Bolt Thrower

Temple of Void – The Crawl Review

Temple of Void – The Crawl Review

“Detroit’s death-doom institution Temple of Void had an interesting journey over their 12-year career. Their 2014 debut split the baby between 90s Peaceville doom and nasty death metal like Asphyx and Bolt Thrower, and the end product was heavy as fook. 2017’s Lords of Death shifted toward death metal without losing any of the crushing, venomous intensity. It wasn’t until 2020s The World That Was that Temple of Void really started experimenting with the scope of their sound as influences like post-metal crept in. When 2022s Summoning the Slayer arrived, it seemed like the band was losing the plot, as their sound became overly pared down and simplistic, causing tedium to set in. That brings us to their fifth album, The Crawl.” Null and void?

Casket – In the Long Run We Are All Dead

Casket – In the Long Run We Are All Dead

“For over 30 years, Casket has been a reliable—if slow and not terribly well-known—source of classic death metal. Originally forming as a four-piece in Reutlingen, Germany in 1990, they released a slew of demos between 1992 and 1996 before releasing their debut, Under the Surface, in 1998. They’ve released something (demo, EP, or LP) every five years or so since then, and aside from paring down to a trio in 2007, not much has changed since the early days.” Getting laid in the coffin.

Dead Sun – This Life is a Grave Review

Dead Sun – This Life is a Grave Review

“He must be a music addict. I can’t fathom any other reason Rogga Johansson has so many heavy metal projects. Scratching his songwriting itch must require the slightly different flavors of death metal and variety of collaborators each project provides. This latest from his melodeath outfit, Dead Sun, marks, by my count, album number nine for Rogga this year alone, and it is also album number nine for Dead Sun since its formation.” Rogga! Rogga!

1914 – Viribus Unitis Review

1914 – Viribus Unitis Review

1914 has never shied away from the ugliness of war and death. Since Where Fear and Weapons Meet was released in 2021, the Ukrainian outfit has witnessed the horrors of that ugliness on their own soil. On Viribus Unitis, the quintet from Lviv maintains the poise and brutality of earlier material while imbuing their latest opus with deft poignancy.” War is always Hell.

Plague Curse – Verminous Contempt Review

Plague Curse – Verminous Contempt Review

“We’ve all been told, once or thrice, not to judge a book by its cover. As a species, we’re pretty good at doing it anyway. In metal circles, band logos and album art often follow certain tropes that let us quickly identify what we’re about to hear and set expectations accordingly. Except when they don’t. When I first saw the cover art for Verminous Contempt, I thought I had it pegged. I mean, rats? Green mystery fluid? Skulls? This was sewage-drenched death metal for sure. I was, of course, wrong. For their debut, Plague Curse instead offers a highly polished platter of blackened death metal.” Cess is MOAR.

Last Retch – Abject Cruelty Review

Last Retch – Abject Cruelty Review

“Despite the core ingredient being completely the same, not all steaks are created equal. Marbleization, marination, seasonings, sauces, garnishes, lobster tail, and the right type of whiskey to chase it down are all equally important considerations in preparation for the final product, despite the cynics’ argument that you’re dealing with the same slab of beef. So too with death metal. Hailing from Canada, Last Retch are our chophouse today, offering up their second LP Abject Cruelty to appease your palate for all things medium rare.” Looks like meat is back on the menu, boys!

Proscription – Desolate Divine Review

Proscription – Desolate Divine Review

“Last we met Finland’s Proscription, an overwhelming amount of promise was almost as intense as their blackened death attack. While rerecorded songs from their 2017 demo such as “I, the Burning Son” and “Blessed Feast of Black Seth” singlehandedly tamed the experience with jarring simplicity and excessive repetition killing momentum, tracks like “Conduit” and “To Reveal the Word Without Words” were elite blackened death. The promise was insane, causing a bigger stir in the underground than the music itself. While Conduit was solid, Desolate Divine promises even bigger and better.” Stick to the proscript.

Bear Mace – Slaves of the Wolf Review

Bear Mace – Slaves of the Wolf Review

“Finally, with my head pulled from my work’s dismal sphincter, I set off to pen a review of Bear Mace’s newest offering, Slaves of the Wolf. As the Sugar bear licks the shit from my hair, and tickles my ballsack ever so gently with his grizzly claws, I dive straight into the wolf’s den to see what all the fuss is about. To my wondering eyes appears… a motherfucking blood bath.” The Bear maximum.