Steel Druhm descends from his lair atop Mount Crumpit to deliver his Top Ten(ish) of 2025. Prepare to be carved like a roast beast.
Helstar
Helstar – The Devil’s Masquerade Review
“When folks look back on the magic and glory of 80s metal, Helstar tend to get overlooked. The little Texas band that could, Helstar dropped a series of influential albums from 1984 to 1989 that were important to the US power metal and prog-power genres. Their Burning Star debut was charmingly rough and raw, and so metal it hurt, giving birth to classic cuts like “Witch’s Eye” and the timeless “Run With the Pack.” 1986s Remnants of War saw the band fully embrace the USPM sound for a righteous platter of bold, badass battle tunes that sound as mighty today as they did when released. 1988s Distant Thunder and especially 1989s Nosferatu helped lay the groundwork for many future prog-power acts, most notably, Nevermore.” Unkillable thrills.
Attacker – The God Particle Review
“New Jersey’s Attacker have a decades-long history but seem to exist in perpetual near-obscurity outside of the Tri-State area. Hitting the scene in 1985 with their Battle at Helm’s Deep debut, they were a part of the US power metal scene along with contemporaries Helstar, Liege Lord, and Jag Panzer. As with others in that movement, they blended Judas Priest andIron Maiden influences with increased speed. Now Attacker return with seventh album The God Particle. Will this be the fateful release that finally sees Weehawken, New Jersey’s finest getting greater exposure?” Do you come from the land of landfills?
Ruthless – The Fallen Review
“Ruthless have ancient roots in the metal scene but haven’t been active enough to gain much notoriety. Their Discipline of Steeldebut was released way back in 1986 when a young undisciplined Steel was living for exactly the kind of US power they deliver, but tragically, our paths never crossed. Turns out they didn’t release a follow-up until 2015 and The Fallen is their fourth full-length.” Tough and Ruthless or rough and toothless?
Riot City – Electric Elite Review
“If you’re going to put a jaguar with cybernetic modifications and laser eyes on your album cover and frame it with lightning, you’re probably a fan of metallic excess and overkill. Welcome to the sophomore outing by Riot City, purveyors of a wild and highly over-the-top brand of retro 80s metal. Electric Elite sees them picking up where 2019s Burn the Night left off, burning everything in sight (night) with stratospheric vocals and frenzied old school riffage turned to 11.8.” 49% riot, 51% elite.
Night Cobra – Dawn of the Serpent Review
“Snakes are as metal as skulls and demons, and nighttime is when all the fun, sketchy things happen. Ipso facto, Night Cobra is a spectacular name for a metal band. Especially for one throwing back so hard to the early 80s that they probably suffered slipped discs and Romulan back gout. On their Dawn of the Serpent debut, these Texas-based retro rockers deliver a mix of NWoBHM and early American power metal.” Snake bitten.
Ross the Boss – Born of Fire Review
“Ross the Boss is one of those bands I can’t help rooting for, being as it’s the outfit of Ross Friedman, the man behind the guitar on all the classic Manowar albums. Those platters were a huge part of my early metal education and I still cherish them dearly, as all trve metal fans should. Ross’ post-Manowar projects have been somewhat hit or miss, and 2018s By Blood Sworn was very disappointing despite some major league talent coming on board to help out. Because of this, I majorly tempered expectations coming into their 4th album, Born of Fire.” Who’s the Boss?
Riot City – Burn the Night Review
“Before one can burn the night, one must first own the night. That’s exactly what Riot City set out to do on their rip roaring retro 80s metal debut. Properly done, retro metal is synonymous with unbridled enthusiasm, fun, and a middle finger to all authority everywhere. It should overflow like a latrine at a 4-day metal festival with in-your-face riffs, pounding drums, and vocals higher than Colorado post-2014. Nuance, subtly and restraint all must be forsaken and expunged and animal spirits embraced. Riot City know these truisms and live them as they rock hard and ride free like the 80s never ended.” Burning the midnight steel.
Ross the Boss – By Blood Sworn Review
“Steely D loves him some Manowar. As ridiculous as their persona became over time, they were one of my favorite bands growing up and I still love that kind of epic, chest-thumping warrior metal. Ross the Boss was the guitarist during the band’s golden era and helped write many of their best songs. He left the fold following 1988s Kings of Metal, and since then he’s dabbled in a solo career only in fits and starts. By Blood Sworn is his third album under the regrettable Ross the Boss moniker, and the first since 2010s Hailstorm.” The crown and the gory.
Shadowkeep – Shadowkeep Review
“Britain’s Shadowkeep lay more or less dormant for seven or eight years following 2008’s The Hourglass Effect, which itself was delayed due to line-up changes. This oft-contracted plague of metal bands received a cure in January of 2017 when none other than James Rivera of Helstar stepped forward and offered his services as the voice of the band for its long-awaited self-titled fourth studio album. As something of a fan of Shadowkeep’s earlier work, and especially The Hourglass Effect, I was interested to see what James would bring to the table in a setting other than Helstar (a band I’m admittedly not overly fond of).” Shadows of Hel(star).
