Sigh

Sigh – I Saw the World’s End – Hangman’s Hymn MMXXV [Things You Might Have Missed 2025]

Sigh – I Saw the World’s End – Hangman’s Hymn MMXXV [Things You Might Have Missed 2025]

“Before we start… yes. Yes, we received I Saw the World’s End – Hangman’s Hymn MMXXV on time back when it was released this past June. There was a debate behind the scenes whether a complete remake of Sigh’s seventh full-length from 2007, Hangman’s Hymn, justifies a full-length review. At the end of the day, newer, current bands and releases that were created in 2025 needed precedence, and thus a remake of a classic album, one that many feel didn’t necessarily need one, took a backseat. In doing so, many people slept on it and decided to move on.” The Sigh swings high.

Föhn – Condescending Review

Föhn – Condescending Review

“2024 hasn’t been the greatest year for doom thus far save for Crypt Sermon’s massive missive. I find myself largely swimming in the death and trad swamps, but I crave big, molar-rattling doom to round out my unhealthy listening regime. Fortunately, Greek funeral doom act Föhn have arrived to help with their mammoth debut Condescending. Borrowing from acts like Esoteric and Ataraxie, Föhn deliver monolithic long-form compositions of lumbering grimness with enough sheer mass to crush a steel factory. But rather than merely recycle the same old sounds, the band adds their own unique flair by incorporating manic, unhinged saxophone blasts that sound like they escaped from a Sigh album only to get locked in the Gimp Box in Imperial Triumphant’s sax dungeon.” Sax after death.

Anareta – Fear Not Review

Anareta – Fear Not Review

“Somethin’s a brewin’ down in Nawlins, and it’s not just the festering street sludge that remains from this year’s Mardi Gras bash that has gone and passed. In fact, despite the region’s historical connection to the genre of that festering namesake, Anareta hasn’t an ounce of that groove and vitriol-fueled sound in their DNA—Fear Not comes with its own determined sense of dread and horror, though. You see, this sextet of stringed things and a drum kit play a form of gloomy and rollicking blackened metal led by the screech and saunter of a chamber orchestra trio—cello, viola, and violin fill the air of this grief-laden venture.” Crouching ferocity, hidden chamber pot.

Oranssi Pazuzu – Mestarin kynsi Review

Oranssi Pazuzu – Mestarin kynsi Review

“It has come to my attention that this will be the third time Oranssi Pazuzu have been reviewed on Angry Metal Guy, and that I will be the third unique reviewer to do so; I’ve been informed that Happy Metal Guy is “‘definitely’ alive and well,” and that Jean-Luc Ricard is “perfectly fine, now stop asking difficult questions,” but you still have to wonder if that’s a coincidence. I was surprised to see that Mestarin kynsi, the band’s fifth full-length, still needed reviewing…” Third time’s the harm.

Ars Moriendi – La solitude du pieux scélérat [Things You Might Have Missed 2019]

Ars Moriendi – La solitude du pieux scélérat [Things You Might Have Missed 2019]

“I may drive like a twenty-year-old, dad-joke like a forty-year-old, but I’m as fit as a flabby sixty-year-old and as spry as a seventy-year-old. I have two cups of coffee and have diarrhea for the rest of the day and, two beers later, I’m drunk. Yet, with Angry Metal Age comes Angry Metal Wisdom. As well as a lot of annual visits from old friends to the old-people home. This year, visits came from Darkthrone, Kampfar, Rimfrost, Sorxe, Stormhammer, Via Vengeance, War Curse, Reign of Fury, Second to Sun, and others. One visit I was most excited about was from Ars Moriendi.” Olde habits.