, I had only a dim awareness of Eluveitie, save that they were a Swiss group that did not believe in keyboards. Origins was my gateway into folk metal, an album I found exciting and refreshing, and Eluveitie’s live show in support of it is still one of my top concert experiences. For over twenty years, Eluveitie has been a force in folk metal. Armed with many instruments and a metal core, they are now on their ninth full-length album, Ànv. What have these giants of the genre cooked up for us this time?” Folk in a hard place.
