“Sometimes an album hits you just right and the only words that really seem to fit are “convincing, authentic and WOW.” That’s exactly what happened to me upon spinning Darkest Era’s latest opus Severance. Though this Irish epic metal act was hitherto unknown to me, their cunning mixture of Primordial, doom and black metal instantly knocked me for a loop and now I’m a loyal convert to the cause (read as fanboy). ” Looks like the normally cranky Steel Druhm is over the Gaelic moon for this one.
“At the crossroads of retro/occult metal, doom and throwback vest metal, sits Castle like some sort of big…castle. These San Francisco rockers exploded onto the doom scene with their punchy In Witch Order début and immediately carved a niche for themselves among contemporaries like Jex Thoth and Occultation. Blacklands took things to the next level by incorporating strains of epic metal and black metal riffery and the result was quite heady, unpredictable and fun. Now we get Under Siege, which once again rejiggers the Castle sound as the band evolves and matures with grace and dignity.” Have you heard these guys yet? If not, Steel Druhm thinks less of you.
“So here’s my thing with a lot of power metal, the key part of the genre that sits at the crux of my relationship to it: the success of any particular album relies so heavily on the listener’s ability to completely invest in it. Like the suspended disbelief that allows film audiences to sink unquestioningly into the universe a particular movie occupies, so each power metal album must create its own mini-universe, of fucking epicness, and convince the listener that it is worth abandoning reason for the duration of the album.” I don’t know about you, but I love me some fucking epicness! If you feel the same, read on!
“Argus is one of the leaders in the “trve,” “cvlt” metal wave ov late. They specialize in the kind of muscular battle metal that makes you long for the days of swords, sandals and institutionally approved beer wenching and you can almost feel the hair on your back growing as you spin their odes to brotherhood and bravado. Long have they toiled to perfect their blend of Iron Maiden riffs, the doom-based power of Candlemass, Grand Magus and Doomsword and the oiled pectoral charm of Manowar.” Ready for some no nonsense, old school metal from the days of High Adventure? You better be because Argus is back to kick ass and chew bubble gum and they’re ALL outta bubble gum.
“If there’s one type of retro metal I never tire of, it’s the kind that goes for the old school, traditional, “trve metal” sound from the early 80s like Cirith Ungol and Manilla Road. Of the few bands out there using this style as a main influence, my favorite is Sinister Realm (though Argus comes really close). I really enjoyed their debut, but they raised their game bigtime for 2011s The Crystal Eye opus and it ended up one of my favorite albums of the year. Utilizing a stripped down, zero-bullshit approach with a slight epic feel and incorporating doom, NWoBHM and early America metal influences, they found a winning formula and crafted some really memorable tunes.” Steel Druhm is old so it should come as no surprise he likes stuff that sounds old. Sinister Realm is old school, cvlt, trve and any other V instead of U word. So is this a match worthy of eHarmony?
Shaman is the debut album from Sweden’s Eldkraft, a group who attempt to unite the ancient and mystic with the epic and contemporary. Their conceptual influences are Norse mythology and pagan rituals, especially those concerned with transition, growth and spiritual journeys. Their sound, however, does not have the folksy old-fashioned quality that one might expect; instead, they have gone for modern production and complex instrumentation that makes them sound considerably more grand and expansive than one would expect from a three-piece. This combines to make Shaman a strong and sometimes startling debut.” Join Natalie Zed as she goes on a journey of discovery with Eldkraft’s debut, Shaman.
I guess it was bound to happen, eventually. One of the bands I used as the pillar of consistency in my eyes, several times I might add, has kind laid an egg on this one. Primordial has been a band to look up to for a very long time, for me, having never produced what I consider to be a mediocre record, they’ve soldiered on in relative obscurity up until 2007’s utterly superb crowning glory in To the Nameless Dead. Normally when a band has a “post-great album slump,” it happens because of pressure to produce, but it has been all of four years since Primordial released a record and so I can’t even blame the label, on this one. This one just loses me in the middle (trust me, I’ll explain).
Crushing my friends, simply crushing. Like being flattened by some type of heavy industrial smoothing machine, The Golden Bough, the debut full-length from Germany’s Atlantean Kodex will compress you in a major way. However, this crushing may be one of your better listening experience this year if you dig epic/doom metal. Although I was lead to expect good things by their well-regarded Pnakotic Demos EP, I wasn’t prepared for anywhere near this level of asskickery. To put it quite simply, this is one of the most epic and huge sounding metal albums to drop on us in years. With a sound combining Into Glory Ride-era Manowar with the doom of While Heaven Wept and the atmosphere of Bathory’s Hammerheart opus, these guys have birthed a monstrous metal titan that should be essential listening for all fans of doom, epic or just plain old heavy metal.
