“How do you grieve? Do you cry? Do you seek comfort in familiar places? Perhaps you bury yourself in busy work, hobbies, or your career. However you grieve, it is a deeply personal and taxing process. I suspect, though, that many reading this blog turn to music. And thusly grounded, I introduce Ancient Torment’s debut, Follow the Echo of Curses.” This reviewer wants to make you cry.
Spicie Forrest
Incite – Savage New Times Review
“Within metal circles, one does not simply invoke the Cavalera name. Its crest is adorned with more than just the seminal works of Sepultura. There is ambition there that does not sleep. That great name is ever pushing boundaries, creating new sounds. This is no barren wasteland riddled with fire and ash and dust. There is no poisonous fume for inspiration to choke on. Not with 10,000 artists could you accomplish what those brothers have done; it is folly. Thus, it is with great interest—and a little skepticism—that I was assigned Incite’s seventh LP. Fronted by Max Cavalera’s stepson, Richie Cavalera, Savage New Times promises to be the band’s truest-to-self offering yet. Let’s see how deep the roots go.” Family business.
Viogression – Thaumaturgic Veil Review
“One of the original but unsung stalwarts of death metal’s earliest days, Viogression formed in 1988 and released a well-received debut, Expound & Exhort, in 1991. The 1992 follow-up, Passage, failed to meet expectations, leading the band to take a three-decade hiatus. Their third full-length, 2022’s 3rd Stage of Decay, was praised for its old-school core and modern flair. Three years and a major lineup shuffle later, they return with their fourth full-length and first self-release, Thaumaturgic Veil.” Are you massive aggressive?
Goblinsmoker – The King’s Eternal Throne Review
“Concept albums inherently have higher aspirations than the average release and therefore necessitate an elevated standard of critique. Not only must the music delight, but everything on the album—lyrics, instruments, tone, track placement, pace—must support a well-developed central narrative.” Now that, motherfucker, is what I mean when I say “set up the stakes of the review.”


















