“The quality of an album’s production is a pretty common theme for reviews and comment sections here at Angry Metal Guy. We’ve all heard them — great albums that have been brickwalled, suffocated, or buried behind a head-scratching production choice that probably made perfect sense to the producer at the time. So when I received The Red Wanderer, the debut album from Isgalder, who play pagan black metal, and saw that the band produced the album themselves, I was apprehensive.” Extreme noise terror.
Twelve
Óreiða – Óreiða Review
“Atmospheric black metal is tricky to judge. The definitions for the style are broad, and its success really lies in the emotional resonance felt by the listener. Obviously, this is a true statement of all art, but I’ve always found the more abstract qualities of atmospheric black enhance that statement beyond its usual bounds. To me, this makes it a very difficult style of music to review. So, naturally, when I came across an unreviewed sample of the genre, I leapt at the chance to become better acquainted with Óreiða, and their self-titled full length debut.” Void where sold.
2 Wolves – …Our Fault Review
“I used to think Finland must be the single coolest place in the world. Unsurprisingly, this view coincides with my discovery of symphonic metal music, which, for a long time, remained comfortably nestled in the frosty inspiration of that country. It wasn’t long before I crossed the threshold and met doom metal, which, would you believe it, also kept my attention rapt on Finland. 2 Wolves hail from Finland, and bring gothic-tinged doom metal to light in their fourth full-length, …Our Fault.” Nobody’s at fault.
Crown of Autumn – Byzantine Horizons Review
“Love at first listen. Is there any better feeling? Byzantine Horizons and I have been nearly inseparable since the album first came into my hands. I’d never heard of Crown of Autumn before that happy day, but between the cool band name and awesome cover art, I really didn’t have much choice but to investigate.” Crowned in glory.
Silver Bullet – Mooncult Review
“Who was your gateway band? The one that got you into metal, the one you blame for this obsession that never goes away? Mine was Nightwish; the idea that you could combine orchestral and metal concepts together swept me away completely, and for a while, symphonic metal was all I could listen to. Today, however, I only listen to the band rarely, and I believe the genre is sadly stagnated. But while navigating the depths of the promo bin, I found myself drawn to it once again and decided that my first ‘official’ review around here should pay homage to that exhilarating initial experience.” Cult of the Night(wish).
Orpheus Omega – Wear Your Sins Review
“One of my favorite things about melodic death metal is its versatility. Alone, death metal is a style that I can appreciate but don’t often enjoy. So when you fuse it with aspects of other genres that I love, it’s easy for me to enjoy the result. Subsequently, this has long been one of my favorite genres of metal music. So much so that I’ve been hunting for some to review basically since the moment I got here. At long last, here they are, Orpheus Omega, who hails from Victoria, Australia, and Wear Your Sins, their fourth full-length effort.” Wish upon a scar.
Gloryful – Cult of Sedna Review
“Back in 2016, Gloryful, a “true metal/heavy metal” act from Germany, released End of the Night, a record that capably demonstrated that heavy metal without energy isn’t really heavy metal. That record, while far from gripping, did display hints of promise here and there, suggestions that with a renewed focus, the band could put out something really engaging. Over two years later, Gloryful returns with Cult of Sedna, their fourth full-length, and the question looms: that energy, that “aspect above and beyond” that was absent last time. Is it back? Is it here?” Glory whole.
Frozen Land – Frozen Land Review
“Imagine, if you will: I, some nameless n00b, sitting around the house. The doorbell rings—the mailman arrives! I open the door; he is clearly shaken. Through his tremors of disconcertment, I gather that an extremely angry metal man ordered him to deliver a certain package to one Nameless N00b_12. I don’t know how he got my address. I don’t care either. I snatch at the package and stare in awe. Frozen Land? An eponymous debut? An angry Viking on the cover? A band that wants to ‘bring back the 90’s golden age of Finnish power metal?’ A song called ‘Orgy of Enlightenment?’ I tremble with joy, for there is only one plausible explanation—Angry Metal Guy wants to be my friend.” No he doesn’t.
Leonov – Wake Review
“Leonov’s promotional material describes their music as “celestial doom,” which intrigues me greatly. What is celestial doom? What does it mean? Are we contemplating the small, brief existence of mankind in the vastness of space? Are we exploring the ideas of loss and nothingness? I have no idea. My attention has been captured nicely here, but can Leonov follow through?” This here Nameless_n00b sure does ask a lot of questions. Does he have answers? Only a click on this link can tell!













