ABBA

Battle Beast – Steelbound Review

Battle Beast – Steelbound Review

Steelbound,, Battle Beast’s seventh full-length album, struts forth boasting bubblegum choruses and sticky refrains that, upon contact, are sure to plague your showers and commutes for days afterward. For the uninitiated, the sextet from Helsinki, Finland, plays pop-infused power metal with anthemic, uplifting gusto and broad appeal. Battle Beast simmers with talent, but it’s singer Noora Louhimo that steals the show with her powerhouse range and grit, the perfect voice to broadcast the positivity and pluck that Battle Beast engenders. After years of snacking on sweetmeats, though, has the candy coating left this Beast’s fangs riddled with cavities, or are the teeth still mighty enough to bring the pain?” Steel or cotton candy?

Ghost – IMPERA Review

Ghost – IMPERA Review

Ghost is a divisive band. Forget red states and blue states; don’t bother with Yankees or Red Sox; and I don’t want to hear whose side you take in the Montreal Screwjob debacle. There’s only one true rivalry, and the debate only grows more contentious with each new Papa. Indeed, the rift between Ghost adherents and their vehement detractors is a vast, otherworldly chasm, overflowing with hate-kindled magma and plumes of blackened self-righteousness. All that being said, I really like ’em.” Ghost in the cash machine.

The Necromancers Union – Flesh of the Dead Review

The Necromancers Union – Flesh of the Dead Review

“Of all the things Europe has begun to assimilate from across the ocean, Halloween is probably the best one. Though it’s not yet an official celebration, grassroots parties and events are springing up more and more every year. My fiancée and I, and a few of our friends, have taken to carving pumpkins and eating lots of candy as well, and why not? It’s one of the few holidays that still has an everything-goes quality, and doesn’t force you to either spend time with family or be a social outcast. Darkwave artist Daniel Belasco (Glass Apple Bonzai) clearly adores Halloween as well. The Necromancers Union debut, Flesh of the Dead, is a loving homage to the campy horror of yesteryear, stuffed with samples from numerous VHS classics.” Dead man’s party.

Holy Mother – Face This Burn Review

Holy Mother – Face This Burn Review

“While I’m the last person who should be invoking a Kiss comparison, it’s definitely worthwhile to start by saying that Holy Mother bring to the table a similarly big sound — thunderous, catchy, fun, heavy rock. The riffs are mighty, the singing is heated, and occasionally Face This Burn slides into the downright catchy (not that it’s not disco or anything).” Yer Mom is sacred.

Black Vulpine – Veil Nebula Review

Black Vulpine – Veil Nebula Review

“In a fit of puzzling generosity, relative n00b TheKenWord foisted this album upon me for review purposes. I hadn’t heard of Black Vulpine, but the young whippersnapper made Veil Nebula sound so enticing that I couldn’t say no. Although it did make me wonder, if this German quartet (almost like a stoner/doom version of Abba, with two men and two women in the band) was so great, why was he bailing on the review? Well, far be it from me to disappoint my well-intentioned coworker, so here we are, a few weeks into it, compiling thoughts on a massive (in more than one way) helping of Teutonic stoner doom.” Paws and pawns.

The Night Flight Orchestra – Sometimes the World Ain’t Enough Review

The Night Flight Orchestra – Sometimes the World Ain’t Enough Review

“AMG.com has ridden the The Night Flight Orchestra (“NFO”) horse pretty hard since the release of their first album in 2012. The illustrious Dr. Fisting (then masquerading as Fisting Andrew Golota) was their discoverer and therefore the designated reviewer thus far. Now that he is absent, presumed dead, I have taken up this mantle to impart opinions on a band that our founder abhors.” New tickets to paradise.

Diablo Swing Orchestra – Pacifisticuffs Review

Diablo Swing Orchestra – Pacifisticuffs Review

“Back in ’12—when I was wearing an onion on my belt, as that was the fashion at the time—I encountered Diablo Swing Orchestra for the first time. These Swedish purveyors of the abstract and absurdly catchy had composed an album entitled Pandora’s Piñata that I downright loved. DSO went into hibernation after PP and resurfaced again with the news that their long-time vocalist AnnLouice Lögdlund was leaving the band. Lögdlund’s considerable lung capacity was replaced with Kristen Evegård, but unlike other band breakups when you lose a vocalist, DSO kept most of the rest of the band in place and produced a new album. 2017’s newest record is the wittily entitled Pacifisticuffs, which coming from Swedes is a great way of describing what appears to be the Swedish cultural state of nature.” Conscientious objections.