When Greek trve metal heroes Triumpher drop a new magnus opus, it requires 2 reviews to cope with all the glory. Will Piercing the Heart of the World impale you on the lance of majesty and honor?
Riot City
Crucible – Hail to the Force Review
“Whether you’re a fledgling artist or an industry veteran, the process of making music is hard, strewn with obstacles internal and external. For the speed/US-inspired power metallers Crucible, that obstacle was Mother Nature, who gifted them a massive snowstorm that drastically impeded their studio time to record their debut album Hail to the Force. The Danes, thus, banged out the entire ten-track, thirty-seven-minute record in a week. For a young band recording a debut together, that’s nuts. But we’re not here for the story—we’re here for the album, a throwback affair of promo-purported “ferocious aggression with strong melodies and epic heavy metal atmospheres.”” Force is always the answer.
Tower – Let There Be Dark Review
“Back in the Year of Our Plague 2021, New York City’s own Tower came out of nowhere and delivered a massive sucker punch to an unsuspecting Steely with their appropriately titled sophomore opus Shock to the System. It was a powerhouse ode to classic 80s metal full of sizzling guitar work and the massive vocals of Sarabeth Linden. It mixed the best elements of early US metal and NWoBHM and it hit significantly above its weight. 2025 brings us the sequel, Let There Be Dark.” The Dark Tower ascendant.
Traveler – Prequel to Madness Review
“Calgary heavy metal five-piece Traveler received consistently favorable coverage from our beloved Huck n Roll since their self-titled debut dropped in 2019. With Huck’s retirement just over a year ago, somehow Traveler ended up in the land ov Ken. While the hands of Steel are primed to wield this kind of heavy metal with grace, poise, and POWERS, rest assured that I am versatile, strong, and more than capable of handling these wares. Thus, Traveler’s imminent third launch Prequel to Madness earns a session in my court.” Madness meets Kenness.
Savage Grace – Sign of the Cross Review
“Savage Grace are a band now relegated pretty deeply into the dustbin of history, with only a small cadre of elder metal aficionados remembering their brief but entertaining forays into speed/traditional/NWoBHM from 1983 to 1987. They appeared on Metal Massacre II in 1982, but unlike other acts on that compilation like Warlord, Armored Saint, and Overkill, they never got to that next stage of their career, though they should be famous for some of the worst album art in metal history.” Grace in your face.
LiveWire – Under Attack! [Things You Might Have Missed 2022]
“I don’t remember how I heard about LiveWire’s debut record, Under Attack!, but I do know that its album artwork caught my eye as I scrolled through my Bandcamp feed, and, well, here we are. The Aussie troupe used to operate under the moniker Fenrir, but in 2019 they rebranded and shifted in style. Since then, a few singles trickled out of the pipeline until April, when this absolute supernova of a record exploded into existence.” Hardwired to sponge destruct.
Riot City – Electric Elite Review
“If you’re going to put a jaguar with cybernetic modifications and laser eyes on your album cover and frame it with lightning, you’re probably a fan of metallic excess and overkill. Welcome to the sophomore outing by Riot City, purveyors of a wild and highly over-the-top brand of retro 80s metal. Electric Elite sees them picking up where 2019s Burn the Night left off, burning everything in sight (night) with stratospheric vocals and frenzied old school riffage turned to 11.8.” 49% riot, 51% elite.
Iron Fate – Crimson Messiah Review
“2021 was a mightily backloaded year of metal. I didn’t love a lot of stuff from January through August and I was coasting along with a very low yearly rating average. Since August however, it seems every other album I dive into is a blast and it’s done major damage to that once pristine median. Now comes the classic metal stylings of Iron Fate to play mischief with Steel ’s ledger of maths.” Let olde acquaintance be not forgotten.
Tower – Shock to the System Review
“The retro metal movement continues unabated, dragging modern metal back to the past (read as: the 70s). New York City’s Tower want their piece of that retro/proto-metal pie, and on sophomore platter Shock to the System, they’re ready to do whatever it takes to get it. Their stock in trade is high-octane, gritty, ballsy metal influenced by 70s rock, 80s traditional metal, and early speed, and folks, these cats are out for blood and treasure.” System upgrade.
Starlight Ritual – Sealed in Starlight Review
“Sponge Boy(d) and I don’t exactly have well aligned worldviews or musical tastes, but for whatever reason we both laid claim to the debut by Canadian classic metal act Starlight Ritual. Instead of fussin’ and feudin’, we decided to do a double review of Sealed in Starlight instead. See? People of different opinions can work together! Hailing from Quebec, this crew rocks a heavy metal sound steeped in the 80s. They cite influences ranging from Mötörhead, Rainbow and Judas Priest.” Sealed in the 80s.





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