Rimfrost

Sarastus – Agony Eternal Review

Sarastus – Agony Eternal Review

“If you follow the Finnish, or even the wider Scandinavian black metal scene, you might know about Finnish trio Sarastus. I would never have known about them, though, if it weren’t for AMG Hisselves telling Dr. A. N. Grier to listen to them and cover this. Of course, because I’m an opportunistic bastard with a ravenous appetite for shenanigans—and because GrierGrier slept on the promo pool until he was sunburned to a smoking chunk of stinky charcoal—I swiped it right from under his nose. Sucks to suck, loser! Now I’m here, spinning Sarastus’ third opus, Agony Eternal, and reveling in the fact that I stole something that just happened to be worth stealing from not one, but two upper management. You’re welcome.” Stolen goods, Finnish hoods.

Omnicidal – The Omnicidalist Review

Omnicidal – The Omnicidalist Review

“If you were deeply saddened by the news of Rimfrost’s demise in 2019, you were not alone. After Dr. Grier spent a week spinning Abigail in a dark room, we had to physically drag him into a cold shower and pay Brittney Slayes to give him a backrub just to get him out his catatonic state. Thankfully, the band changed their minds halfway into the pandemic, and all was right with the world. Sometime during their brief break-up, though, vocalist Sebastian Svedlund had the luminous idea to start Omnicidal, an entirely different band with an entirely different style: old school Swedish death metal with a teaspoon of Gothenburg melodeath.” Dawn of the OmniRim.

Summoner’s Circle – Chaos Vector Review

Summoner’s Circle – Chaos Vector Review

“Describing themselves as “theatrical metal,” Summoner’s Circle is a swirling morass of influences that, peculiarly, leaves little lasting impression. Chaos Vector takes the most accessible parts of mainstream death metal and mainstream black metal and mixes them with the accessible melodies of modern progressive metal. Given that the vocals are largely blackened rasps a la Rimfrost, the guitars pull double duty in trying to make the proceedings overtly heavy and melodic. Progressive is definitely used in the catch-all way here.” Chaos and design theory.

Son of Sam – And the Monster Awoke… Review

Son of Sam – And the Monster Awoke… Review

“When Rimfrost disbanded after their magnificent Expedition: Darkness, I thought I’d never get to review something from them again. What’s this gotta do with Rimfrost? You’re about to find out. After Rimfrost parted ways, drummer Throllv and bassist Khratos joined forces to create new music under the moniker Son of Sam. But what is Son of Sam? Is it the next phase of Rimfrost’s sound? Will they dig deeper than ever to top Expedition: Darkness? Or, is this something else?” The monster next door.

Magoth – Invictus Review

Magoth – Invictus Review

“Thankfully, all the other writers have me around to do write-ups of actual good music. At first, this review was a TYMHM piece. But, ‘thanks’ to Covid, Magoth’s November 2020 release is now a February 2021 release. Which, in my opinion, is even better. It’s now a chance for Invictus to have a proper release and a proper review. This is fitting, being that this German quartet, who bleeds Naglfar and Watain, might have released their best album to date.” Magoth infestation.

Lord Almighty – Wither Review

Lord Almighty – Wither Review

Lord Almighty, that’s some pretty artwork. An animal skull, painted with myriad pastel colors, conveys that sense of decay which defines so much of the metal art world. Meanwhile, a rich palette of greens and blues strengthens the impression that this skeletal creature’s surroundings teem with life. Plus, emblazoned atop the stripped-down scenery oversees this Lord’s unholy crest, gnarled and subtly overgrown while simultaneously resembling a fortress, the moon presiding over its kingdom. Needless to say, I was thrumming with excitement to get my hands all over this. Imagine my glee when the Bostonians’ sophomore record Wither—an apt name to go with the cover—didn’t totally suck.” Wither systems.