“Becoming a fully-fledged metalhead is when you stop associating German metal with Rammstein and start with Teutonic thrash. There’s something about Germany that just makes thrash metal meaner, dirtier, and nastier than anywhere else, and without Teutonic thrash, extreme metal would likely look very different from where it is today. Knowing and loving this heritage, Germany’s own Teutonic Slaughter throws their feather-capped hat into the ring with their third album, Cheap Food, brandishing both a ridiculous album cover and a conviction to maintain the glory of old school Teutonic thrash metal.” Eat, prey, leave.
Rammstein
Erdling – Mana Review
“If you’re like me, then your experience with German industrial metal largely revolves around Rammstein, the fun, if not inconsistent, institution that still somehow sells out arenas worldwide with their patented brand of simple riffs, simpler grooves, and deep-voiced German monotone “singing.” If you’re also like me, then listening to Rammstein became a lot less appealing when allegations surrounding frontman Til Lindemann arose, tainting my ability to enjoy the band. Thankfully, Germany is nothing if not efficient, and for every aging industrial Goliath there’s a newer, sleeker unit revving up on the assembly line. Erdling is one such machine, and they’ve been honing their brand of Neue Deutsche Härte since 2014.” Teutonic terrors.
Lord of the Lost – Opvs Noir Vol. 1
“Chris Harms has been in the music business since 1999, but it wasn’t until founding Lord of the Lost in 2007 that he seems to have found his home. I say this not because I am familiar with him or the band, but because Harms has released ten full-length albums, three orchestral albums, four live albums, and one compilation since forming Lord of the Lost. Probably Lord of the Lost’s biggest claim to fame is their participation at Eurovision in 2023, representing Germany, where they unfortunately placed last in the final round. But wait, isn’t Eurovision for pop music? Why are these guys being covered on Angry Metal Guy? Apparently, they’re metal enough to sign to Napalm Records and also have toured with KMFDM and Iron Maiden. And now with Eurovision in the rearview mirror, Lord of the Lost look to return to their darker roots with Opvs Noir Vol. 1, the first in a planned trilogy.” Pop-rock recovery.
After Taste – Hungry For Life Review
“I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green.” Taste and blood types.
Eisregen – Abart Review
“Some bands have history. Eisregen has lore. Terrorizing Germany for almost 30 years, core members Yantit and M.Roth have managed to get 2 of their albums restricted and 2 more outright banned in their home country. The BzKJ brought down the hammer on account of the sheer fucked-up-ness of their lyrics, which feature graphic gore, necrophilia, incest, and more. I think the German government has never heard of slam, or that list would be a whole lot longer.” Banned, panned and damned.
Final Coil – The World We Inherited Review
“The U.K.’s Final Coil have once, twice graced these halls under the watchful gaze of our benevolent taskmaster Steel. But his eyes are all denim and leather these days, leaving me to find the band’s latest The World We Inherited languishing in the Dry January promo sump. Blending post and prog metal with a healthy dose of grunge, it’s been four years since they dropped their last LP, The World We Left Behind for Others. Unsurprisingly this 2024 release is connected to its predecessors, the third and final piece in the band’s “Persistence” triptych. Concept-driven albums are natural draws for this reviewer, an excellent choice for ushering in the new year.” Triple Coil points!
Interview with: Noise of Kanonenfieber, Leiþa and Non Est Deus
“One gloomy evening in early April, I sat down for a Zoom call with German black metal machine, Noise, the mysterious creative mind behind Kanonenfieber, Leiþa and Non Est Deus. As something of a fanboy—Kanonenfieber’s outstanding Menschenmühle was my 2021 Album of the Year and this year’s Leiþa scored ROTM for January—it would be fair to say I was excited.” Noise exposure.
Ministry – Moral Hygiene Review
“I had an acquaintance once that said industrial metal is ‘sex music.’ That’s one of the reasons I don’t talk to this person anymore. That and it’s difficult to communicate when you’re bricked up in a wall. But, seriously, I must be doing something wrong if I don’t get an erection to Rammstein’s ‘Bück Dich.’ Babe, it’s not you. It’s me. The same goes for Ministry. There’s nothing about imagining Al Jourgensen gut and crucify the entire Bush family that pricks my pecker.” Good hygiene and bad manners.
Yer Metal Is Olde: Katatonia – Last Fair Deal Gone Down
“The year of our Angry Metal Overlord 2001 was a “very good year,” to quote the everyone who has ever spoken about wine in a movie. Indeed, the year that produced Opeth’s epic and scene-changing Blackwater Park and Propagandhi’s Today’s Empires, Tomorrow’s Ashes, also gave us Mutter by Rammstein, Awakening the World by Lost Horizon and Laundry Service by Shakira. But is Last Fair Deal Gone Down the best album released in 2001?”
Carach Angren – Franckensteina Strataemontanus Review
“But Franckensteina Strataemontanus is not a true retelling of Frankenstein; or, The Modern Prometheus by Mary Shelley. If any of you know the myths and legends surrounding the creation of this story, you know that there’re a lot of tales that involve Johann Konrad Dippel. There’s no proof that Shelley was ever inspired by this strange individual, but the connection is hard to ignore. An individual who reportedly invented nitroglycerin, experimented on dead animals and human cadavers, and created an elixir that would allow him to live until the age of 135. Here, Carach Angren provides us with a slight reinvention of the classic Frankenstein story. One that uses artistic license to make Dippel the psychotic creator of an unloved monster.” Frank n’ frowners.

















