Dolphin Whisperer

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Tranzat – Ouh La La Review

By Dolphin Whisperer on April 4, 2022 in Reviews, Groove Metal, Progressive Metal, Progressive Rock, 37 comments

“Tranzat won me over before I even heard a single note, their pétillant persona piquing all the “must listen” bones in my body. On a scale of swell to swole, these proggy French funnymen are decidedly swell-diddly-umptious. Not only have they provided a boy-band-meets-bowling-league cover art for our supreme enjoyment, but also they have adorned their merch page for Ouh La La with silly posters, silly shirts, and reasonable prices. You can even send them your own shirt (or turtleneck or polo) that they will gladly screen print for you. Perhaps for this third outing, Tranzat has finally coordinated with a highly supportive label.” Prep-core.

Senzar – Pyre of Throes Review

By Dolphin Whisperer on March 22, 2022 in Reviews, Black Metal, Death Metal, Post-Metal, 15 comments

“While the small nation of Ireland is host to a few larger names (Primordial and Altar of Plagues come to mind), there is still not yet a strongly defined Irish metal sound, other than the stereotypical squeal of bagpipe or drone of a hurdy gurdy. Senzar does not muse on folky ideas, instead using Pyre of Throes to cement their place in the ranks of post-kissed blackened acts like Suffering Hour or Yellow Eyes.” Irish fires.

Boguslaw Balcerak’s Crylord – Human Heredity Review

By Dolphin Whisperer on February 22, 2022 in Reviews, 18 comments

“Crylord as a word evokes the purest of sadboi feelings—songs of scoured hearts and drowned eyes. Rest assured, Boguslaw Balcerak’s Crylord will do anything for love, but not that. Human Heredity promises nothing more than a good time, despite the band moniker’s sorrowful suggestion. Rather, their light-hearted brand of arena-ready tunes threatens to grease your day with gooey power-infused cheese.” Dairy Malmsteen.

Sartori – Dragon’s Fire Review

By Dolphin Whisperer on February 5, 2022 in Reviews, Power Metal, 13 comments

“Though you’ve probably never heard of Sartori, you’ve definitely heard them before. Sartori neither revels in the murk of dissonant death metal, wallows in the wail of languishing post-metal, nor abstracts musical reality with a blackened avant-garde offering. Instead, in his namesake band, Andy Anderson Sartori uses his scooped six-string powers to provide straightforward, rollicking neoclassical shred, following the tradition of many other Yngwie-inspired shredders (who also dress a little like him).” Shreddy dragon balls.

Verbum – Exhortation to the Impure Review

By Dolphin Whisperer on January 16, 2022 in Reviews, Black Metal, Death Metal, Doom Metal, 35 comments

“What’s in an identity? In a world where often we have knowledge at our fingertips, it’s frustrating when information just isn’t there. Promo material for Verbum has no names attached at all, and though I am a high-level Google-fu practitioner, research into this band doesn’t yield much about members—but we do know they’re from Chile. Therefore, I can only conclude that on one particularly auspicious night deep in the Atacama, an unfortunate miner bored mistakenly into a mysterious, pulsating rock, releasing four cloaked metal demons from the underground.” Unknown and impure.

Temple of Evil – Apolytrosis Review

By Dolphin Whisperer on November 28, 2021 in Reviews, Black Metal, 24 comments

“Esoteric concepts need some sort of well-endowed platform to rise above obscurity. Temple of Evil believes in the summoning power of their latest sermon Apolytrosis—an ancient Greek term for the concept of redemption through sacrifice. Hailing from the kvlt island nation of Cyprus, in the brutal waters of the Mediterranean Sea, Temple of Evil presents us with the familiar offerings of pummeling blast beats, furious tremolo riffs, and embattled barks—all with the melodic flair of other Hellenistic acts like Rotting Christ or Nightfall.” Small nation, big evil.