Cannibal Corpse

Scythe – Boiled Alive Review

Scythe – Boiled Alive Review

“In the midst of a recent metal deep-dive, Romania’s Scythe skulked out from a Bandcamp back alley and bludgeoned me with the flat side of their blade, knocking me senseless with scuzzy shenanigans. We weren’t graced with a promo for Scythe’s self-released debut, but Boiled Alive packs in so much grimy panache that after my first listen, I had it shortlisted as someThing You Might Have Missed. Rather than wait several months before bringing attention to Boiled Alive, though, I volunteered to burn some midnight oil and write about this quartet from Constanța.” Get in the pot!

Casket – In the Long Run We Are All Dead

Casket – In the Long Run We Are All Dead

“For over 30 years, Casket has been a reliable—if slow and not terribly well-known—source of classic death metal. Originally forming as a four-piece in Reutlingen, Germany in 1990, they released a slew of demos between 1992 and 1996 before releasing their debut, Under the Surface, in 1998. They’ve released something (demo, EP, or LP) every five years or so since then, and aside from paring down to a trio in 2007, not much has changed since the early days.” Getting laid in the coffin.

Redivider – Sounds of Malice Review

Redivider – Sounds of Malice Review

“I’ve always wondered why there aren’t more bands that use palindromes as names. Think of the perfect symmetry you can get with your logo! While I’m not sure that’s what Louisville, Kentucky’s Redivider (complete with sharp, symmetrical logo!) was aiming for when they were coming up with a name, it does make them stand out in the field of bands with gory overtones, creative combinations of food/pain/sexual positions, or what-have-you.” Keep ’em separated!

Depravity – Bestial Possession Review

Depravity – Bestial Possession Review

“Since the release of Evil Upheaval in early 2018, I fell head over heels for Aussie death metal quintet Depravity. Evil Upheaval always going to be a difficult debut to follow, but Grand Malevolence did its very best and largely matched the debut’s sheer heft and vicious energy. Five long years spans the gap between then and now, with third salvo Bestial Possession, threatening to pummel me into dust. Little does Depravity know how badly I want it.” Depraved kinks and frightful brutality.

Barbarous – Initium Mors Review

Barbarous – Initium Mors Review

“Death metal boasts a lush buffet of subgenres. From mind-flaying technicality to chilling dissonance to wanton mirth, there’s something for everyone. Unmoved by how much the genre has evolved, some folks just want the straightforward, grass-fed variety that defined American death metal in the late ‘80s and early ‘90s. And what bloodsport that was!” More bloodsport for the bloodsport god!

Incite – Savage New Times Review

Incite – Savage New Times Review

“Within metal circles, one does not simply invoke the Cavalera name. Its crest is adorned with more than just the seminal works of Sepultura. There is ambition there that does not sleep. That great name is ever pushing boundaries, creating new sounds. This is no barren wasteland riddled with fire and ash and dust. There is no poisonous fume for inspiration to choke on. Not with 10,000 artists could you accomplish what those brothers have done; it is folly. Thus, it is with great interest—and a little skepticism—that I was assigned Incite’s seventh LP. Fronted by Max Cavalera’s stepson, Richie Cavalera, Savage New Times promises to be the band’s truest-to-self offering yet. Let’s see how deep the roots go.” Family business.

Retching – Charming the Decomposed Review

Retching – Charming the Decomposed Review

“Throwing their hats in the old school death revivalist ring, relative newcomers Retching explode out the rusty graveyard gates with a no-nonsense, pretension-free blast of old school death. Seeking to add their own spin and identity to separate themselves from the horde of old school aficionados, while leaving reinvention for other folks, the Rhode Island duo unleash debut, Charming the Decomposed.” Singles night in the rot pit.

Castrator – Coronation of the Grotesque Review

Castrator – Coronation of the Grotesque Review

“With Burdizzo’s ready, New York’s female death metal foursome Castrator are back to crush spermatic cords and eviscerate eardrums with their second album, Coronation of the Grotesque. Despite forming in 2013, Castrator didn’t release Defiled in Oblivion until 2022, that debut finding its way into the hairy palms and ears of our very own, stun baton-wielding overlord Steel.” Grip and snip.