Saunders and Dear Hollow bring their high class tastes to the party with their Top Ten(ish) of 2025. Break out the caviar and meths!
Vildhjarta
Vildhjarta – Där skogen sjunger under evighetens granar Review
“You could make the case that Vildhjarta’s third full-length is too late to be relevant. There are few that djent as hard as the Swedes, and their own influence exists in pockets of tone-abusing youngsters and diehard veterans who just keep releasing shit: Tesseract, Periphery, and Animals As Leaders, for example. I’ve always thought that Vildhjarta is the more curious Humanity’s Last Breath, utilizing a similarly crushingly heavy bone-to-dust djent tone, dark atmosphere, and vocal attack.” Djent into shape.
Stuck in the Filter: August and September 2024
Look at that! We did double duty on the Filters, covering August and September. We really only cleaned them once but billed double. Don’t narc on us!
Dear Hollow’s Mathcore Madness [Things You Might Have Missed 2023]
Sure, there were a lot of releases in 2023. And yes, it’s impossible to keep up with. And honest, who even knew mathcore was still a thing? Our own Dear Hollow knew and he wants you to know, too.
Silent Planet – Superbloom Review
“Silent Planet, named after the first installment of C.S. Lewis’ creatively titled Space trilogy, has always been a lyrical triumph and the pinnacle of metalcore consistency throughout the quartet’s four-album run. With the relentless vulnerability and desperation of The Night God Slept and Everything Was Sound, the regality of When the End Began, and the experimental textures of Iridescent, you could always expect technicality and atmosphere balanced throughout.” Where silence is golden.
Mask of Prospero – Hiraeth Review
According to the promo, “Hiraeth” is a Welsh description of pain: “…a mixture of longing, referring to the sense of homesickness tinged with grief and sorrow over the loss. A yearning for that which has passed.” Mask of Prospero channel this grief into their sophomore effort Hiraeth, crisp metalcore weaponized with progressive metal to a complex and atmospheric degree.” The misery shows.
Nothing Noble – Modern Dismay Review
“I’m not sure how everyone got their start with metal, but there had to be a bit of a transition to the more extreme stuff, unless you eat nails for breakfast while listening to Cryptopsy’s None So Vile. Unlike you sausage or oatmeal or vegemite shippers who are descended from the yesteryears of heavy, thrash, or doom, I enjoy my eggs with my bacon: my origins of Christian metalcore a la Demon Hunter, Haste the Day, and Oh Sleeper stick with me. While metalcore has not been the kindest to me thus far in 2021, I’m always rooting for any that may wander across my lap like a feral kitten. Is Nothing Noble available for adoption?” Dismay Day.
Krosis – A Memoir of Free Will Review
‘Krosis is a progressive deathcore band from North Carolina, A Memoir of Free Will being their second full-length. I’m not sure what progressive really entails, as the label has been used to describe anything from the djenty chuggaboundabounboundaluggs of Structures or Volumes, to the transcendental offerings of Slice the Cake or Kardashev.” Jawbreakers.
Humanity’s Last Breath – Abyssal Review
“What is the heaviest album of all time? While you’re running off to the comments to tell me, I’m going to stay here and admit that I have no clue. I don’t even know what the heaviest album ever would sound like. It could be blazingly fast or crushingly slow, or some combination of the two. Or it could simply carry an intense emotional weight from its subject matter, but the point is, heaviness is a hard concept to define when it comes to music.” Heavy as a two-ton thing.




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